I see this and want to go loose my shot at a rave…
I see this and want to go loose my shot at a rave…
The August Greene album showed up on a few beat of 2018 lists and I fully missed it. The last week i’ve Been making up for lost time and am loving it!
As 2018 draws to a close I present to you my yearly round up. First and foremost we have been picking music for each other for over 6 years which is crazy; all of our lives have gone through changes but month after month we present each other with fantastic music. On that note I really struggled this year with albums on a whole; not only what we each brought to the table on a monthly basis but also finding end to end albums that I loved. There was some fantastic music in 2018 but more from a singles aspect than albums in my opinion. Amongst allot of drab albums there were some fantastic stand outs for me though. Here are my favourite albums and singles of 2018 in no particular order.
Royce 5’9 – Book of Ryan
Evidence – Weather Or Not
Leon Bridges – Good Thing
Sean Price – Imperious Rex
Dan Mangan – More Or Less
Maribou – Kingdoms In Colour
Tunng – Songs You Make At Night
Masta Ace & Marco Polo – A Breukelen Story
Jon Hopkins – Singularity
Nas – Nasir
Moses Sumney – Rank & File
Childish Gambino – This Is America
DJ Koze – Pick Up
MorMor – Waiting For The Warmth
Aesop Rock – klutz
Maribor State – Nervous Ticks
Little Dragon – Lover Chanting
Planningtorock – Beula Loves Dancing
Defari – It’s Like I’m You
Smif N Wesson – Let It Go
Marlow – Lost Arts
Eminem – Killshot
Over to you brothers…
So just as we chose this for December, then comes along old Pitchfork to make this their #1 album of the whole year:
Let’s get one thing straight. I don’t think this is the album of the year. I think it is VERY good. But I’m not sure I would go as far as Pitchfork. I always get the impression Pitchfork is so painfully curated as to hit its demographic, it’s hard to take their lists seriously. Mitski certainly hits all the right 2018 buttons – strong female voice, big leap forward musically with new album, touching on angst and loneliness and anger. You can see why they chose it.
I’ve been aware of Mitski for a while, and thought I’ve liked what I’ve heard, I’ve maybe not loved it. She’s certainly an interesting voice, but I’ve found her songs a little bit too indie and angular and maybe I’m searching for a touch more from them. But that is based on not spending a lot of time with them, so that could be hugely unfair.
And then I heard NOBODY. Oh boy. What a song. WHAT a song. It might be a late entry into my song of the year. Hell, it might even just knock GIRLFRIEND off the top spot. Aching, painful, searing loneliness that starts off plaintive and then turns into a bloody grandstanding DISCO song, complete with two key changes that take my breath away every time I hear them.
So maybe now I get Mitski.
NOBODY is probably an outlier on the album – it’s not choc-a-block with similar tracks – but there is something really interesting going on here. The album starts off with a song that I could take or leave, GEYSER, that suggests something generically indie, but it quickly picks up after that. WHY DIDN’T YOU STOP ME? is a stomping slab of St Vincent-style wonky pop. And off the album goes in all kinds of fabulous directions. Other highlights: include ME AND MY HUSBAND – a piano led belter of a pop song, PINK IN THE NIGHT – huge, emotional indie torch tune, LONESOME LOVE, which goes proper alt-country. And finally, closer TWO SLOW DANCERS is a lovely, electronic ballad that’s a fitting closer.
Another wonderful plus: song length! I love that so many of these songs don’t outstay their welcome. Thanks you Mitski for writing 2 minute songs that are exactly the right length. Please please God can some bloated rock dudes take note. You don’t need 2 guitar solos, a middle eight and a lengthy outro every time, got it?
However, those brief song lengths can occasionally be a hindrance – there are some songs that feel half-formed or don’t quite earn their place on what is a very good album. And that’s, for me, why it isn’t quite album of the year material.
Still, a strong end to a pretty strong year, I thought. Over to you…
FINALLY: As a side discussion, shall we have an albums of the year chat, Brothers? Oh yes, I think we should!
I’m loving this track this week…
I think this is ace!
I offer a belated welcome to November my dear Brothers and a further welcome to ‘Songs You Make at Night’ by Tuung.
I know Brother David has a soft spot for a bit of Tuung, I don’t think Guy is familiar and I am not sure of Nolan’s history with the band but it was his post of ABOP on this blog that alerted me to the fact that this new album existed. I knew it was coming as they released Flatland earlier in the year and my wife and son loved it. I was looking forward to it as I do with all Tuung albums but I will be totally honest, they usually fit into the ‘nice to listen to’ rather than ‘have to / love to listen to’. They are ‘nice’ albums, they go well with a Sunday roast with company that you’re unsure of (musically speaking). Almost nobody would actively dislike it. However, I think this album takes them across that ‘nice to listen to’ threshold into something else. I think this is my favourite Tuung album (heart) and I think it may be their best (head) too.
So what do you get? Folktronica. A term that makes my skin crawl so best to get it out the way early. Over successive albums they have become slowly more ‘tronica’ but only in their instrumentation. The tunes are still folksy but in an unmistakably Tuung way. There aren’t many (any?) bands that sound like Tuung. I have found a couple but they turned out to be Tuung side projects.
I find this album enchanting. Its a slice of calm and prettiness that I always find welcoming. It’s got all the lyrical quirkiness that I love (‘Crow’ is a lovely example). It’s got the bleeps and squelches accompanying the acoustic guitars and occasional woodwind that still sit so comfortably together. It’s more upbeat moments like Dark Heart that manage to feel part of the whole and not jarring.
The thing that made me choose this is that it is 11 strong tracks. The stand out tracks change each time you listen to it. I would like to think that this make it accessible and enjoyable for all. It won’t end up on may best of lists as i don’t think its breaking new ground but for me, its one of the albums that will come with me into 2019 and beyond.