Posted in Album of the Month, Music chat, New Albums, New Tunes, podcast, Spin it or Bin It, Tracks of the Month, Uncategorized

Podcast Episode | Sudan Archives | Natural Brown Prom Queen

Ep. 31 | Young Fathers | Heavy Heavy This Is Not Happening – An Album Of The Month Podcast

In Part 1 we speak in depth about Young Fathers latest album 'Heavy Heavy' and how it packs such a punch in 32 minutes.  In Part 2 we play 'Spin it or bin it?', the theme this month is the curious anomaly that is 'Post Genre'.Part 1 | Album of the Month | Young Fathers | Heavy HeavyIt's Guy's choice this month and we return back to an artist that we spoke about 9 years ago when they released their debut 'Dead'. Across 3 previous releases, Young Fathers have secured near universal critical acclaim, yet little commercial success. Is Heavy Heavy the album that will change this. It looks like it. But that doesn't mean this is a collection of easy listening pop tunes. We discuss what this is, what we love and the live experience.  If you know them enjoy, if you don't dig in!Go listen to the album – Here Go watch some videos – Here Go buy some of their stuff – HereA few Heavy Heavy things that we highly recommend checking out;Unmuted Unmastered Podcast – HereLine of Best Fit interview – HereSome live performances – Here and Hereand HerePart 2 | Spin It or Bin It | Post GenreWhat the hell is post genre? In this discussion we prove that we're really not sure!Guy chose – Mantra by Charlotte Adigery and Bolis Pupul Nolan Chose – BTSTU by Jai Paul Joey chose – B.O.B. by Outkast David chose – L'Elephant by Tom Tom Club A 16 track Post Genre playlist (4 tracks each) can be found – Here (this is a good one!)Next MonthJoey brings Kelela's  'Raven' for Album of the Month and we play 'Spin It or Bin It?' but what will be the theme?We've been writing a blog for years come and have a look –'ve been writing the blog for years come and have a look –
  1. Ep. 31 | Young Fathers | Heavy Heavy
  2. Ep 30 | Rozi Plain | Prize
  3. Ep 29 | Ab-Soul | Herbert
  4. Ep 28 | 2022 Top 10 Albums + Top Tracks
  5. Ep 27 | Sudan Archives | Natural Brown Prom Queen

Guess who’s back. Back again. TINH’s back. Tell a friend.

This month, in Part 1 we go deep on this month’s Album of the Month by Sudan Archives. In Part 2 we play ‘Spin It or Bin It’, where we choose a theme and each bring our choice of tracks. This month the theme is ‘Our own personal entrance music’.

Part 1 | Album of the Month | Sudan Archives | Natural Brown Prom Queen

It’s my (Joey’s) choice this month and we’ve gone with a belter of a sophomore album by Sudan Archives that easily claims the best titled album of the year ‘Natural Brown Prom Queen’  

If you’ve not heard it and this inspires you … 

  • Go listen to the album – Here
  • Go watch some videos – Here
  • Go buy some merch – here

(personally I’ve got my eye on the ‘I just wanna get my titties out’ t-shirt –here)

As always we kick off with what we expected from the album and what we got. Then we explore favorite tracks, sequencing of the album, why ‘OMG Britt’ nearly ruined the whole thing for Guy’, the creative process of making the album and the influences that we hear.

We mention a few things that we’d highly recommend checking out, so here are the links;

Part 2 | Spin It or Bin It | ‘Our own personal entrance music’

The theme for Spin It or Bin It is a bit different this month. We’re choosing our ‘Entrance Music’ and describing the event or circumstances that we’re entering. If that doesn’t make too much sense, just listen to the episode!  This month, the 4 tracks were …

  1. David chose – Adriano Celentano | L’Unica Chance (plus David’s blog post)
  2. Joey chose – Joey Valance and Brae (Feat. Logic) | Tanaka 2 (plus Joey’s blog post)
  3. Guy chose – The Beastie Boys | Sabotage  (plus Guy’s blog post)
  4. Nolan chose – Macklemore and Ryan Lewis | Can’t Hold Us (plus Nolan’s blog post)

Next Month

The big one! The end of year review. Hold on tight. 
We count down our 10 favourite albums of the year, featuring lots of moaning about David’s album scoring algorithm. We also present our tracks of the year. Can you sum up the year musically in one track? It’s a lot tougher than you’d think.

Other episodes of the pod and 10 years of the blog;

If you enjoyed this episode, please check out the others. If that’s not enough for you then there’s 10 years worth of music discussion on the blog at, which runs alongside the podcast choices and much, much more. 

Posted in Uncategorized

Song for an Entrance | Nolan

I had THE BEST intro song, or so I thought until I played it for my wife. It was a fight song, it was gritty, aggressive and punched you in the face. When I played it for my wife she looked at me with disgust. ‘What’s this shit? This isn’t you?!’. She then put this track on. ‘This is your intro!’. She was right. I never want to fight anyone, I want to enter a room and make people smile, I want high 5’s, I want memories, I want hands up like the ceiling can’t hold us!

There is no scenario that this song shouldn’t be played. In fact, it’s gritty, it’s a fight song, it’s aggressive, but people will hug, smile, cry, run, walk, dance, love and motivate to it. This is actually the first song that I don’t care if it looses in spin it or bin it… this is my intro / outro and theme song.

Put me in a Western movie, walking into school as a youth, getting out of the bed..shower.. ready for work scene…. Get this on!

Posted in Spin it or Bin It

Song for an Entrance | Guy

I loved this ‘track’ idea when we heard it. I thought I’d have TONS of ideas. So many, that I didn’t really think about it until about 2 weeks ago, while on holiday, and realised I had no bloody idea what to do. Was it entrance to a boxing ring? The start of a film? All the tracks that first came to mind were for the end of a film (‘roll credits’) and that wasn’t the brief, though perhaps a great new one.

Then, I didn’t really feel I was doing anything original. I had a playlist/mood board, but it didn’t really say much about why or what it meant to me other than ‘wicked track’. Then I read David’s post and realised you could really run away with it. And here we are. One of my favourite tracks, yes, and possibly not as original as either Joey or David’s, but the idea came to me very quickly once I listened to it. And while there’s a bit of disconnect between the song (and its release) and my ‘entrance’, it all fits.

So, here’s my scene. Sit back, and enjoy.

[Warning: Artistic licence and a time machine required]

Location: an English boarding school in the late 80s.

Kids sitting glumly in monochrome in their form room, doing more dreary homework. Not a sound. Heads down. Too many detentions lately. Not long to bed time. Another grey day in middle class, middle England. Until…. 

In come the 6th formers. Bored and irritated, with some imperceptible slight. It’s time to pick on whoever’s in front of them, and in this case it’s the nerds. Always the nerds. This time it’s the 2nd years, minding their own business. But here they come, all rolled up sleeves, small-knotted ties and wispy facial hair, kings of the world, at least in their own mind. And ready for another shitkicking of whoever, because these lads are in the first XI, and nothing ever happens to them. Think the classic high school movie cliche, jocks v nerds, except extract all the US glamour, sunny climate, and general colour and mix in a tablespoon of English uptightness, a few drips of angst and the whiff of educational institutionalism and it’s about to kick off, in the most one-sided of ways. 

The 2nd years are fed up. They’ve seen this movie too. There’s never a reason for a shoeing other than ‘why not’? And if they’re lucky, they’ll just get their homework spat on, chucked in the bin or their tie pulled tight so they can’t undo it. At worst, bumps, bruises, or perhaps even a broken bone, ready to be covered up with a chat to the parents from the headmaster because ‘we can’t harm our glorious (not very good) reputation’

First a push, then someone’s dragged out of a cubicle. There’s a smirk, and the gang spreads out. Time slows down. The inevitable awaits…. 

BUT WAIT. One cubicle is empty. No one notices. Until now. Cue music…. Revenge is finally to be exacted. 

[Sound of loud music: Beastie Boys: Sabotage]

Switch to HD. Turn up the colour. Crank up the volume. The guitar kicks in. In walks the kid that has taken enough and isn’t going to take any more. Slow-mo as the first punch lands on that entitled, smug jaw. Out cold. Everyone turns, facing their target. A lucky punch, they think, he’s toast. But it’s just the beginning. 

[Sabotage continues, vocals kick in],

Like a mix of Bruce Lee’s grace and power, Arnie’s muscle and Eddie Murphy’s cool, each attacker is repelled with a mix of roundhouses, blocks, jabs. one-inch punches, in slow-mo glory, taking down the older boys that have had this coming for 5 years, treating everyone lower than them like vermin because they’ve spent their lives being told that they’re alpha males who’ll never get their desserts (and yes, they’ll all still on to to be bankers and management consultants, divorced by 35 with a head full of regret and a cocaine problem, enjoy that) but this is the day of the fightback. 

In they pile to the lone fighter: 6th formers, 5ths, until the scene resembles a cartoon dust cloud with limbs flying, until a lull

[Sabotage hits 1:37. and as the melody kicks back in]

A hail of bodies fly outwards like an explosion, through windows, walls, doors, until only the hero is left standing, surrounded by his classmates, mouths agape. 

He surveys the scene, no movement, brushes dust of his shoulder, and walks out into the sunshine, as the track dies out. 


There you go. Let’s call it long wished-for revenge, and leave it at that.

Posted in Music chat, New Tunes, podcast, Spin it or Bin It, Tracks of the Month

Song for an Entrance | Joey

This months’ theme is ‘entrance music’. We all pick our event or occasion (for us to enter) and a track that suits both us and the occasion (and hopefully something that the other brothers want to ‘spin’, rather than ‘bin’).

I’ve considered a number of different occasions but have picked a very specific event for which I’ll probably need to paint you a picture.

The setting for my story is a powerlifting gym in any unfashionable northern town, pick any, it doesn’t really matter. It’s about 20 mins off the M62 or perhaps off the M61 (again, it doesn’t really matter). It’s on the 2nd floor of the old mill building above a carpet warehouse, the paint’s peeling off the walls and it smells like, well, it smells like a powerlifting gym. There’s just enough room for a handful of family, friends and training partners. They’re either standing against the walls between squat racks or perched on benches.

You’re at your first powerlifting competition, except that word doesn’t really matter, nobody’s competing against each other, just themselves. 18 stone veterans, 7 stone first time teenage lifters and everything in between. Everybody cheers for everybody. Nobody wants to see anyone fail any lift.

Each lifter is allowed 60 seconds to make their lift. Lifters can choose their own music. Anything (but it’s mostly Metallica). So you get a maximum 60 seconds of your chosen track … but in reality you probably don’t want to take that long.

It’s not really ‘entrance’ music as you’re probably just walking from the corner of the room to the lifting platform. It’s not much of an entrance. But your track is your own personal hype-man, slapping you on the back and screaming in your ear. It plays for the time it takes to cinch your belt, chalk up and hit the smelling salts, approach the bar and go through your well practiced max deadlift ritual.

The track has to make you feel something visceral and it has to do it quickly. It has to connect in a way that taps into something real. Something physical. It’s not necessarily about all-out aggression (though it often is), it could be a head nodder, a party anthem or … it could be Tanaka 2 by Joey Valence and Brae featuring Logic;

When I first heard this track, I did what any self respecting friend should do and sent it straight to Nolan. His immediate response was ‘This is a proper Joey track, how much could you lift to this?’ My entrance music and my setting was chosen in one what’s app response.

I’ve hit all of my lifetime best lifts to one of two tracks – Ante Up by MOP feat. Busta Rhymes or Hip Hop by Dead Prez. But what’s the point in picking the obvious tracks that we all know?

I’ve gone for Tanaka 2 as it ticks all the big-lift-boxes. It’s an immediate shot of adrenaline straight into the central nervous system. Massive early 90s vibes with obvious nods to Beastie Boys but also slabs of Public Enemy Bomb Squad production tropes all wrapped up in a contemporary (El-P influenced ?) beat. It’s got a great guest-verse by Logic but the main vocal punch is delivered by Joey Valence in verse 1 and given the 60 second lift limit we won’t need anymore than that.

And also, it’s a brand new music release which is how we like to roll on the pod where possible.

Posted in Spin it or Bin It

Song for an Entrance | David

So this month, we’re all choosing a song for our entrance. Our entrance to what? Our own entrance to our biggest party? To our funeral? To our birth? To our wedding? To the beginning of our best DJ set? Well, that’s for us to decide. It’s the moment we arrive, we walk in, we’re wheeled in. It’s our entrance!

I immediately knew what kind of track I wanted to choose, because of my day job. I spend my life collecting tracks that I’d love to use one day in an awesome film or TV script. Of course, it almost never transpires that I get to do that, but it doesn’t stop me imagining. And over the years, I’ve amassed quite a collection. Now and again, I’m either delighted or dismayed (or a bit of both) to see them used in other stuff. Killing Eve’s brilliant use of French Ye-Ye pop, well you can imagine how gutted I was about that!

Anyway, my choice is for an entrance to a fictitious character. A me, but a made-up me. And by sheer coincidence, I actually played this track on this Sunday’s Mondo Pop show. So the Gods are aligned. It was meant to be.

OK, let’s make up some daft scene, off the top of my head. Let’s say it’s 1979, and there’s an English businessman trying to do a deal with the Sicilian Mafia. Thing is, he’s not a businessman, he’s a spy or a diplomat, and the money he’s going to hand over is the first part of an elaborate sting to catch the Mafia head honcho.

So he’s shitting himself. He needs to pull this off. When he gets off the plane to Palermo, and gets in the waiting car, and is driven to the club to meet the man to whom he’s going to hand this money over – this is the song that kicks in as he walks into the club in slo-mo, palms sweaty, eyes fixed straight ahead, trying to keep it cool. Early 70s Italian pop-funk of the highest order, and a song Tarantino would be happy to slide into a soundtrack.

So this is my entrance. It’s the entrance I’m writing for someone who doesn’t exist, in which I get to play the lead role.

And in the meantime, back in the real world, I can at least slip it into our headphones, and walk down the road, in the middle of my own personal movie…