Author: David Allison

So. We’re kicking off a 4 month classic album stint with Talking Heads. Ah, Talking Heads. The band that everyone knows but no one knows. The band who’ve influenced everyone and yet so many people are a bit wary of. I think it’s the fault of the A word.

ART. It’s that rock meets art thing. Maybe Bowie has that reputation too. And when people here about art-rock, they start thinking about concept albums or high-minded dense songs with no tunes or lyrics about Tibet or women in art galleries with dark lipstick and loud voices. And you end up thinking THIS ISN’T ROCK MUSIC. Where’s the sex? Where’s the grit? Where’s the dirt? WHERE’S THE FUN?

Choosing a TH album was always going to be tricky – like Bowie, they’ve had a long career in many guises. And as with my Bowie choice, I could probably have gone for something ‘easier’. Their debut, Talking Heads 77 is probably their most poppy, or perhaps their swansong Naked. But you want the best, right? Well I reckon you’re looking at it right here.

OK. Two rules to this album:
1) You read the Wikipedia page about it: http://en.wikipedia.org/wiki/Remain_in_light
2) You listen to the whole thing 3 times before responding.

Why? Well, it’s an album you need to invest in, like so many of the best are. And the unusually excellent Wikipedia gives you a really fantastic sense of how this album came about. This is a band who were pushing at the musical straitjacket they’d made for themselves and suddenly found a whole new sound. I still think that marriage of African rhythms and the edgy New York paranoia of the band is so fresh, it’s startling. It was a sonic leap forward like nothing else for the band and that sense of excitement comes right off the songs.

The other interesting thing to note is the presence of Eno. He’s such an influence on this album. What a presence he was in the 70s and 80s on so many musicians, pushing them into new territories. He is of course the link to Bowie, with whom he also worked during his Berlin period.

Before I fell for this album, I knew Once In A Lifetime but none of the rest of the album – maybe as you do right now. You’d think there was nothing to add about the incredible awesomness of that song, an astonishing record that manages to be a party favourite that questions your entire existence. But when I first heard in the *context* or the rest of the album, I suddenly got it in an entirely different light.

I hope you too find the light and remain in it. 😉

Dear Brothers,

We’ve done a full 4 month cycle. Congratulations. No one has fallen out, no blood has been shed. We have agreed. We have disagreed. This is good. Now, cycle 2;

I have chosen ‘Past Life Martyred Saints’ by EMA (Erika M. Anderson) a lady not a band. That’s her there on the cover with the magic finger. She used to be in a band called Gowns who apparently performed ‘Noise-Folk’ a genre I am neither familiar with nor interested in being familiar with. The album was well received by critics but made no commercial impact as far as I can tell. It ended up in loads of 2011 ‘Best of Lists’. I think it is a very ‘Pitchfork’ type of album so it was no surprise that it made their top 50 albums of 2011 but also made SPIN, Popmatters and BBC Music lists placing as high as 4th. But hey, critics liked Alabama Shakes too and that proved not to meet this blogs standard.

So why have i picked this? A number of reasons. I like it. I’ve always had a soft spot for emotionally unstable talented young women. I like albums that pour out raw & real emotion with little disguise or metaphor (this maybe the reason that you don’t like it, who knows). This emotion is well-done-emotion ‘I wish that every time you touched me left a mark’ a repeated refrain that feels as if addressed to you.

I also chose it as I thought it would be totally new to you. I know there is a temptation to read reviews before you listen but its as new as I could muster as it seems none of you have heard too much about it.

Another reason is that I find it quite difficult to place genre wise. The closest comparison for me is that she is like a contemporary Patti Smith. Maybe listen to this then ‘Horses’ for an intersting double bill.

Anyway, it’s on its way. Enjoy Brothers.