We all love Róisín. Who doesn’t love Róisín? (We won’t get on). And we all loved Róisín Machine. But there was never just one version of each track, so there’s another entirely different version of the album out there.
The amazing DJ Parrot, aka Crooked Man, Murphy’s long-time collaborator, has now released a new version of the whole thing, a sort of bastard after-party of Róisín Machine. And MY GOD, IT IS GOOD. If it was a month ago, I’d have been tempted to AOTM it… This is just one of the amazing tracks, a swirling rework of Kingdom Of Ends. ♥️♥️♥️♥️
It may seem like there’s always a nailed-on candidate for our albums of the month. But there’s all sorts of reasons that an album may not be chosen as AOTM. Way before we did the podcast, we were still having the same discussions and dilemmas. So why would it get derailed? Sometimes it’s as simple as the fact that we’ve already got it and have rinsed it before it could be chosen – Caribou’s Suddenly and Roisin Murphy’s Roisin Machine are both good examples of this last year – or sometimes there’s a veto from in the camp. Or it simply falls at the wrong time: your album’s released in March, you have June, and by the time your choice comes around, its old news.
I think we can all agree that should time be taken again for Roisin, we’d have chosen her over Sufjan 99 times out of 100. Hindsight is an easy out. But we loved it so much it sometimes feels like taking the less worn path (though Sufjan is hardly unlikely) is a better choice than choosing something everyone will love. Other times while one – or more – of us loves it, it’s pretty clear that it would be likely hated by the other. I know what I’ll be playing still in a year.
With Ep11 and April’s AOTM in question, this is a great example of that dilemma. @misterstory put me onto Menneskekollektivet by Lost Girls, a strange, ethereal collection of 5 tracks from Norwegians Jenny Hval and Havard Volden, that he brought to my attention as one of the 4 ‘new tracks’ up with Episode 10. 11 minutes of hypnotic music that’s part spoken word, part dancefloor chug, then in between meanders into the areas in between. I was half-captivated, half confused by it, but it definitely stuck in my head. And it pointed me to the album, which was just as off the wall, but just as beautiful. While it was in the mix for April, we also knew that it really wouldn’t be a ‘David’ album, and we weren’t sure it was a Nolan one either, and so it went to the cutting room floor. Which is odd as the album we chose – Genesis Owusu‘s Smiling With No Teeth – was just as ‘out there’ in many I(but different) ways. But it just seemed to be an album which would be a choice that would land with the four of us better. Having said that, we chose Macca, and look how that turned out for Ep7!
Going a bit deeper into the album than even Joey has so far, Love Lovers is probably the standout of the 5 tracks (total: 44 minutes for, yes, only five tracks). A tribal beat that morphs into techno, as Hval’s spoken words then wailing notes and Volden’s chords drive the melody, until it breaks out into an epic peak. Carried By Invisible Bodies also weaves around, its chords de- and re-tuned throughout, a sort of woozy, disorienting melody that I’m still not sure if I’d ever have the cojones to play out anywhere. It definitely skirts the fine line between musical genius and pretentiousness, and no doubt knows that. But the artist background of Hval (and this being considered an accessible counterpoint to her solo work!) makes this less of a surprise when you delve deeper.
We could probably do a whole series of albums that never quite made it to a chosen each month – we don’t by any means have just those 12 albums in our lives each year – but this one definitely stood out. For every choice there’s always one that ends up on the floor. If I had time again, I’d have chosen Everything Everything’s Reanimator because – no diss to Yves Tumor, my EP3 choice – I’m still playing it, all the time. In fact it’s turned into one of my favourite albums of the last 6 months. In music as in life, you live and learn.
There’s a new Roisín Murphy album out, we may have talked about it. Róisín Machine was out last week and while there’s been a good few tracks trailed (and we’ve been playing them ever since) there’s always a slew of incredible remixes around too, none finer than the mighty Soulwax. If it were my month, this would be my album of the month. But Sufjan is probably getting second fiddle with me anyway (sorry Sufjan). It’s gonna take a mighty musical event to upstage Ms Murphy ♥️
How do I love thee Roisin? Let me count the ways….
This has been around for a while but it’s one of my favourite tracks of the year. And I saw her live (again) at Homoblock on Saturday here. She was, of course, amazing, as was the entire day/night (except on Monday, when it HURT).
No secret I’m a massive Roisin fanboy/crush/worshipper but this is the second new one that’s come out in the last month. I was lucky enough to see her at Somerset House on Sunday night and as ever, she was brilliant. This sounded sensational, plus the video ain’t bad either.