Posted in Album of the Month, Music chat, podcast

Podcast Episode 29 | Ab Soul | Herbert

Our first AOTM episode in 2023 finds us exploring Ab Soul's 'Herbert' in Part 1 and we focus on New Music for 'Spin It or Bin It' in Part 2.Part 1 | Album of the Month | Ab Soul | HerbertIt's Nolan's choice this month and he's taking us to his spiritual home – Hip Hop with Ab Soul's late 2022 release, 'Herbert'. For once, we're all coming to this artist pretty fresh . Nolan's been banging on about the singles from this album for like 6 months so giving the album some extended love seems a natural choice.If you've not heard it, we think it's well worth a listen …Go listen to the album – HereGo watch some videos – HereGo buy some merch – Here Our discussion focuses on how we'd describe the album, mental health, suicide and how these topics impact the album, the length of the album, the bangers and of course we touch on a few of the clangers too.We mention a few things that we'd highly recommend checking out, so here are the links;YouTube interview with Charlamagne Tha God – HereGQ interview – HereJoey's alternative, 10 track playlist that focuses on the bangers – HereGuy's alternative, 11 track playlist that focuses on the narrative – HerePart 2 | Spin It or Bin It | 'New Music' (Nov '22 onwards)We all pick a tack based on a theme and present to the rest of us to ask the simple question, Spin it or Bin it? The theme this month is a simple one 'New Music'. The only rule is that the track has to be released after November 2022. We chose albums from as far a field as Doncaster and Russia.David chose – 'Nothing Left to Loose' by Everything But the Girl Nolan chose – 'Like a Heart Won't Beat' by Skinny Pelembe  Joey chose – 'Let's Hold Our Hands Together' by Kito JempereDavid chose – 'Gorilla' by Little SimzNext MonthDavid is in the hot seat for AOTM and he's bringing Rozi Plain's new album 'Prize' to the table. We're all getting stuck in and seeing how we live with the album for a month or so. In Part 2, 'Spin It or Bin It?' will be a good one too … the theme next month is Protest Music.We've been writing the blog for years come and have a look – https://thisisnothappening.net/We've been writing the blog for years come and have a look – https://thisisnothappening.net/
  1. Ep 29 | Ab-Soul | Herbert
  2. Ep 28 | 2022 Top 10 Albums + Top Tracks
  3. Ep 27 | Sudan Archives | Natural Brown Prom Queen
  4. Ep 26 – Hot Chip – Freakout / Release
  5. Ep 25 – Steve Lacy – Gemini Rights

Our first AOTM episode in 2023 finds us exploring Ab Soul’s ‘Herbert’ in Part 1 and we focus on New Music for ‘Spin It or Bin It’ in Part 2.

Part 1 | Album of the Month | Ab Soul | Herbert

It’s Nolan’s choice this month and he’s taking us to his spiritual home – Hip Hop with Ab Soul’s late 2022 release, ‘Herbert’. For once, we’re all coming to this artist pretty fresh . Nolan’s been banging on about the singles from this album for like 6 months so giving the album some extended love seems a natural choice.

If you’ve not heard it, we think it’s well worth a listen …

  • Go listen to the album – Here
  • Go watch some videos – Here
  • Go buy some merch – Here 

Our discussion focuses on how we’d describe the album, mental health, suicide and how these topics impact the album, the length of the album, the bangers and of course we touch on a few of the clangers too.

We mention a few things that we’d highly recommend checking out, so here are the links;

  • YouTube interview with Charlamagne Tha God – Here
  • GQ interview – Here
  • Joey’s alternative, 10 track playlist that focuses on the bangers – Here
  • Guy’s alternative, 11 track playlist that focuses on the narrative – Here

Part 2 | Spin It or Bin It | ‘New Music’ (Nov ’22 onwards)

We all pick a tack based on a theme and present to the rest of us to ask the simple question, Spin it or Bin it? The theme this month is a simple one ‘New Music’. The only rule is that the track has to be released after November 2022. We chose albums from as far a field as Doncaster and Russia.

  1. David chose – ‘Nothing Left to Loose’ by Everything But the Girl 
  2. Nolan chose – ‘Like a Heart Won’t Beat’ by Skinny Pelembe  
  3. Joey chose – ‘Let’s Hold Our Hands Together’ by Kito Jempere
  4. David chose – ‘Gorilla’ by Little Simz

Next Month

David is in the hot seat for AOTM and he’s bringing Rozi Plain’s new album ‘Prize’ to the table. We’re all getting stuck in and seeing how we live with the album for a month or so. In Part 2, ‘Spin It or Bin It?’ will be a good one too … the theme next month is Protest Music.

We’ve been writing the blog for years come and have a look – https://thisisnothappening.net/

Posted in Album of the Month, New Albums, New Tunes

AOTM January – Ab-Soul : Herbert

As we start of a new year of what I imagine will be another year of fantastic music, I like many am still mopping up the spill over of late releases in 2022. An easy choice for this month’s album of the month would have been either the new Stormzy or Little Simz releases which are both exceptional. But they have had a lot of well deserved coverage and I’m sure most of us are well into their releases being in heavy rotation. Instead I’m bringing to the table and album that is complicated, and I’m confident is going to be a challenge to at least 2 of the 4 of us. Why? Because it’s an album that I think shouldn’t be missed. The album I’ve chosen is Ab-Soul’s ‘Herbert’. 


Ahead of the ‘why’, it’s important that we delve into the ‘who’. Cards on the table, though I’d like to say that I’m a big fan of hip hop and have a fairly extensive knowledge I don’t actually know that much about Ab-Soul or his music. With the exception of his membership in Black Hippy and being signed to TDE my knowledge stops there. Most recent articles focus heavily on his debut album ‘Control System’ and how his conspiracy theory lidded rhymes made him popular with underground hip hop heads and built him a strong following that lauded after him over his next few albums. All of this passed me. Though he’s signed by TDE, they have released his music independently whilst the majority of TDE artists such as Kendrick, Schoolboy Q, etc. have released their music through major labels such as Interscope. Previously happy with his underground path, Ab-Soul has admitted on numerous occasions recently that this latest release carried a heavy amount of pressure to break him into the mainstream. Part of the plan was to move away from his conspiracy theories and create an album that was personal and more of a reflection of him. 
Like the 3 others on this blog / podcast I have approached this album and artist with no history and previous impressions. Impressed by the initial singles I was expecting a well produced collection of solid songs.  What I found is an album reflecting an artist’s internal and external turmoil, raw emotions, and a journey. 

Not long after the release of Herbert, Ab-Soul confirmed in and interview with Charlamange that after completing the majority of the album he tried to commit suicide by jumping off of an overpass close to his mothers house. He largely blames substance abuse and the loss of his best friend for the attempt, though suicide has haunted Ab-Soul over the last 10 years with both his ex girlfriend Alori Joh as well as previous collaborator Mac Miller both taking their lives. Digesting this and the time of when many of the songs were recorded brings an immediacy to many of the tracks and exposes layers in the lyrics that I missed on the first few listens. 

In a recent NPR interview he talked about ’the disconnect with the people around him that matter the most’ and how he dealt with this. Much of it is channeled through ‘Herbert’. The album is a journey, a musical memoir, it has a district start, middle and end. Songs interweave into each other as Ab-Soul works through his journey to getting to where he wants / needs to be. 


Starting off with ‘Message In A Bottle’, the album is perfectly set up laying out his frustrations and ambitions. Whilst ’No Report Card’ gives us a hint of his state of mind through the recording of album with the chorus of ’so-low, don’t go so low, may day, grade a, no report card’ whilst dropping hints of frustration through lines like ’solar system, I’m sick of planet earth’. 

Released last April, ‘Hollandaise’ was the first single from the album. It was the track that made me sit up and pay attention to Ab-Soul. I love the swagger and confidence of Ab-Soul on the track. It reminds me of Jay-Z on Reasonable Doubt. The beat also throbs of the Cali hip hop I grew to love in the early 90’s. It also sets Ab up perfectly for the next track ‘Moonshooter’. 


My favourite track of 2022, Moonshooter is as close to hip hop perfection you can get. There are so many lines I love in this song, but the stand out has to be: ‘Hopped of the porch like, “One of these days I’ma hop out the Porsche”, caught up in a daze’. I’m not sure why, but it always sticks with me and makes me smile. The song alone paints such as great picture, and the video adds a next level to the track as it depicts two young boys and the mischief they can get up to on an average day. 


‘FOMF’ is the first song that I struggled with on the album, it’s not my bag. With that, I can imagine the younger (under 40) listeners will really like this track as it’s got the trap feel that all the youngsters are into (I’ve shuttered whilst writing that). I can imagine a bunch of youth’s bouncing around to this will mobile phones in the air…. doing a trap dance to it. 


Ab quickly won me back with ‘Goodman’ which samples one of my favourite tracks ‘Am I A Good Man’ by Them Two that we featured previously on Spin It or Bin It. It sits nicely at the midpoint and sets up ‘Do Better’ perfectly. 


Whilst ‘Moonshooter’ was my favourite track of 2022, ‘Do Better’ is my theme song for 2023 as Ab highlights how he can always improve as the brilliant sample of Nick Hakim’s ‘Green Twins’ haunts the song. 


Though the first half has a positive feel, the second half is a stark look into Ab-Soul’s mind at the time of recording the track. Do Better, thought touching on suicide, was recorded before his suicide attempt. Ironically it feels like he wrote it after. Soul has highlighted that his suicide wasn’t a direct attempt. It was driven by being under the influence and effect of his own drug use. Ab’s line of ‘Doing drugs was just a war with boredom but it’s sure to get me’ sadly foreshadows real life events that were soon to follow.  We’ve talked on previous podcasts about the recent trend of artists, especially hip hop artists opening talking about mental health openly. For me this song is a glowing beacon towards the positive on a very dark subject, though I question its’ dynasty if events had ended differently. 


‘Gang’nem’ slightly sidetracks the emotional flow of the album, but is special. I recently was listening to a conversation with Talib Kweli and Yassin Bay where they were discussing the concept of reality rap. Hip hop is a product of its’ environment and as it has taken over the mainstream I think some listeners forget about its’ roots. ‘Gang’nem’ taps into the gang affiliations that Ab-Soul grew up with and brought me back to hearting tracks of gang tales in my early days of getting into hip hop. Not to glorify gang culture, the track gives us a reminder that within much of metropolitan America, gang culture is still prevalent. 


‘Wildside’ gives us a midway break through ‘Herbert’, though as we get to the second half I find the album hits some bumps in the road. For the brilliance of some of the songs in the first half of the album there are flaws in the second half. ’The Art of Seduction’ isn’t my personal cup of tea, whilst ‘Bucket’ and ‘Go Off’ aren’t to the level of the album and find themselves lost in the over all feel of the album. ‘Fallacy’ brings you back into the fold ahead of the James Blake produced ‘Herbert’. The title track is a reconning as he faces into his demons and layers of positivity start making their way into the album. 


‘Church On The Move’ brings light to the album, it’s one of my favourite tracks on the album. I can see this as a single. The opening lyrics are a statement of intent. 


“I sip my drink, I do my dance
Don’t throw no stones, don’t hide my hands
I played my part, I play it well
I trim the fat, still tip the scale
I fought that fight, I fall like Hell
I ran that race, I tripped, I fell
I got right back up (yeah)”

‘It Be Like That’ and ‘Positive Vibes Only’ continue to bring us to the light of the album as the inspiration of his journey continues to break through, ahead of the DJ Premier produced ‘Gotta Rap’ which brings his boom bap MC credentials to the table as he states: 

“I even tried suicide and I don’t know whyI know better than most that the soul don’t die
Took a leap, shattered my leg and lost some teeth
And I’m still standing behind every word I speak, peep”

Ab-Soul has highlighted that the track was originally recorded before his suicide attempt, but it was important to re-wrote the lyrics of the song inline with where he wanted to leave the album. 

Ab-Soul has created an album that serves the listener with some fantastic tracks that are catchy and should lead to streams, social media trends, and other tick box exercises that most artists and labels now focus on. As an album, Herbert is unintentional journey that unearths the path that he has fought through in real time. Though he’s a seasoned veteran of hip hop, you get the feeling that he is an artist with a new drive, and this album is the start of what could be an incredible run as an artist.  

Presenting this album for our monthly review is risky, I get that it’s not everyones bag. Guy’s not going to like the language, Joey will think some of the lyrics are throw away and lazy, and David will need to spend more time than he perhaps has to dig into the lyrics (though when he does they will click). What I can guarantee is that when you commit to this album it’s an album that will stick with you. 

Posted in Music chat, New Tunes

Simz is BACK!

ALL HAIL.

We are big big Little Simz fans here at TINH, and while we were mixed with our view of Sometimes I Might Be Introvert (S.I.M.B.I.) – for me, it was a brilliant record, somewhat let down by the strange skits from Emma Corrin / Lady Di in the Crown – we all adored Grey Area for its energy, power and sheer do-not-give-a-fuck attitude (not to mention amazing flow and vibe).

And as we all got to thinking about our 2022 Top Tens, here landed No Thank You, on 12 December, to land in that strange slot of after end of year lists, but not in 2023, hence a sort of hinterland. But my god, it doesn’t really matter, because it’s an amazing work. Much more personal, and pared back than the maximal feel of SIMBI, this sees Simz and her producer, Inflo, in perfect harmony. Gorilla may be one of my tracks of the year as a late entry, and if it came out in November, it would’ve likely been in my Top 5, straight in!

It’s great to have her back, but perhaps next time, release on 2nd Jan?

We love Simz.

Posted in Album of the Month, podcast

Podcast Episode | Top 10 Albums & Top Tracks of 2022

Our first AOTM episode in 2023 finds us exploring Ab Soul's 'Herbert' in Part 1 and we focus on New Music for 'Spin It or Bin It' in Part 2.Part 1 | Album of the Month | Ab Soul | HerbertIt's Nolan's choice this month and he's taking us to his spiritual home – Hip Hop with Ab Soul's late 2022 release, 'Herbert'. For once, we're all coming to this artist pretty fresh . Nolan's been banging on about the singles from this album for like 6 months so giving the album some extended love seems a natural choice.If you've not heard it, we think it's well worth a listen …Go listen to the album – HereGo watch some videos – HereGo buy some merch – Here Our discussion focuses on how we'd describe the album, mental health, suicide and how these topics impact the album, the length of the album, the bangers and of course we touch on a few of the clangers too.We mention a few things that we'd highly recommend checking out, so here are the links;YouTube interview with Charlamagne Tha God – HereGQ interview – HereJoey's alternative, 10 track playlist that focuses on the bangers – HereGuy's alternative, 11 track playlist that focuses on the narrative – HerePart 2 | Spin It or Bin It | 'New Music' (Nov '22 onwards)We all pick a tack based on a theme and present to the rest of us to ask the simple question, Spin it or Bin it? The theme this month is a simple one 'New Music'. The only rule is that the track has to be released after November 2022. We chose albums from as far a field as Doncaster and Russia.David chose – 'Nothing Left to Loose' by Everything But the Girl Nolan chose – 'Like a Heart Won't Beat' by Skinny Pelembe  Joey chose – 'Let's Hold Our Hands Together' by Kito JempereDavid chose – 'Gorilla' by Little SimzNext MonthDavid is in the hot seat for AOTM and he's bringing Rozi Plain's new album 'Prize' to the table. We're all getting stuck in and seeing how we live with the album for a month or so. In Part 2, 'Spin It or Bin It?' will be a good one too … the theme next month is Protest Music.We've been writing the blog for years come and have a look – https://thisisnothappening.net/We've been writing the blog for years come and have a look – https://thisisnothappening.net/
  1. Ep 29 | Ab-Soul | Herbert
  2. Ep 28 | 2022 Top 10 Albums + Top Tracks
  3. Ep 27 | Sudan Archives | Natural Brown Prom Queen
  4. Ep 26 – Hot Chip – Freakout / Release
  5. Ep 25 – Steve Lacy – Gemini Rights

It’s that time of year again, we dust off David’s scoring-algorithm for the end of year review. This is the one we look forward to and we hope you enjoy it.

This month, in Part 1 we run through our collective, This is Not Happening Top-10 albums. In Part 2 we all introduce our Track of the year.

Part 1 | 2022 This is Not Happening Top 10 Albums

So, there’s for of us. We all independently chose our Top 10 albums. This data is fed into deep learning algorithm that considers all of the knowns and most of the unknowns and create a singular, collective This is Not Happening Top 10. Its a controversial approach but its as fair as we can make it. 

This year only 2 albums were chosen by all 4 of us. Only 3 albums were chosen by 3 of us. However, the Top 10 feels more ‘shared’ than we’ve ever done. I think it’s a really solid top 10 and we should be proud of it.

Our number one is an absolute belter! We can hold our heads high with this one.

Part 2 | Tracks of the Year

How do you sum up an entire year in one track? Is it even possible? Two, important  questions, to which our answers are; ‘with difficulty’ and ‘yes’. We chose 4 tracks from 4 different genres. There’s more than a whiff of melancholy that links our Top tracks but we think is kind of fitting for one of the oddest of years.

Next Month

If we’re honest, we’re not 100% sure what we’ll be reviewing. Every year there are albums released later in the year that we miss or simply don’t have the time to get our teeth into. So Nolan will pick one of these albums and we’ll all spend the holidays getting stuck into that with our families (if it’s vaguely appropriate for very young or very old ears).

Posted in Album of the Month, Music chat, New Albums, New Tunes, podcast, Spin it or Bin It, Tracks of the Month, Uncategorized

Podcast Episode | Sudan Archives | Natural Brown Prom Queen

Our first AOTM episode in 2023 finds us exploring Ab Soul's 'Herbert' in Part 1 and we focus on New Music for 'Spin It or Bin It' in Part 2.Part 1 | Album of the Month | Ab Soul | HerbertIt's Nolan's choice this month and he's taking us to his spiritual home – Hip Hop with Ab Soul's late 2022 release, 'Herbert'. For once, we're all coming to this artist pretty fresh . Nolan's been banging on about the singles from this album for like 6 months so giving the album some extended love seems a natural choice.If you've not heard it, we think it's well worth a listen …Go listen to the album – HereGo watch some videos – HereGo buy some merch – Here Our discussion focuses on how we'd describe the album, mental health, suicide and how these topics impact the album, the length of the album, the bangers and of course we touch on a few of the clangers too.We mention a few things that we'd highly recommend checking out, so here are the links;YouTube interview with Charlamagne Tha God – HereGQ interview – HereJoey's alternative, 10 track playlist that focuses on the bangers – HereGuy's alternative, 11 track playlist that focuses on the narrative – HerePart 2 | Spin It or Bin It | 'New Music' (Nov '22 onwards)We all pick a tack based on a theme and present to the rest of us to ask the simple question, Spin it or Bin it? The theme this month is a simple one 'New Music'. The only rule is that the track has to be released after November 2022. We chose albums from as far a field as Doncaster and Russia.David chose – 'Nothing Left to Loose' by Everything But the Girl Nolan chose – 'Like a Heart Won't Beat' by Skinny Pelembe  Joey chose – 'Let's Hold Our Hands Together' by Kito JempereDavid chose – 'Gorilla' by Little SimzNext MonthDavid is in the hot seat for AOTM and he's bringing Rozi Plain's new album 'Prize' to the table. We're all getting stuck in and seeing how we live with the album for a month or so. In Part 2, 'Spin It or Bin It?' will be a good one too … the theme next month is Protest Music.We've been writing the blog for years come and have a look – https://thisisnothappening.net/We've been writing the blog for years come and have a look – https://thisisnothappening.net/
  1. Ep 29 | Ab-Soul | Herbert
  2. Ep 28 | 2022 Top 10 Albums + Top Tracks
  3. Ep 27 | Sudan Archives | Natural Brown Prom Queen
  4. Ep 26 – Hot Chip – Freakout / Release
  5. Ep 25 – Steve Lacy – Gemini Rights

Guess who’s back. Back again. TINH’s back. Tell a friend.

This month, in Part 1 we go deep on this month’s Album of the Month by Sudan Archives. In Part 2 we play ‘Spin It or Bin It’, where we choose a theme and each bring our choice of tracks. This month the theme is ‘Our own personal entrance music’.

Part 1 | Album of the Month | Sudan Archives | Natural Brown Prom Queen

It’s my (Joey’s) choice this month and we’ve gone with a belter of a sophomore album by Sudan Archives that easily claims the best titled album of the year ‘Natural Brown Prom Queen’  

If you’ve not heard it and this inspires you … 

  • Go listen to the album – Here
  • Go watch some videos – Here
  • Go buy some merch – here

(personally I’ve got my eye on the ‘I just wanna get my titties out’ t-shirt –here)

As always we kick off with what we expected from the album and what we got. Then we explore favorite tracks, sequencing of the album, why ‘OMG Britt’ nearly ruined the whole thing for Guy’, the creative process of making the album and the influences that we hear.

We mention a few things that we’d highly recommend checking out, so here are the links;

Part 2 | Spin It or Bin It | ‘Our own personal entrance music’

The theme for Spin It or Bin It is a bit different this month. We’re choosing our ‘Entrance Music’ and describing the event or circumstances that we’re entering. If that doesn’t make too much sense, just listen to the episode!  This month, the 4 tracks were …

  1. David chose – Adriano Celentano | L’Unica Chance (plus David’s blog post)
  2. Joey chose – Joey Valance and Brae (Feat. Logic) | Tanaka 2 (plus Joey’s blog post)
  3. Guy chose – The Beastie Boys | Sabotage  (plus Guy’s blog post)
  4. Nolan chose – Macklemore and Ryan Lewis | Can’t Hold Us (plus Nolan’s blog post)

Next Month

The big one! The end of year review. Hold on tight. 
We count down our 10 favourite albums of the year, featuring lots of moaning about David’s album scoring algorithm. We also present our tracks of the year. Can you sum up the year musically in one track? It’s a lot tougher than you’d think.

Other episodes of the pod and 10 years of the blog;

If you enjoyed this episode, please check out the others. If that’s not enough for you then there’s 10 years worth of music discussion on the blog at www.thisisnothappening.net, which runs alongside the podcast choices and much, much more. 

Posted in Uncategorized

Song for an Entrance | Nolan

I had THE BEST intro song, or so I thought until I played it for my wife. It was a fight song, it was gritty, aggressive and punched you in the face. When I played it for my wife she looked at me with disgust. ‘What’s this shit? This isn’t you?!’. She then put this track on. ‘This is your intro!’. She was right. I never want to fight anyone, I want to enter a room and make people smile, I want high 5’s, I want memories, I want hands up like the ceiling can’t hold us!

There is no scenario that this song shouldn’t be played. In fact, it’s gritty, it’s a fight song, it’s aggressive, but people will hug, smile, cry, run, walk, dance, love and motivate to it. This is actually the first song that I don’t care if it looses in spin it or bin it… this is my intro / outro and theme song.

Put me in a Western movie, walking into school as a youth, getting out of the bed..shower.. ready for work scene…. Get this on!

Posted in Spin it or Bin It

Song for an Entrance | Guy

I loved this ‘track’ idea when we heard it. I thought I’d have TONS of ideas. So many, that I didn’t really think about it until about 2 weeks ago, while on holiday, and realised I had no bloody idea what to do. Was it entrance to a boxing ring? The start of a film? All the tracks that first came to mind were for the end of a film (‘roll credits’) and that wasn’t the brief, though perhaps a great new one.

Then, I didn’t really feel I was doing anything original. I had a playlist/mood board, but it didn’t really say much about why or what it meant to me other than ‘wicked track’. Then I read David’s post and realised you could really run away with it. And here we are. One of my favourite tracks, yes, and possibly not as original as either Joey or David’s, but the idea came to me very quickly once I listened to it. And while there’s a bit of disconnect between the song (and its release) and my ‘entrance’, it all fits.

So, here’s my scene. Sit back, and enjoy.

[Warning: Artistic licence and a time machine required]

Location: an English boarding school in the late 80s.

Kids sitting glumly in monochrome in their form room, doing more dreary homework. Not a sound. Heads down. Too many detentions lately. Not long to bed time. Another grey day in middle class, middle England. Until…. 

In come the 6th formers. Bored and irritated, with some imperceptible slight. It’s time to pick on whoever’s in front of them, and in this case it’s the nerds. Always the nerds. This time it’s the 2nd years, minding their own business. But here they come, all rolled up sleeves, small-knotted ties and wispy facial hair, kings of the world, at least in their own mind. And ready for another shitkicking of whoever, because these lads are in the first XI, and nothing ever happens to them. Think the classic high school movie cliche, jocks v nerds, except extract all the US glamour, sunny climate, and general colour and mix in a tablespoon of English uptightness, a few drips of angst and the whiff of educational institutionalism and it’s about to kick off, in the most one-sided of ways. 

The 2nd years are fed up. They’ve seen this movie too. There’s never a reason for a shoeing other than ‘why not’? And if they’re lucky, they’ll just get their homework spat on, chucked in the bin or their tie pulled tight so they can’t undo it. At worst, bumps, bruises, or perhaps even a broken bone, ready to be covered up with a chat to the parents from the headmaster because ‘we can’t harm our glorious (not very good) reputation’

First a push, then someone’s dragged out of a cubicle. There’s a smirk, and the gang spreads out. Time slows down. The inevitable awaits…. 

BUT WAIT. One cubicle is empty. No one notices. Until now. Cue music…. Revenge is finally to be exacted. 

[Sound of loud music: Beastie Boys: Sabotage]

Switch to HD. Turn up the colour. Crank up the volume. The guitar kicks in. In walks the kid that has taken enough and isn’t going to take any more. Slow-mo as the first punch lands on that entitled, smug jaw. Out cold. Everyone turns, facing their target. A lucky punch, they think, he’s toast. But it’s just the beginning. 

[Sabotage continues, vocals kick in],

Like a mix of Bruce Lee’s grace and power, Arnie’s muscle and Eddie Murphy’s cool, each attacker is repelled with a mix of roundhouses, blocks, jabs. one-inch punches, in slow-mo glory, taking down the older boys that have had this coming for 5 years, treating everyone lower than them like vermin because they’ve spent their lives being told that they’re alpha males who’ll never get their desserts (and yes, they’ll all still on to to be bankers and management consultants, divorced by 35 with a head full of regret and a cocaine problem, enjoy that) but this is the day of the fightback. 

In they pile to the lone fighter: 6th formers, 5ths, until the scene resembles a cartoon dust cloud with limbs flying, until a lull

[Sabotage hits 1:37. and as the melody kicks back in]

A hail of bodies fly outwards like an explosion, through windows, walls, doors, until only the hero is left standing, surrounded by his classmates, mouths agape. 

He surveys the scene, no movement, brushes dust of his shoulder, and walks out into the sunshine, as the track dies out. 

[END]

There you go. Let’s call it long wished-for revenge, and leave it at that.

Posted in Music chat, New Tunes, podcast, Spin it or Bin It, Tracks of the Month

Song for an Entrance | Joey

This months’ theme is ‘entrance music’. We all pick our event or occasion (for us to enter) and a track that suits both us and the occasion (and hopefully something that the other brothers want to ‘spin’, rather than ‘bin’).

I’ve considered a number of different occasions but have picked a very specific event for which I’ll probably need to paint you a picture.

The setting for my story is a powerlifting gym in any unfashionable northern town, pick any, it doesn’t really matter. It’s about 20 mins off the M62 or perhaps off the M61 (again, it doesn’t really matter). It’s on the 2nd floor of the old mill building above a carpet warehouse, the paint’s peeling off the walls and it smells like, well, it smells like a powerlifting gym. There’s just enough room for a handful of family, friends and training partners. They’re either standing against the walls between squat racks or perched on benches.

You’re at your first powerlifting competition, except that word doesn’t really matter, nobody’s competing against each other, just themselves. 18 stone veterans, 7 stone first time teenage lifters and everything in between. Everybody cheers for everybody. Nobody wants to see anyone fail any lift.

Each lifter is allowed 60 seconds to make their lift. Lifters can choose their own music. Anything (but it’s mostly Metallica). So you get a maximum 60 seconds of your chosen track … but in reality you probably don’t want to take that long.

It’s not really ‘entrance’ music as you’re probably just walking from the corner of the room to the lifting platform. It’s not much of an entrance. But your track is your own personal hype-man, slapping you on the back and screaming in your ear. It plays for the time it takes to cinch your belt, chalk up and hit the smelling salts, approach the bar and go through your well practiced max deadlift ritual.

The track has to make you feel something visceral and it has to do it quickly. It has to connect in a way that taps into something real. Something physical. It’s not necessarily about all-out aggression (though it often is), it could be a head nodder, a party anthem or … it could be Tanaka 2 by Joey Valence and Brae featuring Logic;

When I first heard this track, I did what any self respecting friend should do and sent it straight to Nolan. His immediate response was ‘This is a proper Joey track, how much could you lift to this?’ My entrance music and my setting was chosen in one what’s app response.

I’ve hit all of my lifetime best lifts to one of two tracks – Ante Up by MOP feat. Busta Rhymes or Hip Hop by Dead Prez. But what’s the point in picking the obvious tracks that we all know?

I’ve gone for Tanaka 2 as it ticks all the big-lift-boxes. It’s an immediate shot of adrenaline straight into the central nervous system. Massive early 90s vibes with obvious nods to Beastie Boys but also slabs of Public Enemy Bomb Squad production tropes all wrapped up in a contemporary (El-P influenced ?) beat. It’s got a great guest-verse by Logic but the main vocal punch is delivered by Joey Valence in verse 1 and given the 60 second lift limit we won’t need anymore than that.

And also, it’s a brand new music release which is how we like to roll on the pod where possible.

Posted in Spin it or Bin It

Song for an Entrance | David

So this month, we’re all choosing a song for our entrance. Our entrance to what? Our own entrance to our biggest party? To our funeral? To our birth? To our wedding? To the beginning of our best DJ set? Well, that’s for us to decide. It’s the moment we arrive, we walk in, we’re wheeled in. It’s our entrance!

I immediately knew what kind of track I wanted to choose, because of my day job. I spend my life collecting tracks that I’d love to use one day in an awesome film or TV script. Of course, it almost never transpires that I get to do that, but it doesn’t stop me imagining. And over the years, I’ve amassed quite a collection. Now and again, I’m either delighted or dismayed (or a bit of both) to see them used in other stuff. Killing Eve’s brilliant use of French Ye-Ye pop, well you can imagine how gutted I was about that!

Anyway, my choice is for an entrance to a fictitious character. A me, but a made-up me. And by sheer coincidence, I actually played this track on this Sunday’s Mondo Pop show. So the Gods are aligned. It was meant to be.

OK, let’s make up some daft scene, off the top of my head. Let’s say it’s 1979, and there’s an English businessman trying to do a deal with the Sicilian Mafia. Thing is, he’s not a businessman, he’s a spy or a diplomat, and the money he’s going to hand over is the first part of an elaborate sting to catch the Mafia head honcho.

So he’s shitting himself. He needs to pull this off. When he gets off the plane to Palermo, and gets in the waiting car, and is driven to the club to meet the man to whom he’s going to hand this money over – this is the song that kicks in as he walks into the club in slo-mo, palms sweaty, eyes fixed straight ahead, trying to keep it cool. Early 70s Italian pop-funk of the highest order, and a song Tarantino would be happy to slide into a soundtrack.

So this is my entrance. It’s the entrance I’m writing for someone who doesn’t exist, in which I get to play the lead role.

And in the meantime, back in the real world, I can at least slip it into our headphones, and walk down the road, in the middle of my own personal movie…

Posted in Album of the Month

AOTM | Sudan Archives | Natural Brown Prom Queen

… and the award for the best album title of 2022 goes to … Sudan Archives ‘Natural Brown Prom Queen’.

Sudan Archives, AKA Brittany Parks, is a 28 year old, musical force of nature from Cincinnati, Ohio but now based in LA. Natural Brown Prom Queen is her 2nd album and it’s getting significant and well deserved attention from the press, live audiences … and This Is Not Happening. This album is a rollercoaster ride, it’s wild, frenetic, original, chaotic, ridiculously high energy, high concept, totally individual, ambitious, and above all massive fun. It fuses Pop, R&B, Hip Hop, Dance, sounds of the 90s, early naughties, contemporary times … and perhaps even the future.

If you’ve not yet heard the album, have a listen here (other streaming platforms are available).

Two pods ago, David chose ‘Topless’, the first single off the album, as his selection for ‘Spin it or bin it’. I think we all ended up spinning it but we had an interesting discussion in getting there. Topless is a brave choice for the albums’ first single as it is so divisive, I can’t imagine anyone not having a pretty strong opinion about this track. I said something along the lines of ‘this is either the best or the worst track that anyone has chosen for Spin it or bin it’. Making your mind up about the track is a lot easier if you only listen to it, when you watch the video too, it’s close to sensory overload. Therefore, I’d recommend you first listen to the track here but you can also dive straight in to the video here …

There’s a lot going on isn’t there? While this track isn’t wholly representative of the album it does point you in the right direction.

The album is 18 tracks and 54 mins long. As Nolan has pointed out, this is pretty much standard Hip Hop / R&B album length these days. But also, this kind of length has caused problems before when we’re digesting previous albums of the month. It’s much easier to digest a tight 35-40 minute album if you’re tackling a new artist or something that’s not your natural musical tastes. Brother Guy, I’m thinking of you here. And the 54 mins of this album can hardly be described as ‘easy listening’. There is so much going on here that it asks quite a lot of the listener, even if this does fall into your natural wheel-house.

For me, the 18 tracks on the album fall into 3 different phases of the album. This is something that we’ve discussed quite a lot on Whats App and I am sure will be a central point of the pod. But here are the ‘phases’ as I hear the album.

Phase 1: Track 1 (Homemaker) to Track 8 (OMG Britt)

Phase 2: Track 9 (Chevy S10) to Track 13 (Do Your Thing)

Phase 3: Track 14 (Freakalizer) to Track 18 (#513)

With such a long album I often get interrupted when I listen and don’t get as many ‘all the way through’ runs with the album as I’d like. Therefore I tend to chop the album up and the above has begun to feel like a natural(ish) division. I don’t think for a second that Ms. Parks designed it like that but it’s the reality of my listening experience.

In short, the first 3rd contains all of the singles – Topless, Selfish Soul and OMG Britt. As with so many albums these days, it’s front loaded with the hook laden, immediate attention grabbing (perhaps not ‘radio friendly’) singles. Let’s take a quick minute to talk about Selfish Soul. This is a mega track. It’s got a similar attitude, vibe and bounce to ‘Beyonce’s ‘Single Ladies’ and like that track is close to impossible to sit still to. But, it’s also weird AF. Or perhaps ‘wonky’ as Brother David would put it. It also touches on subject matter that I’ve never heard covered like this before.

As we always do, we love to share brilliant content from other blogs, websites and pods … I MASSIVELY encourage you to listen to the Song Exploder episode on this track which you can listen to here. It’s fascinating listening to Brittany talk about the recording process – her working alone in her home recording studio and sending the track to producers and remixers who do their thing, totally independently and send it back to her. She then picks and chooses what she likes and what she doesn’t. Whilst I am sure it’s not a unique approach its certainly not a common form of ‘collaboration’ that I’ve come across. However, you can definitely hear the hand of many creatives in this album … but their input seems to be moderated and modulated by Sudan Archives to create the final product that we hear and is totally hers.

One more track to call out from this first third … only cause you’re going to hear us speak about this so much more on the Pod is OMG Britt. David and I love it but Guy hates it with a passion I’m not sure I’ve seen before (sorry Nolan not sure what you think about it yet). Sudan Archives is at her spikiest and most aggressive on this track but for me, it’s a total banger.

So what about the 2nd and 3rd ‘phases’ of this album?

Phase 2 turns to more ambitious tracks of greater scope and scale. Chevy S10 is the perfect example. At over 6 minutes it’s the longest track on the album by some way. This song itself has as many phases as the album, all quite unique, equally ambitious and intriguing. This track reminds me of some of the longer, more experimental College Dropout Tracks in its complete ignorance of the rules that govern so much music in the Hip Hop / R&B genre. Also, I hear shades of Pyramids by Frank Ocean here too?

For me, the second phase contains some of the strongest tracks on the album, ChevyS10, Copycat and Flue are super strong tracks and TDLY is sparkling in it’s oddness and is great example of the violin playing that Sudan Archives has become famous for. This phase ends with the only skit on the album which I can take or leave but its only 50 seconds long and feels like it fits.

The final phase of the album doesn’t let up in it’s vast array of styles and genre influences on display. Freakalizer marries a lovely early 90’s beat with nu-soul early 2000’s vocals in a catchy, funky track with a bunch of vocal hooks. We then move to two, perfectly crafted slow jams (Homesick and Milk Me) before we move to the final two tracks, Yellow Brick Road and #513 that both remind me of late 90’s early naughties R&B and perhaps even Trip Hop influences (particularly #513) but alway with a contemporary twist or nod.

If you can’t tell, I think this album isn’t far off being perfect. I wouldn’t lose a single track and I don’t think I’d change anything about the sequencing. I love the massive list of influences that I can hear here. I love how they’re blended so well. I love the zero fucks given to genre rules and tropes. I am not sure if I’ve heard such a confident presentation of someone doing exactly what they want to do since ‘Smiling with no teeth’ by Genesis Owusu. I think I’d argue that Sudan Archives has achieved an album with a greater level of consistency. But I also appreciate that this is less accessible than ‘Smiling’ and I know for a fact that for one of us on the Pod, this album has been a struggle.

It should be an interesting discussion. Look out for the Pod episode dropping mid November wherever you get your podcasts!