May: Hot Chip – Why Make Sense?

It’s a bit late this month, but I hope it’s worth the wait, Brothers. And before we get started, there’s a disclaimer here: I’m an unashamed Hot Chip fan. Since I heard The Warning back in 2006 I’ve been hooked. Back then they were a different proposition: new kids on the block, making music that didn’t really sound like anything else I’d listened to (and even more so on Coming On Strong, their 2004 debut, which I consumed the same year) and the antithesis of both the rock and electronic ‘bands’ I listened to as well. They didn’t look like pop stars, they didn’t sound like pop stars, (jesus, comparing them to Radiohead or Arcade Fire seemed odd, still does in some ways) but Over And Over clicked with something in me that I didn’t expect.

Once I got into the album, it’s clear they offered something more than everyone else: a sound that went between full-on dancefloor banger (Over And Over, No Fit State) r’n’b-tinged love songs (Boy From School, Colours) sprinkled with lovely oddities that just seemed like they weren’t trying to be anything at all other than a band just recording what they wanted (Don’t Dance, The Warning, Careful). I saw them at Lovebox that year, they were a strange experience. Playing ridiculously early on the main stage, they were a nervous-looking cadre of nerdy synth geeks, almost not engaging at all with the crowd but making a decent fist of studio-produced songs that didn’t always crossover to the live arena.

Nine years later comes their sixth album, and maybe their best yet – Why Make Sense – and in some ways they’re completely different and yet hardly removed from the collective that endeared me all those years ago. Where have they changed? Well, despite their great hooks and quirky album tracks The Warning, breakthrough that it was, felt like a band still finding their feet a little, and as a live proposition they were still green. Now, they are the finished product: one of the most inventive bands around, making records that are catchy, but intelligent, poppy but heartfelt and emotional, and somehow still sounding, well, like Hot Chip, even though in any album they’ll cross through five different genres. And live, they’re one of my favourite bands ever. Part of this is down to their development as a live act, whether it’s coming out of their shells as frontman/men, becoming more confident of their sound, honing their work from the studio to the stage much more coherently, and now crossing the tricky rubicon from making an album with synths, drum machines and all sorts, and making that sound heavy live. More of that later.

In reality, they’ve taken a step forward at each album’s release, but Made In The Dark was a watershed: they didn’t succumb to temptation to try and make hits, they just did what they did, with a few more touches, a few different synths, but never moved away from making music they wanted to. That album had more standout tracks – One Pure Thought, Ready For The Floor and Shake A Fist – all the while not treating their fans (old and new) like fools, and making repeated listens bear fruit each time. And One Life Stand was as fully-formed as they’ve got up to now. I love each album and track in their own right, but until Why Make Sense I didn’t know if they’d better it, however much I loved In Our Heads.

But Why Make Sense is a revelation. It’s Hot Chip, undoubtedly, but it just feels like another leap forward. There’s reasons for this – admitted and assumed – but for a band that’s been making records for over a decade, and in that ever-changing electronic/pop arena it’s hard enough to stay relevant and keep fresh. I think Hot Chip have managed it as they’ve never been interested in doing anything ‘cool’, and so they never have to beat anything but their own expectations. But the band’s ever-growing side projects – Al and Felix’s brilliant New Build, Joe and Raf’s 2 Bears, Alexis’ About Group, B&O, Atomic Bomb Band – have clearly let them scratch an in-between-album itch that means each new album means they’re fully focused and also more relaxed at the same time. For a band that have been going so long, (in modern terms for non-rock) they seem still to be the best of friends, and while Alexis and Joe are the hub of the band’s music and lyrics, there’s a gentle creep to a more collaborative ethos that can only be positive. But above all, they still manage to put their finger on the themes that have kept them bubbling from the start – love, friendship, the world they live in, growing old – that they manage to convey in such rich, listenable ways. Why Make Sense combines all of these brilliantly.

Musically, it’s as close to an actual band as they’ve ever been. If that seems throwaway, it’s not. But touring and their transformation into a mighty stage entity, means they wanted to make an album that could translate most directly to a live experience as they ever have. No 5 synth parts, two 909s, three guitars. With regular drummer Sarah Jones and multi-instrumentalist Rob Smoughton (The Grosnvenor) in tow on tour they are able to realise anything in their back catalogue, and their ‘warm-up’ tour this month, which I caught at Oval Space in London, was the best gig I’ve ever seen of them, and I’m well into double figures. Musically, and live, they are on the up, something that’s a rare path when you’ve been making music as long as they have.

There’s so much to love about Why Make Sense, which – to a Hot Chip first timer – would encapsulate everything they’re about as a band. Huarache Lights is an absolute banger of an opener. And all honed around fat leads (and a vocal phrase that can’t but help make me smile about the Happy Mondays’ Hallelujah, was it meant? who cares?) and lyrics that exalt getting ready, and putting on your Nikes. “Machines are great but, best when they come to life, you can’t put your finger on the pulse of the night” comes out of the second verse and is just lyrically as punchy as ever. Yet straight away they’re questioning their place in the world in their 30s, are they still relevant? “Replace us with the things that do the job better”. This song alone makes a mockery of that, but the fact they’ll openly bear such an obvious insecurity in their opening song to a new album just endears them to me even more.

There really isn’t a weak song on the entire album. Every one feels considered, meant, and all fizz with life, energy, emotion and intelligence. Love Is The Future’s staccato beats hark back to their early days, jaunty and lush, with careworn lyrics, until De La Soul’s Posdnous leaps out. Not afraid to get a few friends enlisted if it works. It doesn’t feel frivolous, and it’s a song that Green Gartside’s skills are lent to the string arrangement. Cry For You feels like a cover of a nervous r’n’b record mixed with house music – so much of their roots are in the genre, something that’s always felt obvious and therefore unique to them – but the lyrical and music interplay of Goddard and Taylor’s vocals is wonderful, with the arpeggiated synths and blocky percussive hits proving there’s nothing as simple as a Hot Chip album track.

Started Right is a surefire future single. Flipping from shuffling percussion and funk bass/notes into a mighty string-led hook it’s pure pop, impossible not to sing along to or smile while you’re doing it. But just as they’re wandering into all killer territory comes White Wine And Fried Chicken: a song that no one else could make as well. The title, the sampled vocals, the balladry wrapped up in a modern-day love song. Dark Night follows, arguably another standout track. Where five years ago you’d have had another banger, this is a guitar-led (Doyle’s influence growing as it has done over the past three albums) gem. One of the best tracks I think they’ve written, and leaning to so many of their influences, painted with their own palette. The chorus and walking bassline is sublime, as is a rare lead for Joe’s vocals. It sounds like a slice of electronic, Eno-produced pop that would’ve graced the top ten in 1986, combining their ability to write a great tune, stand with one foot in the past and the present, and write lyrics that invite you in and make you think.

Easy To Get sounds great live (much more vibrant and raucous than this slick love song) – Doyle’s licks to the fore again – and again the vocal interplay between Joe and Alexis is wonderful, at first stripped out, then – much like Started Right – lush layers added on the bridge and chorus. “Why don’t you take a rest, talking something we’ve outgrown”, again taking aim at their perceived age and place in the musical landscape. Need You Now is more proof of the polymorphic nature of their songcraft. I’d listened to it with the brilliant video a few times thinking it was a song about an imagined break-up, but it’s more resonant than that: it’s about terrorism, war, the world that’s just, well fucked up. “Never dreamed I could belong to a state that don’t see right from wrong”. It’s startlingly relevant to the next five years (did they have a bet on the election? it’s not hard to understand given Al’s recent appearance on the World At One, but they are never overt about their themes and the hammer is always in a silk glove) and shows them as a band with a conscience, not just a heart.

So Much Further To Go is as close to something that feels a little unplaced, but its lovely harmonies are a wistful sounding (isn’t that just Alexis’ voice, whatever he sings?) entree to the album’s title track. Why Make Sense – like so many late-album belters before it (think Hold On, No Fit State, Take It In, Ends Of The Earth) – is a tour de force. Distorted guitars and reverbed percussion with Alexis’ voice dual-tracked and strong, it feels as much rock as they’ve done anywhere recently. It lifted the roof off Oval Space, (many of their songs are purposely beefed-up live, and to startling effect) and is almost a mission statement of their career: “Why make sense when the world around refuses? A winner lost is one who always chooses”. Hot Chip have always gone their own way, and if anything Why Make Sense shows they’ve been right from the start. They may never play Wembley Stadium, but you also know they’ve never aspired to that. They are a great festival band without the need to play the biggest arenas, and whatever the setting, there’s an intimacy to their music and lyrics that feels like it needs walls around it to truly resonate (which is why they always seem to blow away Brixton).

This is a triumphant record by a band both aware of and comfortable in their surroundings more than ever before. They may be older, but they’ve matured. They may seem like an outlier, but they’ve always been there, knocking on the mainstream’s door. And they’ve never sounded as good as this. That isn’t a negative on their previous work, it’s a description of just how good Why Make Sense is. It’s rewarding from the off, and I know I’ll still love it in ten years. I can’t wait to see what they’re making then.

13 comments

  1. nolankane706

    Apologies, brother Guy but I neglected to read your write up before I got stuck into this album. I did it for a very good reason, I like Hot Chip for their singles but not for their albums. I would actually take it so far that if it wasn’t for you selecting it this month I wasn’t even going to bother listening to it on Spotify. I didn’t always feel this way, I’ve always wanted a good album from them but have continually been let down by Hot Chip’s albums.

    As I sat in my car and placed the CD into the player, my expectations were low. I had this building feeling that it was going to be a struggle to get through it…. I was wrong.

    Start to finish this album is solid. Hot Chip has in my opinion finally released the album that they were always capable of but seemed to neglect to release year after year.

    The songs all have their own place stabnding alone and also on this album. I like how they De La Soul on ‘Love IS The Future’, I love their honesty on ‘Easy To Get’, I like the Moby esk feel to ‘Need You Now’….. I’m struggling to fault the album at all.

    There is lots of really good music being released right now and i hope that this album doesn’t go forgotten as I think it’s their best body of work so far and ay be a contender for album of the year.

  2. whyohwhyohwhy

    Cheers brother Nolan. Sorry it’s taken a while to reply to this.

    I’m sure you can wade through my obsequious prose (look it up πŸ˜‰ ) after the fact but I’m glad you’re enjoying it as I am. I’d be the first to agree that – while I love everything they’ve done – there are some less good tracks in there over the years, but I always come back to them. They write great music and lyrics that are more meets the eye.

    I love love love this album. It’s potentially the best they’ve done, and Dark Night is one of the best things they’ve ever written.

    So that begs the question: what say you, David and Joseph?

  3. David Allison

    I love it. I love it, love it, love it, love it. Sorry it took so long to say that. I guess we’re all fans, so we were never likely to hate, but for me, this is the best album they’ve made since ONE LIFE STAND. And even then, this might be a bit more consistent – there’s not a weak track on it.

    I know a lot of people loved IN OUR HEADS but I thought it was a bit of uneven and quite in your face. And it sounded at times too much like a Joe Goddard solo effort. And even the albums I love dearly like ONE LIFE STAND and MADE IN THE DARK have their weaker moments. This feels like it’s all an incredibly high standard.

    For me, that’s down to two things. One is that it sounds relaxed, not too manic – like a band at the peak of their powers who know what they’re doing. You don’t make a track like Huarache Lights without being full of confidence.

    The second issue is that the ballads are amongst the best they’ve done – AND – and this is a crucial part – they feel an organic part of the album. I’ve found that though I like the slower numbers on some of their records, after a while they grate and I skip over them. And they can really break up the flow.

    There are a lot of Hot Chip albums where I’ll listen to half the tracks. I think I’ll be playing the whole of this album for a long time to come. Good choice, Brother G!

    • whyohwhyohwhy

      Brother David, I hear you! I am totally aware of some of the shortcomings from previous work, and One Life Stand was the high water mark for me too, but every album has stuff that makes me want to dance around the room. And where some albums have stuff that frustrates or seems self indulgent I actually love the fact that 5 white guys are trying to make 90s slow jams, mainly because that’s the music they all love and why shouldn’t they?

      But…. This is their most complete album, it really WORKS. And it’s pretty timeless – all their music never quite sounds like you know when it was made – so glad you’re feeling it. Can’t wait to see them at Glasto (and again at Brixton). Ha.

  4. misterstory

    First of all, apologies. Your write up deserved a far quicker response. However, I have had this on a lot. I am like Brother Nolan in my past relationship with Hot Chip. I hear the singles when the come out … rush to listen to the album … get disappointed, wait for the next new singles …. repeat. I’ve not liked any Hot Chip albums as albums and I’ve bought a couple of them at least. Shake A Fist is on my shortlist for favourite songs, ever. No Hot Chip album comes close to my favourite albums, ever.

    So I had fairly low expectations. I snuck a peek at the Pitchfork review, 7.8 I think. I think thats harsh as I do love this. Its a fun album, they’re largely a fun band. I don’t listen to much fun music as I find it really difficult to be down and depressed to fun music and it just doesn’t fit well with my look. Maybe I need more fun cause I love this. It is a really consistent album the highs may not be as high as some of the previous singles but there are no lows and the standard is pretty bloody high from start to finish. Its one that while I don’t think it will change the world, its impossible not to leave on repeat.

    A big plus is that Mrs. Story loves it and Silvia does Kate Bush dancing to it (she does Kate Bush dancing to everything she likes, perhaps you could show her some moves Brother David?) and as it has no Fucks Cunts or Twats is getting a lot of play in Casa Del Story.

    … Oh and the rap, I was a bit ‘oh no there’s a rapper … oh … hang on, it sounds great!’

    • whyohwhyohwhy

      Brother Joseph, a reply worth waiting for. And it’s great to see all of the a Brothers feeling the same about this. I think I’d love anything they put out, but it’s frustrating sometimes given their collective talents that they don’t quite hit the mark.

      This is different though, a proper entity. I do get the “fun” thing too. It seems we approach the same situation from different ends. There’s albums I just can’t listen at the moment still, either through subject/style or memories and I’m glad to say hot chip seem the antidote to this. Don’t be afraid of the fun πŸ™‚

      However, they’re not all bounce. Need You Now is heartbreaking and I’m happy to admit I’ve shed a tear or few Iver the last few weeks listening to that track. I’d file it with One Life Stand and Brothers. Tearjerkers, and great for it.

      I can’t remember the last time we had an album of the month that everyone agreed on like this. This pleases me.

  5. nolankane706

    Ha, funny story about the EP. I put it in thinking it was the album…. listened to… and thought it sure was a short album yet still felt painful to listen to it. The actual album was a relief. The EP I can do without to be honest.

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