Welcome back Karin. You’ve been missed.
I am very pleased to be able to choose the new Fever Ray album for December AOTM. Merry Xmas Brothers.
My introduction to Fever Ray (aka Karin Dreijer) came before I think I had ever heard anything by The Knife, the band that Karin created with her brother Olof. The Knife were a European Electronic phenomenon in the early ’90s perhaps never having the success or influence they enjoyed in Europe and Internationally. I worked backwards from my love of Fever Ray’s debut Fever Ray into The Knife back catalogue.
The album, Fever Ray was a (logical!?) musical progression from Silent Shout, The Knife album that preceded it chronologically. Silent Shout was a fairly dramatic, progression from The Knife’s earlier output focusing in on the more intense, dark and moody qualities of the previous albums. Fever Ray picked up this baton and Karin explored much more personal of pregnancy and motherhood as Fever Ray. She shared something we’d never heard or seen (please check out the videos from this album) from her work with her brother. The fact that the release of this album and Stacey and my love of it coincided with Stacey’s pregnancy and our early parenthood made this is a very special album.
If Fever Ray was a progression from Silent Shout then ‘Plunge’, in turns picks up many of the stylistic turns explored on ‘Shaking the Habitual’ the last Knife album. ‘Shaking the Habitual’ was mental. It was a pretty tough listen even for a fan. I do like it very much … but I don’t play it too much! I am sure that when you first listen to ‘Plunge’ you may feel similar emotions but I implore you to dive into it head-first. Create occasions where it’s oppressive, angular and downright scary nature is a plus … not sure what those occasions are really but immerse yourself and its brilliance will reveal itself.
Karin’s voice is urgent, pleading, desperate and reflects the less conventional electronic soundscape that creates each song. But when needed, she turns into a Scandi-Electro-Pop queen sounding cute and friendly. This dark and light is found all over the album. IDK About You is a great piece of urgent Punk Pop but at 150BPM comes across like an assault the first few listens. Again, once you get it, you really get it. ‘This Country’ see’s Karin open, explicit, politically charged and exposed. ‘To The Moon and Back’ harks back to The Knife’s perfect pop moments on the Deep Cuts album. It sounds like the gorgeous radio friendly ‘Heartbeats’ or ‘Pass This On’ until Karin coo’s ‘I want to run my fingers up your pussy’ … oh, she went there. How Karin.
So don’t relax and sit back to listen to this. It won’t work. But do get involved with it’s complexity and range.