I like this. A lot. Instant first impression, and while I’m a fan of White Stripes, and know some of their stuff, I don’t really own it and have any allegiance to it. But this is much more – so far – than some of the brash unreconstructed stuff they did that I knew, so it’s refreshing. This is the single, but it’s not really the best thing on there either.

 

In short though:

1) I like

2) I wish I’d chosen this for my month!

 

This was the album I’d have given you if I’d had May. 

They’re a band with one guy at the centre, but really there’s lots of stuff on there. Guitars, piano, synth, electronic bits, interesting cut up vocals, and quite an epic feel to it. And unashamedly so, which I really like. No “oh, this sounds a bit much.” It’s just big sound, but there’s emotion and feeling there as well.I saw them live for a brief time last year and am gutted I missed them last week. Work, bloody work.

Their album was out last week and I’m really enjoying it so far. They also have good beards.

 

DISCLAIMER: A mate of mine looks after them, but I’d heard this track and an EP before I’d even realised, and still loved it. So there.

 

 

I’ve been waiting for the album for some time. This track was put out there a few months ago and I loved it. I am not looking for any sharing of that love here, I don’t think this will be a fave of us all but this is not far from a blue print for what I like. Its a single. Its 5 mins. 0-1min is an atmospheric build of dare I say it ‘soundscape’. As much as Brother David loves a tune, I love a layer and then 10 more, I love a texture, an atmosphere. All words that make you sound like a muso wanker … and I don’t care.

 

This isn’t usually my sort of thing, or at least not what I’d got after. But Aus is one of the most interesting labels around, certainly since I started writing, and Will (Saul)’s got some proper A&R skills. I’ve been into Simple since the beginning, but not everything they put out on the sister label was my cuppa before, but this is a fantastic remix of a fantastic original EP from Midland. Just really love the percussion, and it just builds and builds, never loses momentum.

There’s another mix from Motor City Drum Ensemble as well. There’s so much good house music I’ve listening to at the moment (Kate Simko EP on Leftroom is sensational), but this stands out.

Enjoy, digest, comment.

I don’t often get recommended the same album by almost eveyone I talk to music about down here, but this was the case with Alabama Shakes. Yews, Hold On has been rinsed on 6Music, almost to the point where it wore thin, but in terms of ‘sound’, I really think there’s something glorious old fashioned about this album. I’m still getting my head around it at the moment, as it’s only come out this month, but I’m looking forward to a good discussion on this one. It’s not blown me away at first listen, but then albums I love rarely do. I’m going to need to give this a good week or two.

Sorry for the lateness this month Brothers. It’s been a bit busy of late. Hope this is worth the wait.

It’s the best new tune I’ve heard in a long time. Need I say any more? SO much to like about this. Thoughts, brothers?

OK. You know when you never knew something and then you find out and you have a great big WTF. I just had one of those moments today of musical WTF-ery.

So it turns out Demis Roussos – terrible Greek lounge singer of the 70s – used to be in an insane prog-psychedelic band with Vangelis, writer of the Chariots of Fire and Bladerunner soundtracks???!!!

Some things are almost too good to be true. Check this out. AWESOME doesn’t even begin to cover it.