Throughout lockdown I searched high and low for new music and in general struggled to find something that blew my mind. This was until Sault released ‘Untitled (Black Is)’. Over 3 months since the first listen it is still fresh as the first listen and I’m excited to present it to you as this month’s album of the month.
Who are Sault and where have they come from? In short, nobody really knows. It’s written that they’re a collective most likely from London and they’re on the Forever Living Origionals imprint. Cleo Sol is thought to be in the band, so is Kid Sister and Inflo. In the last 18 months they have released 3 full albums that are all thriller and no filler. Their sound in my humble opinion is incredible. It firmly falls into my wheelhouse. They cover a wide spectrum of sounds with soul firmly at the heart of everything they do.
Like their first two releases, our album of the month Untitled (Black Is) came out of nowhere. The first time the world heard it was on the Giles Peterson show. He rated it so highly that he played the entire album on its’ first play in June. They posted on their social media upon the digital release “We present our first ‘Untitled’ album to mark a moment in time where we as Black People, and of Black Origin are fighting for our lives. RIP George Floyd and all those who have suffered from police brutality and systemic racism. Change is happening…We are focused.”
Focused is an understatement. From the initial ‘Out the Lies’, followed by ‘Stop Dem’, ‘Hard Life’, and ‘Don’t Shoot Guns Down’ the scene is set for the majestic ‘Wildfires’; which exudes inspiration and determination amongst deep frustration as the first half of the album swiftly pulls you in. As Sault swerve through the multi genre effort you’re continually impressed with each new sound whilst purveying the consistent message of black unity. As the album nears it’s end the message moves from frustration to hope.
Sault have released an album of heart felt, thought provoking songs that inspire and for some hopefully educate. At face value I would wonder if an album that moves through psychedelic soul, dub, reggae and spoken word within minutes of each other would work? This album does this on numerous occasions without flinching. We often talk about albums and their programming. It is 56 minutes long, 20 tracks deep with a mixture of songs and interludes. I struggle to find a track that doesn’t belong.
This album was the first in months that I was truly blown away by. Since the pre-lockdown release of RTJ4. I write this on the day that Sault announced the follow up to Untitled is imminent. More of their musical magic is on the way and I for one can’t wait!