It’s hard to believe that Michael Kiwanuka was being touted as a next big thing a whole four years ago, by BBC Introducing, hot off the back of a fantastic debut single “Home Again”. I loved that at the time but it’s fair to say I’d forgotten about him in the intervening years.

And so while we fretted about the lack of a physical Frank Ocean album, back he popped again. Not randomly: I’d seen him light up Later… earlier in the year with Black Man In A White World, above. It encapsulated why I loved that single back then and – finally – seemed like we may see more of a next big thing, before he became a “whatever happened to…”?

So what do you get with Kiwanuka? It’s not flashy or hip or cool, but that’s the attraction. Sounding like he’s got one foot in Marvin Gaye’s house and one in a smoky basement club in London, it’s modern soul at it’s best. No syrupy production, and while there’s strings, Love & Hate isn’t pastiche, it’s at it’s best an album that’s accessible from the start, with lyrics and a voice that feel heartfelt and powerful.

There’s a lot to love: from Father’s Child with it’s raw, stripped back opening, opening into a chorus of backing vocals and crisp drums. Or Black Man… a track that feels very prescient in today’s world. I’m also a sucker for a long opening track (see Station To Station or Goodbye Yellow Brick Road), and Cold Little Heart is a thing of beauty.

There’s nothing showy, but really in a world of artifice, PR, overproduction, compression, auto tune, this feels much more authentic than any of that without ever trying too hard. And lord knows we need some of that. it’s helpful that Kiwanuka is a genuinely lovely person. I just wish I’d seen him at Glastonbury now.

I’m starting to fall for this record after only a couple of listens, and that’s not something I say often. I hope you feel the same.