Ah, blue-eyed soul. A double-edged term that come across as much as insult as praise. It implies a lack of depth, a lack of the heritage of the music, not just racially but in terms of authenticity. Maybe this isn’t quite blue-eyed soul, but it’s certainly made by an artist who’s steeped deeply both in the history of the music and current trends. It’s also not quite accurate to say he’s a white guy singing a historically black genre. To be specific, he’s a Kiwi of Pacific Islander heritage who now lives in London and signed to Ninja Tune. How fantastically 21st Century.
So where did this come from? That was what I thought when I first heard ‘Goodbyes’. It was one of those times I immediately Googled the artist, found he’d made a whole album, and then just sat opened-mouthed when I sat down and listened to it. The opening number, ‘Eye to Eye’ starts like a soul ballad, and then when it kicks in, you know you’re going somewhere really interesting. That edgy, nervous arrangement, almost jazz-sounding at at times, is such a great counterpoint to his sweet voice.
This is such a tough genre to excel in. I mean, I think I’d call this a soul record, but it’s a post-dance era soul record, I suppose in the same way that Sampha is. There’s also a touch of those downbeat artists like James Blake in there too. But where some of this genre can be a little hit-and-miss – for example, I LOVE the highlights of the Sampha album, but there’s some filler on there, I really love the whole of this. It’s so fully-formed, it’s so rich, it’s so delicious to listen to. It’s beautifully produced too – those strings remind me of Craig Armstrong’s work on Massive Attack’s finest albums. In fact, Massive Attack are a real cornerstone, influence wise. Time for a trip hop revival, anyone? 😉
There are two stages to your relationship to an album, I find. The first is: do I keep playing it when I first get into it? This has been a huge yes – I’ve had to start rationing myself because I’ve listened so many times. The second stage is: Will I come back to this, year after year – has it become a permanent part of my musical landscape. Well, of course, I won’t know that yet. But if you’re asking me to guess right now, I’m pretty certain it will be. I like it that much.
Highlights: opener Eye to Eye, the straight-up soul of Nerve, funky, melancholic single Goodbyes, Massive Attack-esque Hiding Place. But honestly, I love the whole thing!