Podcast Episode 14: Japanese Breakfast – Jubilee

Ep 14 – Japanese Breakfast – Jubilee This Is Not Happening – An Album Of The Month Podcast

Episode 14 of This Is Not Happening heads from hip-hop to pop with Japanese Breakfast's Jubilee. The creation of Korean-American Michelle Zauner, this is her 3rd album and sees her move from a more shoegazey, loose style into the full pop universe. Joey comes at us with it, but do we feel the same way he does? Find out!  In the second half of the episode, we head back to new music, with a favourite from us that's been released in the past three months. Our longlist is here, see what we thought of the picks:Joey – CMAT – 2 Wrecked 2 CareDavid – Wet Leg – Chaise LongueGuy  – Public Service Broadcasting – People, Let's DanceNolan  – GHEIST – YouAugust's album of the month and all our new tracks, playlists, and chat from the past decade or more can be found on our blog at http://www.thisisnothappening.net, which runs alongside the podcast choices and much, much more. Head down there and hopefully you'll like what we're talking about and if you do, we'd love to hear from you on the socials (links below).Episode #15 hangs onto the summer with LoneLady's Former Things. Guy's bringing this slice of modern Mancunian synth and guitars to the gang. That next episode will be landing before the end of September.This Is Not Happening:Created by Joey, Nolan, Guy and David.Produced and Edited by Guy and Nolan.Twitter: @thisisnothapngInstagram: @thisisnothappeningpodEmail: thisisnothappeningpodcast@gmail.comReviews: http://www.ratethispodcast.com/thisisnothappening
  1. Ep 14 – Japanese Breakfast – Jubilee
  2. Ep 13 – Skyzoo – All The Brilliant Things
  3. This Is Not Happening – Season 2 Trailer
  4. Ep 12 – St Vincent – Daddy's Home
  5. Ep11 – Genesis Owusu – Smiling With No Teeth

Episode 14 of This Is Not Happening heads from hip-hop to pop with Japanese Breakfast‘s Jubilee. The creation of Korean-American Michelle Zauner, this is her 3rd album and sees her move from a more shoegazey, loose style into the full pop universe. Joey comes at us with it, but do we feel the same way he does? Find out! As usual, there’s playlists that run alongside the episode here.

In the second half of the episode, we head back to new music, with a favourite from us that’s been released in the past three months. Our longlist is here, see what we thought of the picks:

Joey – CMAT – 2 Wrecked 2 Care
David – Wet Leg – Chaise Longue
Guy  – Public Service Broadcasting – People, Let’s Dance
Nolan  – GHEIST – You

August’s album of the month and all our new tracks, playlists, and chat from the past decade or more can be found on our blog at www.thisisnothappening.net, which runs alongside the podcast choices and much, much more. Head down there and hopefully you’ll like what we’re talking about and if you do, we’d love to hear from you on the socials (links below).

Episode #15 hangs onto the summer with LoneLady’s Former Things. Guy’s bringing this slice of modern Mancunian synth and guitars to the gang. That next episode will be landing before the end of September.

This Is Not Happening:
Created by JoeyNolanGuy and David.
Produced and Edited by Guy and Nolan.
Twitter: @thisisnothapng
Instagram: @thisisnothappeningpod
Email: thisisnothappeningpodcast@gmail.com
Reviews: www.ratethispodcast.com/thisisnothappening

Jubilee

AOTM September: LoneLady – Former Things

Album choices emerge for all sorts of reasons. Timings of releases, life and plans intervening, how you react to a particular piece of music, the vagaries of record dates v release dates. Some months I am struggling for a choice, like with Genesis Owusu where I had to trawl around the internet in mild desperation (though that didn’t turn out badly). Other months I’ve either had an album in mind for a while or, if I’m lucky, a few. Sometimes the mechanics of the choice aren’t really important but it feels like a significant part of why I got here this time round. 

This month started as a choice between LoneLady’s ‘Former Things‘ and Lou Hayter’s Private Sunshine. The latter was very much a summer record, and while one I really loved listening to, I wasn’t sure it had a lot of emotional or musical depth to it. This isn’t being unfair or unkind either, as it was a slice of great modern dancefloor pop. I tend to want something with some more chops when I know we’re going to dive deep into it here. Being away in July and August I also wanted to have something lined up so I wasn’t thrashing around way too late in the day, for my sake as much as others. But, of course, I still ended up – and still am, to an extent – in very unenjoyable mental patterns of questioning my choice, even after I’d ordered the CDs. This is partly due to Lump’s album coming out and me enjoying it so much, and then also Museum Of Love after it. But mainly it’s the case because while I really loved this album, I started to worry a lot about whether any of the rest of you would. Because it’s not in any way a straight-up warm, engaging listen in the way Jubilee was, so the comparison already felt stark and I have agonised more than is strictly helpful over that. But I realised that when I’ve second-guessed myself too much – hi Talvin, or indeed PSB – I’ve ended up going on something that’s not based on an original decision and regretted it. Plus if I love something, then I need to give much less of a shit about what others think, even if there’s a risk of a savaging. 

So what drove this choice? I’d had LoneLady – Mancunian Julie Campbell’s one-person outfit – on my radar since (There Is) No Logic surfaced in March this year. It really was love at first sight and one of my favourite singles of the year. Once the album followed, it already felt like a complete sweet spot for me: female vocals and solo artist, guitars, synths, drum machines, a feel of the post-industrial music of our youths, be it Manchester’s seminal bands or the more synth-driven sounds of Sheffield. For every time I think of New Order or Joy Division, I also think of the Human League. Would that first impression last? For me, it did, but I realised at the outset it wasn’t going to be something wrapping us up in soft wool and keeping us warm in the autumn nights. 

An interesting question to ask is: ‘would I have chosen Former Things’ if I’d heard Hinterland before it? I’m not sure what difference it would have made, but while there’s clearly a lineage, there’s quite a difference between that and the new record. It is definitely worth visiting, just to understand the step forward here. Hinterland really had guitar at its centre, but for Former Things it’s much more of a texture than its main instrument. But there’s as much similarity as difference, and it’s definitely a case that there’s progression here, which Campbell has talked about in the months before and after the release. Campbell relocated to London in 2016 with a residency – and studio space – at Somerset House which exposed her to an array of synths beyond her childhood favourite Yamaha keyboard. It started out as a plan to make ‘a techno record’ but it’s really wider than that, even if the dancefloor feel is strong. 

Compared to Campbell’s previous work I then referenced, it’s clear this is a step in a different direction. So much more synth driven, from the opening bars of the Catcher, with its jerky, machine-gun drums and notes, and paranoid, discordant lyrics that echoed regret  be it from the loss of childhood simplicity and emotion or the fear for existence: “O youthful wonder / it was all inside when I was a child / why does it fall so far away’? This was not an album that presented the listener with an easy experience. But it was – to me at least – enticing, a sort of attraction to the discomfort, so much in the same way that post-punk bands had in my younger days. Runnings towards this, as anyone that knows me, is a real contradiction given my avoidance of discomfort in many situations. But here we are. 

There’s a bleakness and starkness about the album that I could see as unwelcoming, but it’s also something that chimes with me. Despite my sunny disposition, I spend way too much time worrying about the world, its politics, my family, our future, and so this album felt like a strange sort of balm that my thoughts were being brought so clearly and often to a slice of someone’s creativity. When we think about Jubilee and *that podcast*, I see some synchronicity here. No Logic’s melodies, its metallic stabs and crisp percussion giving it a  foreboding: ‘dislocation, misdirection, only chaos and confusion’. I’m sure Adam Curtis is a fan. He would love Threats, probably the most extreme end of the menace that Former Things exhibits. It drips with paranoia and edginess, its industrial feel and avoidance of groove in favour of stuttering notes and bass squelches, it’s a stark, near-future world of suffering that leaps out: “I was a loyal sentinel / I could not leave my outpost / trapped in a dread condition / I did not heed the warning” as if Campbell is a helpless cog in the machine. This, if were not clear before, is not a summer BBQ album! 

But to just categorise all of Former Things in this vein is to not give it its due. There’s light and dark, groove and rhythm, movement and flow. The title track almost feels like an outlier, and certainly is musically, with its acoustic strums, strings and popping keys but like many of the albums we’ve encountered lately, the lyrics do not align with the music. Talk of ‘I used to see magic in everything / but that has gone away from me / I can’t find the remedy’. It looks back, like much of the album, to the innocence of childhood, or at least the reference of it. Campbell has talked much about how Hinterland’s use metaphor has moved into much more open lyrics that focus on her internal anxiety, angst, fear and worry. In many ways it’s a very private world laid bare for the listener. 

And yet if you sit with the album more than a few listens, there’s some musical riches. Time Time Time’s jerky late-night dancefloor moves and almost startling piano chords are majestic, and a track where the guitar sits like an 80s relic, slightly off-key and sat back into the mix. Fear Colours has a new-York electro vibe that I love, its synthesised vocals evoking Arthur Baker’s work and chords making me think of Technique, tracing that musical lineage back to the bands of Manchester past. Treasure is another favourite, a track that highlights something musically important for me: Campbell’s voice as an instrument. It echoes the fear, anxiety, propelling the songs along as the phrasing often cuts off notes and keeps in line with the feel of the song. It’s a really interesting device that I think adds to the feel of the whole album and comes up time and again. Terminal Ground closes with a cascade of dry notes, angry stabs and brash drums, as if it can’t let the listener rest, a stripped back track that nods to LoneLady’s previous albums and the surroundings they emerged from, in Manchester’s crumbling, post-industrial suburbs.  

And while it’s another refreshing 40-minute special in length, the tracks are more elongated here. 8 tracks mean an average of five minutes, rather than Jubilee’s two extra tracks for that month. But with such an electronic feel, a four-four sensibility, it doesn’t feel like you’re waiting for the tracks to finish much of the time. Such is the restrained energy and menace that you aren’t really allowed to settle. It doesn’t fly by in the way Genesis Owusu, or Japanese Breakfast or Arlo Parks did, but it’s not trying to. It’s such a different prospect to so much of what we have done before us, it was a compelling choice for that alone, even if I’m really risking it here. 

So this is a challenging listen, but one that I feel would be lazy to categorise as eight angular tracks that are designed to throw the listener off and put them outside a wall. It brings you in if you give it time.

Mix – Lopez Summer

A few months ago I presented the fantastic track ‘Mirrored Identities’ by Tunnel Visions and we discussed that it would be hard to follow that track up in a set. This stuck with me for a while and I wanted to find out where the track actually sits in a set. Could you follow it up? The result is that it sits well in a set, and this is my answer to the question. I hope you enjoy….

TRACKLIST

Musumeci – Pawn Storm
Aera – Shallows
Tim Engelhardt – Idiosynkrasia (Andhim Remix)
Rampa – 2000
Avidus – More LFO
Djuma Soundsystem & EMOK – Ouga
Gionist & Turgi – Konnakol
Tunnelvisions – Mirrored Identities
Audiojack – Introspection (Nick Curly Remix)
Ede – Mimosa
Clavis – Anteac
Yeah But No – Run Run Run (Adam Port Remix)

A Boy Anonymous by Paris Texas

I’m a little bit obsessed with this 21 minute, 8-track mini-album by Compton duo Paris Texas.

They’re released 3 tracks from this mini-album in the build up to it’s release and I’ve loved each one a little more. Last time we chose ‘New Music’ for our track selection on the pod I nearly and should have chosen ‘Heavy Metal’. This time round ‘Force of Habit’ is in my 4 track shortlist …

The 8 tracks borrow from Hip Hop, Funk-Pop, Scrungey Garage Rock, and Electronica. It has lyrically strong tracks, jam-like groove tracks and just about everything else along the way.

As we spoke about on the pod last month, we struggle with new-Hip Hop … but there is some really interesting things being done and Paris Texas are doing pretty much all of them. I’m also loving the new Tyler The Creator album and this definitely owes something to the Odd Future vibe and is a good accompaniment if you like your Hip Hop experimental.

Skyzoo Playlists

In one of our most enjoyable chats to date we delved into Skyzoo’s latest effort ‘All the Brilliant Things’ on Episode 13.

Within the chat David requested a Skyzoo playlist looking into his previous work or perhaps a quick trip into the Brooklyn artists that inspired Skyzoo…. I chose to do both!

First and foremost lets delve into some of the most formative hip hop tracks from Brooklyn. Where do you start and more so end?

And then Skyzoo. Like the Brooklyn playlist it could be much longer and was tough to keep it down to 10 tracks (plus a bonus).

What tracks do you love that I missed?

Podcast Episode 13 – Skyzoo – All The Brilliant Things

Ep 14 – Japanese Breakfast – Jubilee This Is Not Happening – An Album Of The Month Podcast

Episode 14 of This Is Not Happening heads from hip-hop to pop with Japanese Breakfast's Jubilee. The creation of Korean-American Michelle Zauner, this is her 3rd album and sees her move from a more shoegazey, loose style into the full pop universe. Joey comes at us with it, but do we feel the same way he does? Find out!  In the second half of the episode, we head back to new music, with a favourite from us that's been released in the past three months. Our longlist is here, see what we thought of the picks:Joey – CMAT – 2 Wrecked 2 CareDavid – Wet Leg – Chaise LongueGuy  – Public Service Broadcasting – People, Let's DanceNolan  – GHEIST – YouAugust's album of the month and all our new tracks, playlists, and chat from the past decade or more can be found on our blog at http://www.thisisnothappening.net, which runs alongside the podcast choices and much, much more. Head down there and hopefully you'll like what we're talking about and if you do, we'd love to hear from you on the socials (links below).Episode #15 hangs onto the summer with LoneLady's Former Things. Guy's bringing this slice of modern Mancunian synth and guitars to the gang. That next episode will be landing before the end of September.This Is Not Happening:Created by Joey, Nolan, Guy and David.Produced and Edited by Guy and Nolan.Twitter: @thisisnothapngInstagram: @thisisnothappeningpodEmail: thisisnothappeningpodcast@gmail.comReviews: http://www.ratethispodcast.com/thisisnothappening
  1. Ep 14 – Japanese Breakfast – Jubilee
  2. Ep 13 – Skyzoo – All The Brilliant Things
  3. This Is Not Happening – Season 2 Trailer
  4. Ep 12 – St Vincent – Daddy's Home
  5. Ep11 – Genesis Owusu – Smiling With No Teeth

Episode 13 of This Is Not Happening stays in NYC with Skyzoo‘s new album All The Brilliant Things following up the 70s palette of  St VincentDaddy’s Home.  The much-respected Brooklyn  MC‘s 7th album finds him  writing a paen to his changing city, gentrification and history. It’s a beguiling work that Nolan brought to us get deep on as we move into season 2 of the podcast.

In the second half of the episode, we talk tracks of the summer, with a favourite from us that reminds of us the warm months. Our longlist is here, see what we thought of the picks:

David – The Millennium – To Claudia On Thursday
Joey – Clive Field Marshall – Island In The Sun
Guy  – Metronomy – The Bay
Nolan  – Black Sheep – Summa Tha Time

July’s album of the month and all our new tracks, playlists, and chat from the past decade or more can be found on our blog at www.thisisnothappening.net, which runs alongside the podcast choices and much, much more. Head down there and hopefully you’ll like what we’re talking about and if you do, we’d love to hear from you on the socials (links below).

Episode #14 takes us into the summer and is Joey’s chance to bring us a classic slice of modern pop with Japanese Breakfast‘s Jubilee. The next episode will be landing before the end of August.

This Is Not Happening:
Created by JoeyNolanGuy and David.
Produced and Edited by Guy and Nolan.
Twitter: @thisisnothapng
Instagram: @thisisnothappeningpod
Email: thisisnothappeningpodcast@gmail.com
Reviews: www.ratethispodcast.com/thisisnothappening

AOTM – July – ‘Jubilee’ by Japanese Breakfast

Japanese Breakfast - Jubilee | Reviews | DIY

Jubilee is Japanese Breakfast, (a.k.a. Michelle Zauner … and her band’s), 3rd album. I’ve never got my head around is it a band or is an artist but from now on I will refer to Japanese Breakfast as ‘her’ as Zauner is clearly the driving creative force behind Japanese Breakfast.

I nearly chose her 2nd album, ‘Soft sounds from another planet’ as album of the month back in 2017. If I had, you guys would have said ‘it’s ok … but it’s nothing special’ and I probably would have never considered double dipping and choosing her again. So all in all, I am glad I didn’t and I get the chance to introduce you to Jubilee instead. Soft Sounds was a solid, consistent 12 tracks of shoegazey niceness with occasional flourishes that caught you by surprise but were soon gone. Jubilee is almost the exact opposite. On Jubilee, the flourishes are to the fore, the melancholia is still there but it’s wearing better clothes and it has adopted a few new personas. It’s a brighter, poppier, classier affair with massive mainstream chops but don’t assume that’s it’s all surface.

For those that don’t know, much of Zauner’s creative career has been defined by her relationship with and the loss of her mother. Her music was and still is deeply touched by this experience. Her book ‘Crying in H Mart: A Memoir’ is a deeply personal reflection on the pain of growing up, losing her mother and … Korean food. It made no.2 in the NY Times Non Fiction Bestseller List in April 2021. The fact that this album is called Jubilee is massive. It points the way and hints at what to expect and represents a significant metamorphosis, musically and seemingly personally for Japanese Breakfast. There is a 40 minute podcast interview with Michelle Zauner by actor Minnie Driver that I would strongly recommend listening to that explores this in much mored detail and with a very delicate touch – https://open.spotify.com/episode/3LWPCfflisFbPsQqdvRBtd – be warned, I found it very moving but I do think it frames the album beautifully.

Back to the music, Jubilee is a 10 track, 37 minute album. Thank you Michelle. Great start.

Paprika, the opening track literally marches in, heralding the opening of the album with military snares and heralding horns. It’s a proud statement of arrival, perhaps of re-birth following her loss and grieving process? Perhaps I am reading too much into that but it seems beyond coincidence.

Lyrically the album is SOOOO strong and Paprika has some of my favourite lyrics;

How’s it feel to be at the center of magic
To linger in tones and words?
I opened the floodgates and found no water, no current, no river, no rush
How’s it feel to stand at the height of your powers
To captivate every heart?
Projecting your visions to strangers who feel it, who listen, who linger on every wor
d’

Through the remaining 9 tracks Zauner introduces us to Synth-Pop, British sounding 90’s Indie (Belle and Sebastian, perhaps even Camera Obscura?), haunting stadium ready ballads and even a nod to her shoegazing back catalogue. It would have been easy for the variety of styles and influences to result in a messy, patchy album. However, this isn’t the case. There is a thread, a spine running through the tight running time and I think perfect track sequencing. For me, the thread or spine is the genuine emotion, the feels, that drive each track. I believe every word and I feel every note. The brighter, poppier uptempo tracks are some of the most emotionally and significant. That significance comes from top notch, classy song writing.

For this 1st time ever, I feel strongly enough about each song to want to walk through the nine tracks that follow Paprika one by one;

Track 2 ‘Be Sweet‘ is pure pop perfection. One of the strongest tracks by any artist this year. It was my entry point into the album when it was released back in February. It was on a long list that I created with Guy and should have been my selection when we chose tracks for each other a few months ago. It’s a bit 80’s, it’s a bit cool, it’s lyrically intelligent and I love that propulsive bass driving the track forward.

Track 3 ‘Kokomo, IN’ trades, funky 80’s pop for 90’s British indie. An acoustic guitar gives way to harsh string plucks and then to dramatic sweeping string accompaniment. It’s melodramatic, moody and most definitely ‘pretty’. It’s sits next to ‘Be Sweet’ perfectly despite it’s decade-difference in reference points.

Track 4 ‘Slide Tackle’ has been highlighted as one of the weaker tracks in a few reviews … I don’t get it. It’s one of my favourite tracks. It opens like a track from Twin Shadow’s debut album. It’s as if ‘Be Sweet’ and ‘Kokomo, IN’ had a baby together … and that baby played the saxophone?

Track 5 ‘Posing in Bondage’ surprise surprise, Joey love’s the dark one about death. I think this is a beautiful track. It’s the first down-tempo, ballard (ish) track. Spending some time with the album’s lyrics reveals, surprisingly, that there are a lot less lyrics than you might think! When written down, the lyrics look sparse but when woven into the fabric of the track they take on heft, Posing In Bondage is a great example of this in action and one of my favourite tracks. The killer line for me in this track is much discussed in the Minnie Driver podcast …

‘When the world divides into two people
Those who have felt pain and those who have yet to

Track 6 ‘Sit’ considering that Zauner is often described as a shoegaze artist, there isn’t a lot of it on this album. The exception is ‘Sit’. It’s got a droney, fuzzy guitar that sits (pardon the pun) just behind a very non-shoegazey vocal that sits higher in the mix than you’d expect. Its not a standout track but I think mostly because it’s on such a strong album. I’m in no way offended by it and enjoy it as a simpler pleasure.

Track 7 ‘Savage Good Boy’ … and we’re back to brighter, poppier sounds and melodies. It’s a well humoured, gender-role subverting, piece of perfect pop that is hard to ignore. It show cases Zauner’s ability to tell complex stories, simply and with impact.

I want to make the money ’til there’s no more to be made
And we will be so wealthy I’m absolved from questioning
That all my bad behaviour was just a necessary strain
They’re the stakes in the race to win

It’s hard to think of catchier song about mankind driving itself into the apocalypse. If you can think of one please let me know.

Track 8 ‘Hell’ – another track that focuses on the theme of loss but done with beautiful pop melodies, lovely backing vocals, Bontempi-like synth flourishes and a big dose of horns. It flies by in two and half minutes but the oddly Morrissey-esque lyrics stick in the mind for much longer.

Track 9 – ‘Tactics’ – Zauner is at her vocally-breathiest, over a string driven, charismatic track. The opening swoon of strings should come as a surprise given the orchestration of the rest of the album but it doesn’t. Once again, the fluidity of the album’s movement from style to style is impressive. I assume this to be a big old lovesick love song to her husband and quite beautiful it is too.

Track 10 – ‘Posing for Cars‘ – If Paprika was a literal fanfare to start the album, then Posing for Cars is a definite ‘farewell wave goodbye’ to close and highlights the perfect sequencing of tracks on this album. It is a well considered finale that builds and grows in a stadium rock stylee, the first nearly 3 mins being free of percussion. But as the song grows it introduces strings, bass guitar and finally a screeching lead guitar solo that feels odd and perfectly in keeping all at the same time. The track is double the length of most of the tracks and for me closes out the album perfectly.

The critical response to this album has been largely very positive with a MetaCritic score of 88% with plenty of 100% reviews. Whilst I don’t think it’s perfect, I do think it is special. It’s very easy to consume and connect with. Its available on many levels. It can be background music, music to work to but I think best consumed when you can give it the attention that I think it deserves. I would be very surprised if I end up listening to any other album as much as this. This will feature highly in my 2021 top 10.

This Is Not Happening – Season 2 is here!

Ep 14 – Japanese Breakfast – Jubilee This Is Not Happening – An Album Of The Month Podcast

Episode 14 of This Is Not Happening heads from hip-hop to pop with Japanese Breakfast's Jubilee. The creation of Korean-American Michelle Zauner, this is her 3rd album and sees her move from a more shoegazey, loose style into the full pop universe. Joey comes at us with it, but do we feel the same way he does? Find out!  In the second half of the episode, we head back to new music, with a favourite from us that's been released in the past three months. Our longlist is here, see what we thought of the picks:Joey – CMAT – 2 Wrecked 2 CareDavid – Wet Leg – Chaise LongueGuy  – Public Service Broadcasting – People, Let's DanceNolan  – GHEIST – YouAugust's album of the month and all our new tracks, playlists, and chat from the past decade or more can be found on our blog at http://www.thisisnothappening.net, which runs alongside the podcast choices and much, much more. Head down there and hopefully you'll like what we're talking about and if you do, we'd love to hear from you on the socials (links below).Episode #15 hangs onto the summer with LoneLady's Former Things. Guy's bringing this slice of modern Mancunian synth and guitars to the gang. That next episode will be landing before the end of September.This Is Not Happening:Created by Joey, Nolan, Guy and David.Produced and Edited by Guy and Nolan.Twitter: @thisisnothapngInstagram: @thisisnothappeningpodEmail: thisisnothappeningpodcast@gmail.comReviews: http://www.ratethispodcast.com/thisisnothappening
  1. Ep 14 – Japanese Breakfast – Jubilee
  2. Ep 13 – Skyzoo – All The Brilliant Things
  3. This Is Not Happening – Season 2 Trailer
  4. Ep 12 – St Vincent – Daddy's Home
  5. Ep11 – Genesis Owusu – Smiling With No Teeth

How has a year gone by!? But here we are, on Season 2 of This Is Not Happening, an Album of the Month podcast from four of us: GuyJoeyNolan and David. We choose an album: we digest it, we praise it, we question it. And we bring tracks to the table. Every month. And you get to listen. Think of this as a highlights package. 

A year into it, we’ve been lucky enough to cover some amazing albums, right from the start. From RTJ to Arlo ParksGenesis Owusu to Sault, and the Weather Station to Jessie Ware. Rounding it off are Yves TumorPaul McCartneyBicepSt Vincent and Sufjan Stevens. We’ve also covered a review of 2020 in ep6. 

We’ve loved every minute so thanks to everyone that’s listened so far. We hope the next year will be just as enjoyable. We’ve got Skyzoo lined up next before the end of July and after that, Japanese Breakfast. After that? Who knows? That’s the fun. 

For all the albums of the month and all our new tracks, playlists, and chat from the past decade or more head to our blog at www.thisisnothappening.net, which runs alongside the podcast choices and much, much more. Swing by and you’ll hopefully enjoy what we’re talking about and if you like it, we’d love to hear from you on the socials (links below).

This Is Not Happening:
Created by JoeyNolanGuy and David.
Produced and Edited by Guy and Nolan.
Twitter: @thisisnothapng
Instagram: @thisisnothappeningpod
Email: thisisnothappeningpodcast@gmail.com
Reviews: www.ratethispodcast.com/thisisnothappening

AOTM June: Skyzoo – All the Brilliant Things

At best we will choose a hip hop album for our album of the month yearly, and it’s for good reason. Hip Hop is at times hard to approach, and hard to find time to listen to away from your kids as 4 middle aged fathers.

For me there’s more of an issue. I remember when I first heard the likes of Nas, Common (Sence) and Rakim. Each song was a lyric twisting journey into their world. As time passes I find it harder to find MC’s that blow me away with their word play. I often wonder is why latter generations of MC’s are less focussed on this? Does it matter anymore? The genre of Hip Hop is a bit confusing these days. I find it hard to understand how much of the hip hop that ‘the kids’ like these days is listenable. Misogyny, violence and criminality seem to be more prevalent than ever.

I came across Skyzoo in 2014 through his collaboration with his New York collaborator weight Torae. Instantly I was a fan. His word play and commentary put him amongst the hip hop heavy weights that I love. The more you listen to his lyrics the more layers to his lyrics you discover. Growing up in Brooklyn in the 90’s made him a student of some of the greats such as Biggie to Jay-Z and it shows. He has an uncanny ability to bring you into his world and keep you there. I was hooked and instantly delved into previous releases which included a heralded mixtape produced by 9th Wonder, followed by his debut album on 9th’s Jamal records (home of Rapsody amongst others) and later releases on two of my favourite labels; Duck Down Records and Mello Music.

You can find music from Skyzoo over the last 20 years, but the last 10 have seen him at his best. Releasing at least an album a year, it’s hard to find any weak piece of work among them. It’s understandable why he’s become one of the most respected underground MC’s around the globe. From working with boom bap super producer Apollo Brown to hip hop general Pete Rock, Skyzoo’s output is diverse and more-ish.

So this brings us to his latest effort, ‘All the Brilliant Things’. Like last month’s St Vincent album, it comes with a theme. This is an album about the gentrification of Brooklyn. Not only highlighting the change but also the world Skyzoo has grown up in, why he loves it, the memories, the stories and the dreams.

My notes for this album have been extensive. I was lost for words, how do you encapsulate the plethora of Skyzoo and what he does to this album? Lucky I read an interview with him where he described it perfectly. He said ‘My music has always been a combination of a few things: storytelling, motive, and intention’. That narrative rings true with another Brooklyn native that I love, Spike Lee. In fact there are cross overs throughout between the two. Perhaps I’ve seen too many Spike Lee movies.

I love hip hop albums that set the scene for the album on the first track and ‘Free Jewellery’ does it to a tee. Skyzoo dives in from the start. Weaving, layering, and provoking thoughts with each line. Amongst the journey he dips his toes into the irony of the critic’s interpretations his world whilst at the same time gentrifying it themselves.

‘So don’t mistake me, yo, I don’t do this for Complex

Nor a Pitchfork or any other facade

Where the culture is determined while chugging a PBR

And telling you how to represent all of the shit that you made

While they move in your building with their roommates’

‘Culture-ish’ is another remarkable track. Full of recollections…

‘I was buying art, my friends was buying dope.

I went and made friends with rappers that was buying both’

….was the line that caught my ears, but every line in the song is spotless. I’ve spent so much time getting my head around the layers of lyrics. He reminds me of Jay-Z on Reasonable Doubt. From Brooklyn or not, you’re pulled into his world (then and now) as you sit ring side in Skyzoo’s world in Brooklyn.

There are lyrics throughout outlining changing worlds. In line with the theme, but not blatantly. ‘The Scrimmage’ looks into money and how it’s made, old and new and it’s ruthlessness. I love the track lyrically, but when the track finishes with a clip of two people talking about being removed from their neighbourhood, it makes you listen again…. Because he was talking about it the whole time.

Hip Hop was born in the Bronx, but since its inception the New York boroughs all battled to own the top spot. Brooklyn arguably has a strong claim for the top spot. Jay-Z, Biggie, Sean Price, Yasin Bey (Mos Def), the list goes on. That mixed with exceptional graffiti artists and their influence on me is the reason Brooklyn has always facinated me. That fascination of Brooklyn for me and so many others may just kill where that fascination comes from; it’s soul. This album concept is well overdue.  ‘Bed-Stuy Is Burning’ is not only the stand out track on the album but one of the best hip hop songs that has been released in recent memory as Skyzoo delves into the world he loves and how it’s crumbling at his feet.

‘To whom it may concern, don’t let this happen to you

True to what you heard, they want this back like a loop

They gave you a curb and kept you back on the stoop

And now what they prefer is to help you pack when you move’

There are few reviews on this album, but many podcast interviews with Skyzoo. From a fan point of view some say it’s his best lyrically rounded album while some say it’s too long and the beats could be better on many tracks. I don’t disagree with either to a point. Personally I think that this is an album that when digested the four of us will use as a reference point for many albums in the future as this in its’ bones has the feels. The song by song justification and the ability to continually discover with each listen. Its’ long term importance to all of us is unseen but on different levels this album is important to all four of us and is worth everyone digesting. I’ve stayed in New York three times for work, once in Brooklyn. I’ll take Brooklyn and day of the week. It’s mind kind of place. It’s cool. Like east London is cool. The hipsters came in and made it cool for the middle classes. But at what cost? This album is about that cost. About a changing neighbourhood. This message transcends globally.

One of most common narratives on the blog and on the podcast is album length. ‘All the Brilliant Things’ is 14 songs long and just over 55 minutes which is standard for a hip hop album. At first I considered that the album could drop the middle three or fours tracks, but lyrically they’re growers and some of the best on the album.

The more I listen to this album the more I discover. Will it be perfect to the lesser hip hop fans? I’m not sure. I love it because it’s out and out hip hop that also delivers on a social commentary that we should all digest.

Podcast Episode 12 – St Vincent – Daddy’s Home

Ep 14 – Japanese Breakfast – Jubilee This Is Not Happening – An Album Of The Month Podcast

Episode 14 of This Is Not Happening heads from hip-hop to pop with Japanese Breakfast's Jubilee. The creation of Korean-American Michelle Zauner, this is her 3rd album and sees her move from a more shoegazey, loose style into the full pop universe. Joey comes at us with it, but do we feel the same way he does? Find out!  In the second half of the episode, we head back to new music, with a favourite from us that's been released in the past three months. Our longlist is here, see what we thought of the picks:Joey – CMAT – 2 Wrecked 2 CareDavid – Wet Leg – Chaise LongueGuy  – Public Service Broadcasting – People, Let's DanceNolan  – GHEIST – YouAugust's album of the month and all our new tracks, playlists, and chat from the past decade or more can be found on our blog at http://www.thisisnothappening.net, which runs alongside the podcast choices and much, much more. Head down there and hopefully you'll like what we're talking about and if you do, we'd love to hear from you on the socials (links below).Episode #15 hangs onto the summer with LoneLady's Former Things. Guy's bringing this slice of modern Mancunian synth and guitars to the gang. That next episode will be landing before the end of September.This Is Not Happening:Created by Joey, Nolan, Guy and David.Produced and Edited by Guy and Nolan.Twitter: @thisisnothapngInstagram: @thisisnothappeningpodEmail: thisisnothappeningpodcast@gmail.comReviews: http://www.ratethispodcast.com/thisisnothappening
  1. Ep 14 – Japanese Breakfast – Jubilee
  2. Ep 13 – Skyzoo – All The Brilliant Things
  3. This Is Not Happening – Season 2 Trailer
  4. Ep 12 – St Vincent – Daddy's Home
  5. Ep11 – Genesis Owusu – Smiling With No Teeth

Episode 12 of This Is Not Happening strides from Genesis Owusu‘s Smiling With No Teeth to the much-anticipated new album from St VincentDaddy’s Home. The New York art-rock darling has embraced the underbelly of the 1970s with a new persona and some eye-catching tracks. Megafan David tries to convince us why we should all love it. It’s definitely a tug of war for an album that’s found reactions at both extremes. We also put together a playlist of music that makes us lean to Annie Clark.

In the second half of the episode, we set the seemingly impossible task of convincing each other to like a song from artists that they hate. What were we thinking?! Our longlist is here, see what we thought of the picks:

David via Joey – Manic Street Preachers – You’re Tender And You’re Tired
Guy  via Nolan – The Weeknd – High For This
Nolan via David – Muse – Falling Down
Joey via Guy – Arcade Fire – Intervention

Episode #13 takes us into series 2 of the podcast, and sees Nolan bring some hip-hop to the table with Skyzoo‘s new album All The Brilliant Things. as the celebrated New Yorker takes us into his world.  Skyzoo will be coming to you before the end of July.

June’s album of the month and all our new tracks, playlists, and chat from the past decade or more can be found on our blog at www.thisisnothappening.net, which runs alongside the podcast choices and much, much more. Swing by and you’ll hopefully enjoy what we’re talking about and if you like it, we’d love to hear from you on the socials (links below).

This Is Not Happening:
Created by JoeyNolanGuy and David.
Produced and Edited by Guy and Nolan.
Twitter: @thisisnothapng
Instagram: @thisisnothappeningpod
Email: thisisnothappeningpodcast@gmail.com
Reviews: www.ratethispodcast.com/thisisnothappening