Welcome to Episode 44 of This is Not Happening. An Album of the Month Podcast where in Part 1 we deep dive into an Album that one of us has chosen and in Part 2 we play 'Spin it or Bin it'. This is where we pick a theme and each select a song that represents that theme. We judge each others selections by asking the question 'Spin It or Bin It'?This month, in Part 1, we wrestle with the 2nd album from Yard Act titled 'Where's My Utopia?'. This month we're in the capable hands of Guy who has been a Yard Act fan for some time, choosing their debut album as his Album of the Year in 2022. 66.6% of the team agree with him but 33.3% of the team has found the album more of a struggle.Part 1 | Yard Act | Where's My Utopia?Yard act are an interesting proposition, they are perhaps the most knowingly Northern band since Oasis. They seem to be everywhere and it's tough to find someone who doesn't like them. They are very clearly 'Post Punk' but their definition of what this means has changed somewhat with this album. We ask the standard quesiton, what did you expect and what did you get plus questions about Listen to the album here.Watch some videos here.Buy some stuff here.Buy some tickets to see them live here.Read some stuff here and listen to some pods here and here.Part 2 | Spin It or Bin It | 'Spoken Word'Given the AOTM is Yard Act, we chose to look at our favourite Spoken Word tracks. And 3 of us actually chose a Spoken Word track … one of us chose something else but let's leave that and let us know if you agree with me that it was not Spoken Word. Our chosen 4 tracks can be found on a play list here. In order to chose a track we each shortlist 4 tracks each, a combined 16 track playlist can be found here.Nolan chose – 'SpottieOttieDopalicious' by Outkast.Guy chose -''The Revolution will not be Televised' by Gil Scott Heron.Joey chose – 'Loosing My Edge' by LCD SoundsystemDavid chose – 'O Superman' by Laurie AndersonSee you on Episode 44! We've been writing the blog for years come and have a look – https://thisisnothappening.net/
Welcome to Episode 40 of This is Not Happening. An Album of the Month Podcast where we usually review an album in depth and play something called ‘Spin It or Bin It’ … but not this month.
We’re celebrating our big 4-0 in style. It’s end of year review time. We select our top 10 albums of 2023 and each pick our Track of 2023.
Part 1 – 2023 Top 10 Albums
We all independently picked our top 10s. We run those choices through a series of deep learning models commonly known as ‘Algo Dave’ and we create a mathematically generated combined Top 10. We made our selections and recorded this pod WAAAAAY ahead of any body else’s lists coming out so we are not influenced by the mainstream musical media (which is why our list looks SO different to everyone else’s). We’re super proud of our 10 and chuffed to bits that our No.1 is an album that we all love and one that we’ve loved since the start of the year. No recency bias here my friends.
Part 2- 2023 Tracks of the Year
We each select a track of the year. Simple as that. We explain why it’s our track of 2023 and have a little critique of each others choices.
Welcome to Episode 44 of This is Not Happening. An Album of the Month Podcast where in Part 1 we deep dive into an Album that one of us has chosen and in Part 2 we play 'Spin it or Bin it'. This is where we pick a theme and each select a song that represents that theme. We judge each others selections by asking the question 'Spin It or Bin It'?This month, in Part 1, we wrestle with the 2nd album from Yard Act titled 'Where's My Utopia?'. This month we're in the capable hands of Guy who has been a Yard Act fan for some time, choosing their debut album as his Album of the Year in 2022. 66.6% of the team agree with him but 33.3% of the team has found the album more of a struggle.Part 1 | Yard Act | Where's My Utopia?Yard act are an interesting proposition, they are perhaps the most knowingly Northern band since Oasis. They seem to be everywhere and it's tough to find someone who doesn't like them. They are very clearly 'Post Punk' but their definition of what this means has changed somewhat with this album. We ask the standard quesiton, what did you expect and what did you get plus questions about Listen to the album here.Watch some videos here.Buy some stuff here.Buy some tickets to see them live here.Read some stuff here and listen to some pods here and here.Part 2 | Spin It or Bin It | 'Spoken Word'Given the AOTM is Yard Act, we chose to look at our favourite Spoken Word tracks. And 3 of us actually chose a Spoken Word track … one of us chose something else but let's leave that and let us know if you agree with me that it was not Spoken Word. Our chosen 4 tracks can be found on a play list here. In order to chose a track we each shortlist 4 tracks each, a combined 16 track playlist can be found here.Nolan chose – 'SpottieOttieDopalicious' by Outkast.Guy chose -''The Revolution will not be Televised' by Gil Scott Heron.Joey chose – 'Loosing My Edge' by LCD SoundsystemDavid chose – 'O Superman' by Laurie AndersonSee you on Episode 44! We've been writing the blog for years come and have a look – https://thisisnothappening.net/
Welcome to Episode 39 of This is Not Happening. An Album of the Month Podcast where in Part 1 we deep dive into an Album that one of us has chosen and in Part 2 we play ‘Spin it or Bin it’. This is where we pick a theme and each select a song that represents that theme. We judge each others selections by asking the question ‘Spin It or Bin It’?
This month, in Part 1, we get stuck in TINH favourite, Sufjan Steven’s latest release ‘Javelin’. Wow. Is there a lot to talk about. I hope we do it justice. In Part 2, the Spin it or Bin it theme is ‘Unconventional Love Songs’ where we all chose a track that we think fits the theme and ask the others ‘Spin It or Bin It’.
Part 1 | Sufjan Stevens | Javelin
It’s David’s choice this month and a record 3rd time that we’ve reviewed an album by the same artist. On one hand this Sufjan doing Sufjan things … and then on the other, it’s a heart breaking, gut punch of an album that takes you to beautifully uncomfortable places. It’s genuinely spectacular.
In the chat we reference Sufjan’s Instagram, that can be found here.
A rare and recent (ish) interview with Sufjan on his health condition is here.
Part 2 | Spin It or Bin It | Unconventional Love Songs
Who are we to judge what ‘conventional’ means, what ‘love’ means … what a ‘song’ is? The interpretation of ‘unconventional love songs’ was left wide open this month.
We all chose a 4 track shortlist to chose our track, you can here all 16 tracks on this playlist here.
Nolan chose – ‘The Night’ by Frankie Valli & The Four Seasons
We all like to believe that we can listen to an artist’s music on its own merits, without knowing the back story. But the truth is that context is everything in trying to make sense of an artist’s work, and while we may well spend plenty of time listening to music without knowing the story ‘behind it’, with records we love and cherish, the story of how that music came to be and what’s it’s about are a huge part of our connection with the music itself.
Likewise, finding out that an artist is a dick or holds repulsive views can have a huge impact on our listening habits – see Morrissey, or indeed even the recent Roisin Murphy palaver. I’ve barely listened to her album and I’m a big fan, I just needed a break after a bit of a bad taste in the mouth.
And so it is with the Sufjan story. What an interesting place he inhabits in the pop firmament. Adored by Pitchfork and the entire indie universe, but he seems to have fans from well outside that world – he’s one of those rare artists where he seems to have broken into the public consciousness. And that’s fascinating, when you consider his output. He made his name in the early 00s as a kind of old-timey Americana folk troubadour, with albums like Michigan, Seven Swans and his breakout album Illinois. The songs had titles so long they sounded like they were titles from 19th Century novels. And let’s not forget his pledge to make an album exploring the history of every single state in the US. Alas, he’s only managed Michigan and Illinois so far, but I wouldn’t it put it past him to return to the project! And then there was his Christianity – it’s not unheard of a contemporary white indie singer songwriter to have a faith, thought it’s probably quite unusual – but it’s the fact that his religious beliefs play such a central part of his songwriting and his themes.
What’s even more interesting is that his reputation has continued to grow, despite him making a bewildering series of creative left turns – the 42 songs Xmas album! The second 58 song Xmas album! Difficult, broken electronica on The Age of Adz, and again more recently on last album, The Ascension, which we reviewed on an early pod and it’s fair to say we struggled with! Then there’s the ambient records, the soundtracks, the collaborations. He certainly covers a lot of ground, and he doesn’t seem to mind if his audience follow him or not.
But perhaps he holds his place in the musical landscape because he’s such a fucking good songwriter. His gorgeous gossamer-light voice can float above a solo piano, or simple guitar or banjo, and you think you’re listening to an angel (He’s certainly closer to God than most of us, perhaps he has access that we don’t!). On 2015’s Carrie & Lowell, it felt like Sufjan hit a musical high point, creating a breathtaking and heartbreaking collection of songs that delved deep into his difficult relationship with his mother and her partner. I read somewhere (Pitchfork?) recently that he sometime sounds like he feels things so acutely, you almost can’t bear to listen. That’s what Carrie & Lowell sounded like to me.
So here we are 3 years on from the dense, challenging and slightly underwhelming The Ascension, and here comes Javelin, and immediately, you are struck by the beauty and the scale of it. The songwriting and style is reminiscent of Carrie & Lowell, but the arrangements are so much bigger – choirs, orchestra, and interestingly, electronics too – it finally feels like he’s taken that electronica side of his work and married it beautifully to the best of his songwriting. Early single Will Anybody Ever Love Me? was stunning – as Pitchfork said, an immediate addition to the best songs he’s written – but it was only when I sat down and listened to it on headphones for the first time that I realised just how incredible it is. What a fucking song!
Listening to the album, you’re immediately hit by the themes of loss – Goodbye Evergreen, Genuflecting Ghost (such a Sufjan title!). But then again that’s not weird, Stevens has always been obsessed with life and death, the afterlife and the now. And going into listening to this, I think we were all aware of one of the big life stories that you can’t help but add to the context of listening to the record. Stevens has been suffering from a rare autoimmune disease that has left him – temporarily hopefully – in a wheelchair. Of course he’s been thinking about death, you think. He’s just had the fright of his life.
The reviews are in and they are glowing, everyone riffs on the usual Sufjan themes, it gets called a masterpiece, and you think, OK, I think I’m beginning to understand this record. And then…and then…and then…after the release, this…
Jesus fucking Christ. Not only has he been wheelchair bound for the last year, but he lost the love of his life – a man and a relationship – and let’s be clear, a sexuality – that he had hidden from the world. It is, of course, hardly a surprise that Sufjan is queer, but the fact that he went through something so unbelievably traumatic and has only just shared it with the world, after making arguably the finest music of his life. I mean, I can’t even process.
And then you listen to the album again. And you hear the opening lines:
Goodbye, Evergreen You know I love you But everything heaven sent Must burn out in the end
And you realise this album is about Evans Richardson and the love that Sufjan felt for him. Fucking hell. And then you listen to Will Anybody Ever Love Me? again…
Tie me to the final wooden stake Burn my body, celebrate the afterglow Wash away the summer sins I made Watch me drift and watch me struggle, let me go
And then Genuflecting Ghost…
Give myself as a sacrifice Genuflecting ghost I kiss no more
Penultimate track Shit Talk is one of those 8 minute Sufjan songs. I approached it with trepidation, but I think it might be the most complete, brilliant and perfect 8 minute song he’s ever written. Of course, I thought it was about relationship arguments, and maybe it is, but it’s about an argument with someone who’s dead or dying.
No more fighting I’ve nothing left to give I’ve nothing but atrophy Did I cross you? Did I fail to believe in positive thoughts? Our romantic second chance is dead I buried it with the hatchet Quit your antics Put them at the foot of the bed And set it, on fire I will always love you But I cannot look at you
I’m listening as I write – again! – and it still moves me to tears nearly every time. Maybe it feels a bit premature to start talking about this as the album of the year – and there other contenders – but I can’t imagine Stevens putting any more of himself into his music, and turning what must be unimaginable trauma into one of the most beautiful albums I’ve heard in years.
Welcome to Episode 44 of This is Not Happening. An Album of the Month Podcast where in Part 1 we deep dive into an Album that one of us has chosen and in Part 2 we play 'Spin it or Bin it'. This is where we pick a theme and each select a song that represents that theme. We judge each others selections by asking the question 'Spin It or Bin It'?This month, in Part 1, we wrestle with the 2nd album from Yard Act titled 'Where's My Utopia?'. This month we're in the capable hands of Guy who has been a Yard Act fan for some time, choosing their debut album as his Album of the Year in 2022. 66.6% of the team agree with him but 33.3% of the team has found the album more of a struggle.Part 1 | Yard Act | Where's My Utopia?Yard act are an interesting proposition, they are perhaps the most knowingly Northern band since Oasis. They seem to be everywhere and it's tough to find someone who doesn't like them. They are very clearly 'Post Punk' but their definition of what this means has changed somewhat with this album. We ask the standard quesiton, what did you expect and what did you get plus questions about Listen to the album here.Watch some videos here.Buy some stuff here.Buy some tickets to see them live here.Read some stuff here and listen to some pods here and here.Part 2 | Spin It or Bin It | 'Spoken Word'Given the AOTM is Yard Act, we chose to look at our favourite Spoken Word tracks. And 3 of us actually chose a Spoken Word track … one of us chose something else but let's leave that and let us know if you agree with me that it was not Spoken Word. Our chosen 4 tracks can be found on a play list here. In order to chose a track we each shortlist 4 tracks each, a combined 16 track playlist can be found here.Nolan chose – 'SpottieOttieDopalicious' by Outkast.Guy chose -''The Revolution will not be Televised' by Gil Scott Heron.Joey chose – 'Loosing My Edge' by LCD SoundsystemDavid chose – 'O Superman' by Laurie AndersonSee you on Episode 44! We've been writing the blog for years come and have a look – https://thisisnothappening.net/
Welcome to Episode 38 of This is Not Happening. An Album of the Month Podcast where in Part 1 we deep dive into an Album that one of us has chosen and in Part 2 we play ‘Spin it or Bin it’. This is where we pick a theme and each select a song that represents that theme. We judge each others selections by asking the question ‘Spin It or Bin It’?
This month, we get stuck in Noname’s latest release ‘Sundial’ in Part 1. It’s a short album but there’s a lot to talk about. In Part 2, the Spin it or Bin it theme is ‘New Music’ where we all chose a track released since 1st August 2023 and present it for judgement.
Part 1 | Noname | Sundial
It’s Nolan’s choice this month and he’s chosen the new album from Noname, ‘Sundial’. It’s an interesting, uncompromising album with a challenging cover from an unapologetic, controversial artist. It’s only 30 mins long but packs a big punch and brings a lot to the party!
Check out Noname’s Insta here and her Twitter here
Check out a few opinions on some Noname controversy here
Part 2 | Spin It or Bin It | New Tracks
It’s a simple theme this month. New Music. We all chose tracks that have been released since August 1st 2023. We all chose a track that fits the theme then ask the others a simple question ‘spin it or bin it?’
We all chose a 4 track shortlist to chose our track, you can here all 16 tracks on this playlist here.
For the first time in a few years, I’ve struggled to bring a new album to the table from and artists that I have a background with that I want to stand behind. Without naming names, some of who I feel are heavy hitters, have missed the mark over the last few weeks with their new albums. The consequence of this has pushed me into a deep dive into new music, and new artists (at least to me).
The name that kept on coming up was Noname and her latest release ‘Sundail’ that is one of the ‘hot’ names of 2023. In reflection she isn’t completely new to me as previous collaborations with the likes of Chance The Rapper have peppered numerous playlist of mine historically. Upon the release of ‘Sundial’, much was written about her journey to releasing this album and her exhaustion to the realities of being a black artist releasing conscious music. She had previously put new music on hold indefinitely. The guardian sums up her history to date fairly well in this article.
Ahead of doing research on the artist, there’s a lot of value in approaching this album with virgin ears for a listen or two. Few recent albums give you an introduction to what is coming and the artist that is presenting as the first track ‘Black Mirror’. In just over 2 minutes she explains herself better than most of us do in a lifetime. As Kendrick did in the Heart P5 video, this album is as much of a look into the mirror as it is of the world of Noname, which is highlighted by the album cover.
Hip Hop as a genre is vast and ever changing. In what could be argued as it’s most confusing state to date, this album lends us some clarity to modern hip hop. Noname’s razor sharp lyrics hide behind her laidback flow like a wolf in sheep’s clothing. Conscious, astute, boldly honest and the ability to say f-you politely. We spoke on the podcast a few episodes ago about hip hop the hip hop albums of the 90’s that all of us admired. Digable Planets, Arrested Development, Spearhead, Tribe Called Quest, etc. If you like these artists; you’ll love Sundial. It could be argued that if you like PE, NWA and Paris you’ll also appreciate this album. It’s hard to pinpoint who she reminds me of. There are definite touch points to Chicagoan’s Common and Change the Rapper whilst hints of Erykah Badu constantly shine through as well.
The album doesn’t come without controversy. The album features a verse from Jay Electronica who’s opinions have polarised many music fans due to his views on many subjects. Noname’s inclusion of Electronica has ruffled a few feathers. She has been un-apologetic for his appearance. As her indifference to her music appealing to white fans. There is little doubt that Noname uses her platform to share her views. I admit that you find a need to be invested into ‘Sundial’, and at times it can be daunting. Rightfully so, the smooth jazz backing won’t be able to hide the thought-provoking lyrics throughout the album. Â
Do I relate to all of the album? No. This album wasn’t made for me. In fact I’m most likely the last person she made this album for. Does it make me think? Yes. Am I enjoying it? Yes.
I’m still working my way through, but what I love about this album is that she has created a complicated piece of work that sounds great and will provoke thoughts every time anyone listens to it. I’m looking forward to what you’re thinking….
Welcome to Episode 44 of This is Not Happening. An Album of the Month Podcast where in Part 1 we deep dive into an Album that one of us has chosen and in Part 2 we play 'Spin it or Bin it'. This is where we pick a theme and each select a song that represents that theme. We judge each others selections by asking the question 'Spin It or Bin It'?This month, in Part 1, we wrestle with the 2nd album from Yard Act titled 'Where's My Utopia?'. This month we're in the capable hands of Guy who has been a Yard Act fan for some time, choosing their debut album as his Album of the Year in 2022. 66.6% of the team agree with him but 33.3% of the team has found the album more of a struggle.Part 1 | Yard Act | Where's My Utopia?Yard act are an interesting proposition, they are perhaps the most knowingly Northern band since Oasis. They seem to be everywhere and it's tough to find someone who doesn't like them. They are very clearly 'Post Punk' but their definition of what this means has changed somewhat with this album. We ask the standard quesiton, what did you expect and what did you get plus questions about Listen to the album here.Watch some videos here.Buy some stuff here.Buy some tickets to see them live here.Read some stuff here and listen to some pods here and here.Part 2 | Spin It or Bin It | 'Spoken Word'Given the AOTM is Yard Act, we chose to look at our favourite Spoken Word tracks. And 3 of us actually chose a Spoken Word track … one of us chose something else but let's leave that and let us know if you agree with me that it was not Spoken Word. Our chosen 4 tracks can be found on a play list here. In order to chose a track we each shortlist 4 tracks each, a combined 16 track playlist can be found here.Nolan chose – 'SpottieOttieDopalicious' by Outkast.Guy chose -''The Revolution will not be Televised' by Gil Scott Heron.Joey chose – 'Loosing My Edge' by LCD SoundsystemDavid chose – 'O Superman' by Laurie AndersonSee you on Episode 44! We've been writing the blog for years come and have a look – https://thisisnothappening.net/
Welcome to Episode 37 of This is Not Happening. An Album of the Month Podcast where in Part 1 we deep dive into an Album that one of us has chosen and in Part 2 we play ‘Spin it or Bin it’. This is where we pick a theme and each select a song that represents that theme. We judge each others selections by asking the question ‘Spin It or Bin It’? This month, we get pretty emotional about Julie Byrne’s latest album ‘The Greater Wings’ in Part 1. In Part 2, Spin it or Bin it theme is ‘no human sounds’. All will be explained …
Part 1 | Julie Byrne | The Greater Wings
It’s Joey’s choice this month and for the 2nd time in This is Not Happening history he chooses a beautiful album by Julie Byrne. We’re in the indie-folk-ambience hinterlands from a stylist perspective. From an emotional perspective we’re right at the intersection of beauty, grief, loss, hope and reflection. We talk about what this album is, how there’s more than one way to experience it, our favourite tracks and what it means to us.
Another interview with Julie, this time on KEXP Podcasts
Part 2 | Spin It or Bin It | ‘No Human Sounds’
This one was way harder than it sounded at first. The theme this month is ‘No Human Sounds’. We started with no vocals, then decided no human sounds at all, then we added that it couldn’t be ‘dance music’. Joey suggested we define ‘dance music’, he got laughed at … then we got into an argument about all of Guys choices being dance music.
We all chose a track that fits the theme then ask the others a simple question ‘spin it or bin it?’
I tend to love 2 types of music (i) really beautiful music (ii) really un-beautiful music. I don’t play in the no-mans land between them and prefer the extremes of the beauty continuum. There is no doubt that Julie Byrne’s ‘The Greater Wings’ sits at the very beautiful end of the beautiful music spectrum.
I have for some time loved the niche, sub-sub-genres of ‘folk music that bleeds into ambience’ and also ‘ambience that bleeds into folk music.’ I would listen to pretty much anything that Grouper or Mutual Benefit recorded. Julie Byrne sits somewhere in this space and occupies a very special place in my heart and my ears for doing so. This is Julie’s 3rd album in a period of 9 years of releasing albums. She’s far from prolific and that’s ok with me. It’s been 6 years since the release of Not Even Happiness which I chose as Album of the Month and introduced you guys too. That album is my calm place. It’s a constant in my life. I ‘use’ that album as much as listen to it, by which I mean that it plays a role in my life more than music. God that sounds wanky but also, it’s true so fuck it.
You won’t get many words into a review for ‘The Greater Wings’ without learning that it was completed in heartbreaking circumstances. In June 2021, Eric Littmann, Bryne’s long time collaborator, friend and I believe former partner passed away. He was 31. Apparently Littmann was as responsible for the beauty of ‘Not even happiness’ as Byrne was, adding production and synth credits to the album. He’s untimely passing came half way through recording ‘On Greater Wings’. It feels like he was a major influence in the creation of the album but also that he influenced the nuance with which the album was completed after his passing.
I read a ‘throw-away’ Instagram post the other day that introduced me to the concept of ‘Glimmers’ and explain them as the opposite of triggers. Its the things that add beauty and peace into your world. The idea being that (as per triggers) the more you look for them, the more you find them. ‘The Greater Wings’ is 39 minutes of glimmers, glimmers born of the most heartbreaking circumstances.
I read about this album before I had the chance to listen to it. I knew the circumstances in which it was recorded and this probably set my initial expectations. But it’s perhaps not what you think it is. At least, not unless you want it to be. I think there are 2 ways to listen to this album. You can allow this album to infuse you with glimmers and with loveliness by allowing yourself to be caught up in its current. You can allow it to pull you along with it. Or, you can make a deliberate, conscious decision to immerse yourself in it. If you do the latter, it can be emotionally overwhelming, it could be the wrong time to listen to this album like this. I do however think that if you chose the first option, you are not missing out on the depth or the importance of this album. I am not suggesting you make it background music. I am not sure it could ever be that. It still radiates beauty and connection … and glimmers.
If you’re new to Julie Byrne, her music sits somewhere in that Indie / Folk space. She’s always experimented with Synths and ambience that adds something hauntingly affecting to her music. This album is this x10. It’s 39 minutes, 10 tracks. Every note, sound and feeling is where it is as a deliberate act of placement. Bryne talks about the track sequencing being the result of very specific thinking. She talks about the presentation of tracks being ‘the purest form’ of the music on this album. She also talks about Side A and Side B. If I am honest, I was not convinced that I thought the sequencing was ‘right’ when I first heard it. The title track is a stunning piece of music but I was not sure if it felt right to start the album. However, having lived with this album for weeks, I get it. I totally understand what she means.
One thing you won’t hear on this album is percussion. The closest you get is the percussive thrum of a finger picked guitar. On some tracks this is more definable than others, ‘Portrait of a Clear Day’ being a great example. The piano drives other tracks forward but mostly we’re taking about very calm, ambient, beatless tracks.
Lyrically, this album is stunning. Again, it can be overwhelming, but there is more than one way to read this music and it’s lyrics. I encourage anyone to ‘read’ these lyrics as ‘openly’ as they can do. For me, I get more from them if I do this, to concentrate on the beauty.
I am not going to do a track by track on this one. I don’t think it’s fitting. Every track has a critical place on this album and I love each and every one for that place. The instrumental ‘Summers End’ included. This is a palette cleansing couple of minutes of ambience that closes ‘Side A’ and prepares the listener for ‘Side B’. To follow ‘Summers Glass’ (which Byrne describes as the beating heart of the album) with ‘Summers End’ feels a very natural and rewarding decision. I understand that the title ‘Summers End’ refers to a song that Littmann wrote for Byrne when they first met.
This is so clearly 2023 Top 5 album material for me. This is everything that I love about music. I hope you find something you love in it. I hope it doesn’t overwhelm you, perhaps only when you want it to. It has at times overwhelmed me. It has made me think and question a lot of things.
It has kept me coming back to a single question.
Could anybody ever expect to influence anything as beautiful as this after they pass on?
Welcome to Episode 36 of This is Not Happening. An Album of the Month Podcast where in Part 1 we deep dive into an Album that one of us has chosen and in Part 2 we play ‘Spin it or Bin it’. This is where we pick a theme and each select a song that represents that theme. We judge each others selections by asking the question ‘Spin It or Bin It’? This month, we get stuck right into Creep Show’s ‘Yawning Abyss’ in Part 1 and in Part 2 we play Spin It or Bin It with the theme ‘Super-Producers’.
Part 1 | Album of the Month | Creep Show’s ‘Yawning Abyss’
It’s Guy’s choice this month and he choses a bleak little oddity by Creep Show called Yawning Abyss. Creep Show are a ‘Super Group’ of John Grant, Phil Winter (Tuung), Stephen Mallinder (Caberet Volataire) and Ben ‘Benge’ Edwards (Prolific Producer). This is their 2nd album as a collective and they channel the dark, the dystopian and the hopeless across 9 tracks and 40-ish minutes of music. There are elements of each individuals previous work but there is distinctive sound that the band capture themselves.
What is a Super-Producer? It turns out we all have a different definition, no surprises there I guess! But collectively we kind of agree that a Super-Producer is (i) successful (ii) prolific (iii) has had a significant impact on music (iv) spans numerous artists and perhaps genres.
Sometimes albums fall into your lap and other times you scrape around. In April, Young Fathers was a slam-dunk and is still one of my favourite albums of the year. In late 2022, Hot Chip could be my only choice. Yet in summer 2023, I was caught between a few stools. Albums coming up from Blur (mid-July) and the pop of Girl Ray (early August) fell just outside the window of opportunity. In the end, it came down to two: Yuksek’s sun-drenched Dance O Drome and the leftfield synth nihilism of Creep Show. I love Yuksek, and have done for years, and it’s going to be one of my good times albums of the year, but in all its brilliance, I’m not sure how much we’d have to say about a chuggy, summery disco-pop dance album. So, Creep Show it was.
But Creep who? They weren’t a band I was aware of, but even after my ears were pricked by the involvement of John Grant, on further inspection it became more of a ‘why on earth haven’t I heard of Creep Show before now? The four piece reeks of musical invention, with Grant nestling next to Wrangler, a trio made up of Cabaret Voltaire’s Stephen Mallinder, legendary synth warlock Ben ‘Benge’ Edwards, and Tunng’s Phil Winter. When TINH worlds collide…. And when I gave it a listen it really did tick a lot of my boxes immediately: rich John Grant vocals: check (see Matinee). Synth weirdness: check (try Moneyback). Sparse arrangements: check (The Bellows). Bleak lyrics: check (Bungalow). Jaded worldview: definite check (hi, Wise). It really got its clutches into me from the off, and while I was still trying to decide on the August album, when I woke up one day humming its tracks it was all the indication I needed.
So what do you get? It’s just the right mix of sleaze, perfectly pitched arrangements and an intriguing blend of obtuse lyrics, with sonic obliqueness that just seems to hang together. And given its members, you can hear real craftsmanship underneath the headline-grabbing songs. It’s also worth noting Yawning Abyss is their second album. The first – Dynamite – came out 5 years ago, and is distinctly more wonky than this. It’s definitely worth a listen just to see the pathway between the two, as while hardly a soft sonic experience, Yawning Abyss is certainly more approachable.
The band came together off the back of a night celebrating 40 years of Rough Trade at the Barbican, where artists new and old performed (Hot Chip and Scritti Politti were also on the bill) and while Grant and Mallinder already knew each other, it all evolved from that night. There’s a nice alchemy across the four too, with Grant not just committing vocals – and Mallinder accompanies him in the arrangements too – but also keyboards, with drums, bass, and synths across Winter and Benge, all concocted by the latter’s array of vintage gear at his Memetune Studio in Cornwall. But it takes more than just warm 80s synths and drum machines to make good music but – in Benge’s words in an interview around their debut, “you turn on some of these things they kind of put out half a track before you manage to turn it off again [laughs] and then you refine it and add bits or take stuff out” – there’s a nice unstructured element to how the music can come together. But make no mistake, this album is no ramshackle affair. It’s tighter than a new violin string, with lush layers that envelop and a committed ability to fuck up Grant’s voice as much as possible. Because, while it’s a loose lineage to his (in my opinion) brilliant solo albums Pale Green Ghosts (made with Icelandic dance-poppers Gus Gus, and one I brought to this pre-pod blog back in 2013) and Grey Tickles And Black Pressure, melding Grant’s silken voice with electronica, this is a notable step further away from that.
There is a concerted effort to break up the richness in his distinctive vocals, a wish to remove any smoothness that may have sounded too ‘right’ over some of the slick, gossamer-thin percussion and melodies and warm synth notes and it’s something that marks out the album as sounding a good stride away from just a John Grant solo project with some cool musicians behind him. It’s also helpful that Wrangler are already a fully-formed outfit, and you can hear that in the quality of the arrangements that sound so well-honed. Take Moneyback as an example. This dystopian paen to fraud, lies and pyramid schemes roughs up the vocals, distorts the perfection. Matinee almost fires a gun through them, vocoded and then stuttered into sections, and it’s a clever gambit, as it adds them as further melody and rhythm, and shows there’s much more scope to music when you are willing to mess with the normal (something we also found pleasing in less extreme ways in EBTG’s Fuse when Tracey Thorn’s voice was also manipulated).
Is it a concept album? Perhaps, perhaps not. But its loosely-formed focus on a near-present world where the darkness is embraced (try the title track’s jaunty “Come jump with me into the maw of the big, yawning abyss / Don’t be silly now, you know you’ve always wanted this”) is just another means to give a wide pallet of material to work with. Its world is much more Back To The Future 2 meets Black Mirror than the cool futurism of Blade Runner. There’s a bit of joy to the embracing of the underbelly or society’s less alluring landscapes. Grant and Mallinder both sound like they’re having a hell of a time living in it too.
It’s a neatly-boxed 9 tracks and 41 minutes. And doesn’t really take any missteps. Away from the more sleek tracks, and away from the rest of the album, Yahtzee could grate, but it’s actually one of my favourite tracks on the album, where all the motifs are taken to extremes, Grant’s vocals smashed to bits with distortion and effects, as he chirps about playing ‘peeknuckle’ (whatever that is) while “I loosen your buckle” and Yahtzee “while the Nazi’s tear our nation apart”. Cheery! The only part that feels slightly self-indulgent is the six minutes of Steak Diane, which while it’s really listenable low-slung sleaze, perhaps could be half its length, but it also slips by each time when I listen to it, and the reprise of the Bellows turns around into the opening track and we go again. In Joey’s words ‘I find I’m into my second listen so easily’.
I’m interested to see what the rest of the gang make of it. I’m fully into ‘singing it when I wake up’ territory, and that is always the sign of an album that’s got its hooks into me. Its crept up on me without me putting up a fight, and I now really enjoy coming back to it, even as it fights with Blur, Yuksek, Julie Byrne and the rest. I can see bits of it really clicking with each of you (bleakness, edgy synths, hi Joey, strange pop perhaps David, the dancier stuff with Nolan) but I’m not sure if you’ll feel the same as I do. But isn’t that the joy of this all? All hail Creep Show!
Welcome to Episode 44 of This is Not Happening. An Album of the Month Podcast where in Part 1 we deep dive into an Album that one of us has chosen and in Part 2 we play 'Spin it or Bin it'. This is where we pick a theme and each select a song that represents that theme. We judge each others selections by asking the question 'Spin It or Bin It'?This month, in Part 1, we wrestle with the 2nd album from Yard Act titled 'Where's My Utopia?'. This month we're in the capable hands of Guy who has been a Yard Act fan for some time, choosing their debut album as his Album of the Year in 2022. 66.6% of the team agree with him but 33.3% of the team has found the album more of a struggle.Part 1 | Yard Act | Where's My Utopia?Yard act are an interesting proposition, they are perhaps the most knowingly Northern band since Oasis. They seem to be everywhere and it's tough to find someone who doesn't like them. They are very clearly 'Post Punk' but their definition of what this means has changed somewhat with this album. We ask the standard quesiton, what did you expect and what did you get plus questions about Listen to the album here.Watch some videos here.Buy some stuff here.Buy some tickets to see them live here.Read some stuff here and listen to some pods here and here.Part 2 | Spin It or Bin It | 'Spoken Word'Given the AOTM is Yard Act, we chose to look at our favourite Spoken Word tracks. And 3 of us actually chose a Spoken Word track … one of us chose something else but let's leave that and let us know if you agree with me that it was not Spoken Word. Our chosen 4 tracks can be found on a play list here. In order to chose a track we each shortlist 4 tracks each, a combined 16 track playlist can be found here.Nolan chose – 'SpottieOttieDopalicious' by Outkast.Guy chose -''The Revolution will not be Televised' by Gil Scott Heron.Joey chose – 'Loosing My Edge' by LCD SoundsystemDavid chose – 'O Superman' by Laurie AndersonSee you on Episode 44! We've been writing the blog for years come and have a look – https://thisisnothappening.net/
This month we’re doing things a little differently. In this episode we are celebrating Hip Hop’s 50th Birthday by each choosing our favourite Hip Hop album. We’re not choosing ‘the best’ or ‘the most important’ we’re choosing our personal favourites. We take it in turns to introduce our favourite album and discuss what everyone else thinks.
Listen Here – 16 track playlist, 4 tracks each from our 4 favourite Hip Hop albums.
Nolan’s Favourite Hip Hop Album | ATLiens by Outkast Straight out of the blocks is our resident Hip Hop expert Nolan’s with his selection, Outkast’s 2nd album, 1996’s ATLiens.
You can find an introduction to this album by Nolan on our blog – read it here.
ATLiens 25th Anniversary You Tube page and videos can be found –here.
Joey’s Favourite Hip Hop Album | Buhloone Mind State by De La Soul Choosing a classic TINH album from the past, Joey counters with his favourite, going back 3 years and selecting De La Soul’s 3rd album, release 30 years ago in 1993, Buhloone Mind State.
You can find an introduction to this album by Joey on our blog – read it here.
Have a look here at De La Soul’s You Tube account for videos – here.
David’s Favourite Hip Hop Album | Reachin’ by Digable Planets This one was a real pleasure to be re-introduced too. We’re staying in 1993 with David’s selection Reachin’ by Digable Planets. The ‘most-David’ Hip Hop album evs.
You can find an introduction to this album by David on our blog – read it here.
Watch the video to the track that kicked the whole thing off – here.
Guy’s Favourite Hip Hop Album | Renaissance by Q Tip After some deliberation, Guy chose an album that divided opinions at the time but has aged very well and is a lovely choice by Guy. 2008’s Renaissance by Q Tip.
You can find an introduction to this album by Guy on our blog – read it here.
So, these are our 4 favourite Hip Hop albums of all time. What do you think? Do you know these albums? What are your favourites? Hit us up, let us know.
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