Album of the Month November – Mano Le Tough: At the Moment

Mano Le Tough, Irish-born Niall Mannion’s career within Dance music has been one that all young music fans dream of. Initially stepping into the realm of dance music after toying with indie music in his teens he was quickly discovered (within minutes) of posting his first tracks on myspace by indie disco stalwart Tensnake in 2007. Soon after he moved to Berlin and quickly built a musical and DJ led following that most would dream of. Combing through his back catalogue, though at times limited, quality his always prevailed and so has his reputation.  This from Pampa Records sums up their artist to a tee: living alongside sought after personal singles, two full length albums, and remixes for, among others, The Pet Shop Boys, Roisin Murphy, Caribou and Erol Alkan, Mano became one of Europe’s most in-demand DJs, with headline performances across the continent’s dancefloors and the world’s biggest music festivals. Since early 2020, however, he’s been at home, attempting to channel inspiration from eighteen months without live music, amid the anxiety of a global pandemic’.

Any self proclaimed forward thinking dance music wanker like myself will point out that Mano Le Tough is one of the most consistent producers when creating adventurous dance records. In short the hipster dance geeks think he’s pretty special. His 2014 Boiler Room set is one of my most listened to DJ mixes. He has a slew of others that I regularly revisit. He’s a DJ that anyone serious about dance music should see at least once in their life, though this should not be a precursor to this album as this album takes you on  journey that at times would create dance floor moments but is more moulded to more laid back situations with a rear view on the dancefloor.

Last year we discussed on the podcast about music that was being made in lockdown and what the music would sound like. Like last months’ album, we’re starting to see the fruits ripened from 18 months of isolation. Largely hashed out in early 2020 from demos and new ideas you get the feel that this is an album of calmness away from the constant travel and DJing in the worlds best clubs every weekend. Mannion has mentioned in a couple interviews that not having his foot in a club every weekend let him to push himself beyond the traditional 4/4 structure that the majority of his previous releases always came back to. One interesting point is that Mannion is often overlooked for both his vocals and indie tinged tracks within dance music, which both shine throughout this album. 

We talk a lot about album order and the sequencing of tracks. After the masterclass of Billie Eillish, this too isn’t far away from perfection, though this is more like a perfectly arranged mixtape and less an overall piece of work. The length is hefty, 50 minutes and 12 minutes long. Although I can hear brother Joseph knocking his head on his kitchen table in Chorley at the length, I firmly believe that this won’t be an issue for him as the flow of this album is seamless. For Joey, the deep guitar lead dance feels will undoubtedly sit perfectly in his wheel house.

‘Aye Aye Mi Mi’ may be one of my tracks of the year and I suspect it’s got something in it for us all. I imagine dropping this in a back room somewhere with all four of us in attendance. I can imagine David doing a funny dance to it, Joey giving me his ‘what is this’ bass face, and Guy popping up his head whilst chewing the ear off of someone to swiftly lift his fist in approval. It’s an all-rounder that sits well in most places at most times.

From the psychedelic trip hop of ‘Moment to Change’ to the optimistic dreaminess of ‘Fado Fado’ and ‘Short Cuts’ and deep tinged dance bangers like ‘Pompeii’ and ‘So Many So Silent’ there’s more than enough to peak any music fans interest and keep them interested throughout the 50 minutes. Trying to pinpoint what this album is will be something that I think all of us will struggle to pigeonhole within a genre.

Although there have been similar albums within the realm of this album released recently, most notably new efforts by the Joy Orbison and Darkside, this album has connected with me the most. Perhaps the well woven slowdown sounds have moulded perfectly with the autumnal / early winter feels that I’m adapting to. That combined with the feeling that the likes of Caribou, LCD Soundsystem and Four Tet are all cut from the same cloth makes this album irresistible.

When explaining this album, it’s hard to pinpoint. Is it dance, is it indie, is it ambient, is there a point in categorising it? Whilst writing this I’m trying to get my head around why I love this album so much? ‘No Road Without a Turn’ perhaps sums it up best for me. It’s unexpected, full of emotion, it constantly evolves throughout. Both the song and the album, is something that everyone should have in their lives.

Four Tet – Parallel

The methods of making music may not have changed much in lockdown but the way its’ released and consumed surely has, especially with electronic music. With no clubs, how do you craft something for release? When should it come out? If you’re Kieran Hebden then Christmas Day is the answer to the latter. Not one, but two new albums appeared in December, and of the two – along with an odd retrospective, 871 – Parallel was the one that’s landed most with me. A selection of tracks, some of which have been released under a strange hieroglyph moniker over the past few years, which carry all the beauty of his electronica as well as anything he’s done recently. Particularly the opener, a monster 27-minute Parallel 1. It’s chimed perfectly in lockdown for me, and I’m really glad to have such a musical polymath like Four Tet around.

2021 should be a good year for music

With all 2020 gave us, music was one of the positives. From artists we have always loved such as Caribou and Run the Jewels, to artists such as Sault and Phoebe Bridgers planting their flag for a constant spot at the table to fresh new sounds like Troy Kingy, Khruanbin and Arlo Parks. 

As we wrap up 2020 there have also been some unexpected surprises; Paul McCartney, Black Thought and most recently Parallel by Four Tet. 

With a positive bounce in everyones step looking ahead to 2021 there is not only optimism in the air for things finding some normality around the world but also for new music. The hope being that many of our favourite artist have spent the last 12 months creating new material for us. 


So far we know the following artists are ready to roll: Arlo Parks, Bicep, Darkside, Foo Fighters plus a Madlib & FourTet collaboration which all should be solid. 

Plus unconfirmed but expect there will be new albums from Kanye West, Adele, Julia Stone, The Staves, Travis Scott and A$AP Rocky to name a few. 

Will 2021 meet our expectations? 

What are you looking forward to?

2017, I think it was good?

What must have been 6 or 7 years ago brother Joseph and I went out for a few Christmas beers one afternoon and amongst the conversation was the idea of what became the early beginnings of this collaboration of music sharing and discussion. The blog in its’ own right in 5 years old.. so good on us for sticking to it!

Looking back we have had some great albums, and this year is no exception. For me 2017 has been a strong year for new artists whilst it has also welcomed back a few that were due some fantastic new material. I found myself buying allot more albums this year, and looking at what is due in 2018 I hope it continues.

I always struggle with lists, but off the top my head here are my highlights for this year (songs and albums) in no particular order. Like last year, I left off top songs that are on albums that are in my top 10.

 

Top Songs

Jay-Z – The Story of O.J.

Tom Rosenthal – Soon Goodbye Now Love

Masta Ace – Young Black Intelligent (feat. Pav Bundy, Hypnotic Brass Ensemble & Chuck D)

Evidene – Jim Dean

Daphni – Face to Face

Whitesquare – Definition of Anticipation

Home – Joe Goddard

Rapsody – Power ft. Kendrick Lamar, Lance Skiiiwalker

Sampha – (No One Knows Me) Like The Piano

Julia Byrne – Follow My Voice

 

Top Albums

Aesop Rock – The Impossible Kid

LCD Soundsystem – American Dream

Bicep – Bicep

Auldus Harding – Party

Agnes Obel – Citizen Of Glass

Loyle Carner – Yesterday’s Gone

Four Tet – New Energy

Nick Mulvey – Wake Up Now

Kendrick Lemar – Damn

Run The Jewels – Run The Jewelz 3

 

 

Smokebot

https://soundcloud.com/nolan-1-1/nolan-kane-smokebot

New beats for a new season……

Trackist:Booka Shade – Love Inc
Zoo Brazil – You Don’t Know Me
Manuel Moreno – The right One
Kid Culture – Nu Age Humming
Mikalogic – Antivirgin
Nice7 – Do It
Dusky – Careless
Heston – Downlow (Bontan Mix)
Jack Priest – Get Up On and Dance While The record Spins
Hausworks – Worth The Wait
DIANA – Perpetual Surrender (Four Tet Remix)