Nao That’s What I Call Music

Little bonus album for the Brothers.

This has been bubbling under on my (metaphorical) turntable in the last couple of weeks, and it’s slowly dawning on me that’s it’s a work of complete genius. Nao’s one of the brighter lights of the British neo-soul/R&B scene, and she first came to my attention via the brilliant collaboration she did with Mura Masa a couple of years back:

I liked her debut, but I didn’t love it. This is her second album and it is a GIANT leap forward. It has such a beguiling mix of classic soul tropes, great 90s R&B arrangements (of the kind Brother Joey and I used to lap up back in the day), but it also strays deliciously into Frank Ocean territory, like this gem:

Best of all, it is just JAM PACKED full of great songs and top songwriting chops. It starts off pretty slowly, but really gets into its swing mid album, and the run of songs – Saturn, Gabriel, Orbit and Love Supreme – are as good as anything I’ve heard in a very long time.

What do you reckon, Brothers? Thought I’d throw a little extra listening into them mix.

Rhye – Waste (RY X Remix)

I loved the Rhye debut but then lost touch with them … Spotify told me to listen to this, so I did. And I love it. I don’t know the original but this track is a beauty all in it’s own right. Oooof. I am pretty blown away by this one.

October AOTM: Micha P. Hinson – and the British Broadcasting Corporation

Micha P Hinson has been on my radar since his debut ‘ Micah P. Hinson and the Gospel of Progress ‘. There was something about that album that ticked so many boxes for me. I think more than anything I bought him. It all seemed so honest and real; him and the album. 

Since his debut I have kept him on my peripheral, but more to the tone of having him on a playlist here and there and that’s about it. It wasn’t until a while ago when I was driving home in the middle of the night and heard his live version of “The Life, Living, Death and Dying of a Certain, LJ Nichols’ did this live album hit my radar. When I say hit, it was more of a punch in the face in the nicest of ways. WTF was this song; and why did it blow me away? The album was ordered; and a few months later you too now will be adding it to your collection. 

Live albums are a funny thing; thee aren’t many and there often is a very good reason for that. Not many artists can pull it off. This is less Eric Clapton on MTV and more sitting in a bar and hearing a guy sing his hart out to a half hearted audience. This album is raw; and highlights how raw Micha P. Hinson is as an artist. Hey, and it’s got the BBC stamp of approval… so that’s got to mean something right?

I will say that it took me a few listens to fully get into this album. Hayley still doesn’t fully get it. Although she has pointed out that since visiting the small town in Canada that I’m from she understands why I love it. 

His lyrics are solid but deep and work.  He doesn’t rhyme just to do so, his content is wholesome. ’Seven Horses Seen’ may just be my current favourite song; it’s catchy and brutal. I’ve changed the lyrics majorly and have started singing it to Olive… she likes my version. 

The ruggedness of his singing style isn’t for everyone, but it grows on you. I’m starting to think that he’s a guy that I would like to sit down and have a beer with. 

I’m mindful that this is a risky one. It’s not for everyone. But that’s why we’re here. Even brother Joey who is a fan of Micha P. Hinson may have mixed feelings about this album. If I can ask one thing of you; like a good bourbon it may be rough around the edges but give it a little time to sink in. 

I look forward to your thoughts.