TRIBE CALLED QUEST ARE BACK!!!!!
TRIBE CALLED QUEST ARE BACK!!!!!
The return of Common… could he finally be back to his prime after more dud albums than I can name?
Pulling from the opposite spectrum of my last mix this one is a bit more driving; ENJOY YOUR ROLE!
https://soundcloud.com/nolan-1-1/nolan-kane-role
Chicola – Childhood
Fort Romeau – Facing The Sea
Francesco Chiocci – Black Sunrise feat. Black Soda (Peter Pardeike Remix)
Francesco Chiocci – Nightmares
Eagles & Butteflies – Shinto
Little Dragon – Little Man (Simon van Leunen Edit)
Tim Engelhardt & Autm – Pan
Moderat – Running (Ame Remix)
Matias Aguayo – Komm
Ambivalent – Whyou
Emanuel Satie – Come As You Are
Township Rebellion – Charlotte
Nice.
Anderson Paak strikes again via Stones Throw…..
So here we are, October, the last 4 months have flown by and much of the music I have been listening to has been from the blog funny enough. This in-turn has resulted in me looking back to an album that filled much of the first half of 2016 for me but I have enjoyed listening to once again. On that note, I was late to the game on this as it came out last year.
I spent much of this past weekend thinking how was the best way to say “Sure he’s in Vampire Weekend, but I didn’t know this until about two months after buying this album and it was best to approach it this way in retrospect. I think I would have been letdown if I wanted an extension of the Vampire Weekend albums that I love so much.”
The fact is that I discovered him through a Coma remix he did and my interest grew from there.
On first impressions it look me a while to get my head around Baio and what he was up to. Electro synths with melodies and at times what I though was over exaggerated 80’s vocals. That in mind I liked it, and soon the vocals that made me unsure became essential to glueing together this album.
‘The Names’ was the track that cracked it for me and strangely watching the video a few weeks after getting into the album was very similar to how I pictured it in my head.
“I was Born In A Marathon’ goes deep into the rave, and I can easily picturing myself losing my shit o this in a festival field. I ‘ve risen my hands to this song on more occasions than I can think in the Car, doing chores at home and and once in the co-op on a Sunday morning with my headphones on. I have read that he used to be a DJ and the 4/4 beats do make a strong appearance throughout this album.
In 9 songs he bounces around a bit on this album. Perhaps it’s the luxury of someone that can do this knowing you can always fall back on your main project. The versatility of the 9 songs is one of the things I like about this album… It’s got a bit of everything.
Perhaps if I was to talk about the elephant in the room ‘Sister of Pearl’ reflects a Vampire Weekend influence, but hey, it’s not a bad thing. Baio in my opinion is far from hanging his hat on his Vampire Weekend work and has released a fantastic album.
I do hope you enjoy the album as much as me. It’s also worth checking out his EP’s on Spotify.
I love everything single about this more than I can say. So perfectly formed. What a video. So much colour, so much life. I wonder if a UK rapper like this might blow up globally soon. Feels so much fresher and less bloated than most US counterparts (Kendrick et al notwithstanding). Dunno. Anyway, enjoy…
Wonky all-female Liverpudlian electro-psych pop trio? Count me in!
Also, this video is incredible. Love how it captures that weird folk takes/ancient magik bucolic English village thing.
It’s hard to believe that Michael Kiwanuka was being touted as a next big thing a whole four years ago, by BBC Introducing, hot off the back of a fantastic debut single “Home Again”. I loved that at the time but it’s fair to say I’d forgotten about him in the intervening years.
And so while we fretted about the lack of a physical Frank Ocean album, back he popped again. Not randomly: I’d seen him light up Later… earlier in the year with Black Man In A White World, above. It encapsulated why I loved that single back then and – finally – seemed like we may see more of a next big thing, before he became a “whatever happened to…”?
So what do you get with Kiwanuka? It’s not flashy or hip or cool, but that’s the attraction. Sounding like he’s got one foot in Marvin Gaye’s house and one in a smoky basement club in London, it’s modern soul at it’s best. No syrupy production, and while there’s strings, Love & Hate isn’t pastiche, it’s at it’s best an album that’s accessible from the start, with lyrics and a voice that feel heartfelt and powerful.
There’s a lot to love: from Father’s Child with it’s raw, stripped back opening, opening into a chorus of backing vocals and crisp drums. Or Black Man… a track that feels very prescient in today’s world. I’m also a sucker for a long opening track (see Station To Station or Goodbye Yellow Brick Road), and Cold Little Heart is a thing of beauty.
There’s nothing showy, but really in a world of artifice, PR, overproduction, compression, auto tune, this feels much more authentic than any of that without ever trying too hard. And lord knows we need some of that. it’s helpful that Kiwanuka is a genuinely lovely person. I just wish I’d seen him at Glastonbury now.
I’m starting to fall for this record after only a couple of listens, and that’s not something I say often. I hope you feel the same.
It’s been a while since I have done, and even longer since one has been deep. Here are some songs best served on chilled nights, with friends and all round good times. Enjoy!
Tracklist:
Stimming, Ben Watt – Bright Star
Acid Pauli – Nana
Joy Wellboy – Before The Sunrise (Dixon Remix)
Matthew Herbert – It’s Only (DJ Koze Remix)
Lee Burridge & Lost Desert – Lingala (feat. Junior)
Downtown Party Network – Space Me Out (Mario Basanov Remix)
The Black 80’s – Move On (Hollis P Monroe and Wrong Jeremy Mix)
Coma – Lora (Robag’s Fandara Qualv NB)
Para For Cuva – Fading Nights (feat. Anna Naklab)
Francis Harris – Lostfound (Matthew Herbert’s Let Yoursef Go Mix)