Skin by Joy Crookes

If you’ve been reading the blog or listening to the pod then you’ll know that I love a debut. I’ve always been fascinated by the raw honesty of a debut and the breadth of ideas that they often bring. They’re often the culmination of everything that has happened to an artist up until that point. I think it was a Galagher who said something like ‘it takes you whole life to write your debut album … then the record company want another one 12 months later’. For Joy Crookes that ‘whole life’ was 22 years when she wrote and recorded this special debut album. However, ‘Skin’ is far from her first rodeo with 3 EPs and 13 singles recorded and released since 2016.

Joy Crookes was born in Lambeth and raised in Elephant and Castle, and moved to Ladbrooke Grove in South London when she was 14. During these teen years she taught herself the guitar and piano and started writing music, ‘I didn’t know then that this could be a proper job’. Joy went the You Tube route to self publish covers and then her own original music in what is now quite a common rites of musical passage.

In Oct. 2021 she released ‘Skin’. It’s 13 tracks, 42 minutes and is (all puns fully intended) … an absolute joy to listen to. Sorry. Whilst the album would mostly likely be described as nu-soul or something similar, the styles on show are vast, pop, soul, jazz, trip-hop shades of punk and even a track that feels like it could be a Bond soundtrack contender (To Lose Someone). The album feels really personal in a way that many records don’t, even when an artist in sharing their innermost turmoil. This feels like proper soul music, channeling her young (but old) soul. 

In some ways it feels very much like a debut album; there’s loads of ideas thrown into the mix, she’s obviously exploring a rich soundscape that she didn’t have access to on previous recordings and there’s a brash confidence in the way that she struts and spins through the album. However, Skin totally lacks the naivety that many debuts (including ones that I love) suffer from. As we found with Arlo Parks this time last year, the signposts for her future output are numerous. She really could go anywhere on the next album … if of course Sony let her.

So, hold on tight … cause … we need to talk about Amy. My skin is crawling from even raising the topic of Amy Winehouse as it’s the worst lazy criticism possible. But, I am sorry, there are valid comparisons. But when I make these comparisons, I mean them as the biggest compliment to both artists. I loved Frank. It’s right up there on my list of faulted but adored debut albums. I properly fell in love with Amy Winehouse when I heard Frank. I felt like I knew her. ‘Skin’ has exactly the same kind of raw personality as Frank. They are both at times heart breaking and at the next moment amusing and jubilant. The broad, lush, widescreen soundscape that is employed on Skin is at times reminiscent of Back to Black. Both artists sound nostalgic and futuristic at the same time. When I say this album reminds me of Amy Winehouse I mean it reminds me of all of the things that I love about Amy Winehouse.

Lyrically, this album is a monster. Joy Crookes is a STRONG songwriter. This album really demonstrates her talent across what are quite different tracks in terms of style and subject matter. Relationships, gender politics, family shit, politics, and London are all in the mix. She writes about all of them in a personal manner that never looks the other way, is heartfelt and often well humoured. There are 1 or 2 tracks where the standard slips a little (Wild Jasmine being the track that comes to mind) but the album is strong enough as a body of work to keep momentum.

If this album was released earlier … even a month or two  … I think it would have featured pretty high in my 2021top 10. It’s so easy to recommend to people. Thank you Joy, I’m genuinely excited to see what you do next.

The Return of Mitski

Mitski – The Only Heartbreaker

We loved loved loved Mitski’s Be The Cowboy in 2018, and she’s back with a new album – Laurel Hell – in February 2022. Before this lands there’s a fantastic new EP, which takes in 3 sumptuous tracks including this upbeat, synth and guitar-pop of The Only Heartbreaker. Roll on next year!

Mix – Lopez Summer

A few months ago I presented the fantastic track ‘Mirrored Identities’ by Tunnel Visions and we discussed that it would be hard to follow that track up in a set. This stuck with me for a while and I wanted to find out where the track actually sits in a set. Could you follow it up? The result is that it sits well in a set, and this is my answer to the question. I hope you enjoy….

TRACKLIST

Musumeci – Pawn Storm
Aera – Shallows
Tim Engelhardt – Idiosynkrasia (Andhim Remix)
Rampa – 2000
Avidus – More LFO
Djuma Soundsystem & EMOK – Ouga
Gionist & Turgi – Konnakol
Tunnelvisions – Mirrored Identities
Audiojack – Introspection (Nick Curly Remix)
Ede – Mimosa
Clavis – Anteac
Yeah But No – Run Run Run (Adam Port Remix)

Skyzoo Playlists

In one of our most enjoyable chats to date we delved into Skyzoo’s latest effort ‘All the Brilliant Things’ on Episode 13.

Within the chat David requested a Skyzoo playlist looking into his previous work or perhaps a quick trip into the Brooklyn artists that inspired Skyzoo…. I chose to do both!

First and foremost lets delve into some of the most formative hip hop tracks from Brooklyn. Where do you start and more so end?

And then Skyzoo. Like the Brooklyn playlist it could be much longer and was tough to keep it down to 10 tracks (plus a bonus).

What tracks do you love that I missed?

Genesis Owusu: music he makes us want to listen to

While we were all getting deep into the amazing debut that is Genesis Owusu‘s Smiling With No Teeth, so much of the albums of the month discussion also talks about where the inspiration could lie for the artists and the albums. And also what music the albums makes us (re)visit.

For Genesis Owusu, it wasn’t so much for the album, but almost per song, sometimes per verse and chorus! There are so many there, right across the spectrum from Talking Heads to Death Grips, Young Fathers to Frank Ocean and Saul Williams to Kendrick Lamar. It’s such an album of contrasts, musical flourishes and confidence in the protagonists talents – from Owusu to his tight and musically inventive band – that it’s a joy each listen, with new things coming with each time you encounter it.

We hope you enjoy the playlist and also feel free to suggest things back to us on the socials.

Inspired by…. The Weather Station

If you’re getting your teeth into Episode 10 of the podcast and the Weather Station’s brilliant Ignorance, you’ll know we also talked all about those artists that we found within its ten tracks. Some of the blog’s favourites ride high in that list: Kate Bush, Fleetwood Mac, U.S. Girls, HAIM, Phoebe Bridgers…. so we made a playlist of them all as a companion piece, something we’re going to try to do for each album of the month. It’s a bit of enjoyment if nothing else. Hopefully here it’s a bit more context to an album that gets better and better with every listen.

Not quite albums of the month…. the ones that got away.

It may seem like there’s always a nailed-on candidate for our albums of the month. But there’s all sorts of reasons that an album may not be chosen as AOTM. Way before we did the podcast, we were still having the same discussions and dilemmas. So why would it get derailed? Sometimes it’s as simple as the fact that we’ve already got it and have rinsed it before it could be chosen – Caribou’s Suddenly and Roisin Murphy’s Roisin Machine are both good examples of this last year – or sometimes there’s a veto from in the camp. Or it simply falls at the wrong time: your album’s released in March, you have June, and by the time your choice comes around, its old news.

I think we can all agree that should time be taken again for Roisin, we’d have chosen her over Sufjan 99 times out of 100. Hindsight is an easy out. But we loved it so much it sometimes feels like taking the less worn path (though Sufjan is hardly unlikely) is a better choice than choosing something everyone will love. Other times while one – or more – of us loves it, it’s pretty clear that it would be likely hated by the other. I know what I’ll be playing still in a year.

With Ep11 and April’s AOTM in question, this is a great example of that dilemma. @misterstory put me onto Menneskekollektivet by Lost Girls, a strange, ethereal collection of 5 tracks from Norwegians Jenny Hval and Havard Volden, that he brought to my attention as one of the 4 ‘new tracks’ up with Episode 10. 11 minutes of hypnotic music that’s part spoken word, part dancefloor chug, then in between meanders into the areas in between. I was half-captivated, half confused by it, but it definitely stuck in my head. And it pointed me to the album, which was just as off the wall, but just as beautiful. While it was in the mix for April, we also knew that it really wouldn’t be a ‘David’ album, and we weren’t sure it was a Nolan one either, and so it went to the cutting room floor. Which is odd as the album we chose – Genesis Owusu‘s Smiling With No Teeth – was just as ‘out there’ in many I(but different) ways. But it just seemed to be an album which would be a choice that would land with the four of us better. Having said that, we chose Macca, and look how that turned out for Ep7!

Going a bit deeper into the album than even Joey has so far, Love Lovers is probably the standout of the 5 tracks (total: 44 minutes for, yes, only five tracks). A tribal beat that morphs into techno, as Hval’s spoken words then wailing notes and Volden’s chords drive the melody, until it breaks out into an epic peak. Carried By Invisible Bodies also weaves around, its chords de- and re-tuned throughout, a sort of woozy, disorienting melody that I’m still not sure if I’d ever have the cojones to play out anywhere. It definitely skirts the fine line between musical genius and pretentiousness, and no doubt knows that. But the artist background of Hval (and this being considered an accessible counterpoint to her solo work!) makes this less of a surprise when you delve deeper.


We could probably do a whole series of albums that never quite made it to a chosen each month – we don’t by any means have just those 12 albums in our lives each year – but this one definitely stood out. For every choice there’s always one that ends up on the floor. If I had time again, I’d have chosen Everything Everything’s Reanimator because – no diss to Yves Tumor, my EP3 choice – I’m still playing it, all the time. In fact it’s turned into one of my favourite albums of the last 6 months. In music as in life, you live and learn.

Some albums I’ve been loving …

Rhye – 'Home' review: The disco dancefloor calls, but will Rhye pick up? |  The Forty-Five
Michael Milosh, aka Rhye.

A short but functional post today. We only get to review one Album of the Month but of course listen to so much more. I thought I’d share a few of the new albums that have been a big part of my life in the last month or two;

Unfortunately, it’s all too easy to guess what albums are going to feature in the end of year round ups, even as early as January. ‘Home’ by Rhye probably won’t be troubling too many of these lists. It’s too nice. It’s too gentle. It’s nowhere near cool enough. But I love it and everyone that I have recommended it to has loved it too, regardless of their usual musical tastes. Listen without prejudice and enjoy.

Next is ‘Deacon’ by serpentwithfeet which is an ambient R&B celebration of big gay love and sex. I am not sure there’s much more to be said. It’s a beautiful, perfectly crafted selection of 11 tracks. Each has something to say on their own but also as part of the wider story. Pull the lyrics up when you listen, revel in the frankness of the stories told.

Finally, is ‘Menneskekollektivet’ by Lost Girls a collaboration between 2 Norwegian artists; Jenny Hval and Havard Volden. Here you’ll find 5 tracks, 46 minutes worth of surprisingly accessible, experimental electronica textured with spoken word, vocal melody and harmony, guitars and at time chuggy beats. Sometimes odd, always fascinating. I know Guy is enjoying this one and he may also post on this album too. I think this album is very much worth investing some time into.

Podcast: Secret Santa Track Selection for Guy

Listeners to the This Is Not Happening Podcast will be familiar with our standard format. The 1st half of each Pod is dedicated to an ‘Album of the Month’ (AOTM), the 2nd half of each Pod is dedicated to ‘Tracks of the Month’ (TOTM). Each pod we have a different theme for TOTM. We’ve had ‘new tracks’ and ‘favourite disco track’ but in Episode 10 (coming soon) we chose a new approach. We would draw straws, Secret Santa style, to find a new track for a specific member of the This Is Not Happening crew.

The track that we were selecting could be literally anything. An old classic. A hidden gem. Something brand-spanking-new that they’d never heard. Just in case we selected something that they already new we agreed to create a 4 track playlist so that we had a few back-ups. I was drawn to play Secret Santa to Guy. At first I thought this was a good thing and that my job would be relatively easy. And then i didn’t sleep for 2 weeks worrying about this selection.

Ahead of the podcast being released into the wild. I thought I’d share the long list from which I carved out my 4 track long list and my track selection.

You’ll find a pretty broad range of track selections here. Some of them I could have selected for Nolan, a couple I could have selected for David but I had good reason to believe that many, if not all, fitted into the overlap in the Venn Diagram of Guy and Joseph. The 2x 12 minute tracks were strictly for Guy!

I hope you enjoy my musical gift to Guy. I am sure he won’t mind you borrowing it.