Posted in Album of the Month, New Albums, podcast, Spin it or Bin It

EP. 69 | Lykke Li | The Afterparty

EP.72 | Phoebe Bridgers | Lost Weekend – This Is Not Happening – An Album Of The Month Podcast

Welcome to Episode 72 of This Is Not Happening, an Album of the Month podcast. In Part 1, we do a deep drive review of our Album of the Month. This month Guy has chosen an album that feels inevitable, Phoebe Bridgers much anticipated and long awaited 'Lost Weekend'In Part 2, we play Spin It or Bin It, we pick a theme and all pick songs that represent that theme. This month, taking inspiration from Phoebe our theme is 'Miserable Music'. Tracks that make Phoebe Bridgers sound uplifting.Part 1 | Album of the Month | Phoebe Bridgers | Lost Weekend.Phoebe Bridgers is one of the biggest artists outside of mainstream pop but this is only her 3rd album in 8 years. She doesn't lack for creative output or activity but still, her albums are a rare, anticipated thing. The critical response has been mostly positive but there are some naysayers dispite its current 91 score on Metacritic. But what will we make of it? The four of us have varying degrees of fondness for her music but again mostly positive. Jump on the socials and tell us what you think?Listen to the ever brilliant Switched on Pop episode on this album.Have a look at the spread of critical response on Metacritic.Watch Rolling Stone break down the album here.Part 2 | Spin It or Bin It | Miserable MusicThe theme this month, inspired by Phoebe's melancholic machinations is 'Miserable Music'. Feels like a slam dunk for Joey but what will the brothers bring?The task is pick a track that fits the theme, the objective, get more 'spins' than your friends. We each pick four tracks for a 16 track play list . We then each pick select 1 track and ask the simple question 'Spin It Or Bin It'?Joey choseDavid choseGuy choseNolan choseWe've been writing the blog for years come and have a look – https://thisisnothappening.net/
  1. EP.72 | Phoebe Bridgers | Lost Weekend
  2. EP.71 | Steve Lacy | Oh Yeah?
  3. EP.70 | Olivia Rogrigo | You seem pretty sad …
  4. EP. 69 | Lykke Li | The Afterparty
  5. EP.68 | Robyn | Sexistential

Welcome to Episode 69 of This Is Not Happening, an Album of the Month podcast. 

In Part 1, we do a deep drive review of our Album of the Month. This month Nolan serves up Lykke Li’s new record: ‘The Afterparty’.

In Part 2, we play Spin It or Bin It, we pick a theme and all pick songs that represent that theme. This month, we pick our favourite new music. 

           —— Part 1 | Album of the Month | Lykke Li |  The Afterparty ——

Lykke Li is an adored and fascinating artist, having been releasing music since 2008. The Swedish artist has ploughed her own furrow of pop distinctly different to last month’s Robyn, heavy on melancholy and referencing the 60s as much as the modern world and is a real pod favourite. Breaking out in the late 2000s with I Follow Rivers, she’s the artist you never knew you loved. 

The Afterparty is the sixth studio album for Li, and reflects the uncertainty of the modern, chaotic work in its svelte 24-minute running time, packing so much emotion and dynamics into that short running time. 

The chat takes in her legacy, asks if this truly is her last album, and whether a famously reclusive artist can easily exist in the ‘hyper-on’ world of the music industry in 2026. 

Have a listen, tell us what you think.

                —————- Part 2 | Spin It or Bin It | Sad Bangers —————- 

For Spin It or Bin It this month, we return to new music, picking our favourite new tracks from May and June. 

The task is simple: pick a track that fits the theme, the objective, get more ‘spins’ than your friends. We each pick four tracks for a 16 track play list . We then each pick select 1 track and ask the simple question ‘Spin It Or Bin It’?

What new music would you have chosen? What’s missing from our playlist?

We’ve been writing the blog for years come and have a look – https://thisisnothappening.net/

Posted in Album of the Month, New Albums

June AOTM : Lykke Li – The Afterparty

This month I’ve chosen the new album from Lykke Li, The Afterparty. For the second consecutive month we’ve been gifted an album from an artist much loved on the pod, yet one who has somehow never had a full album featured on either the podcast or the blog. Lykke Li is an artist who continues to evolve, though for me her first three albums remain permanent fixtures in my musical world.

I’ve always found Lykke Li’s music deeply intriguing. Her songs are musically welcoming whilst emotionally devastating — pop music that invites you in before quietly breaking your heart. Her work has long felt centred around a love of love itself; even when the beats are huge, the emotional energy often feels fragile, wounded, or collapsing inward. Where many artists turn heartbreak into empowerment, Lykke Li tends to stay inside the ache — dreamy, self-destructive, romantic, numb, and haunted.

The title The Afterparty immediately filled me with anxiety. Afterparties, in my experience, are rarely parties at all. They’re strange, liminal spaces where the adrenaline, glamour, and euphoria have worn off, leaving anxiety, exhaustion, regret, loneliness, and existential dread. Everyone is quietly planning their exit.

That feeling makes this album title especially fitting. In recent interviews, Lykke Li has hinted that The Afterparty may be her final album after more than two decades in an industry she has repeatedly admitted doesn’t suit her. Her Scandinavian bluntness has often cut through the mythology of music industry glamour. One of my favourite quotes from her remains: “The profession I have keeps dragging me into drama and taking me away from baking, flowering and gardening.”

What makes The Afterparty so compelling is how it feels like the culmination of everything she has explored across her career — from the icy melancholy of her earlier work to the widescreen pop and club textures of later releases and remixes. At just nine songs and roughly twenty-five minutes long, it achieves more than many albums manage in twice the runtime. The soundscape feels simultaneously expansive and tightly controlled, whilst lyrically it moves through themes of love, ageing, alienation, fame, and emotional exhaustion. Glamorous yet emotionally wrecked feels like the perfect description.

From the opening pulse of “Not Gon Cry”, the album immediately establishes its emotional contradiction: euphoric music carrying deeply bruised emotions. Anchored by the lead single “Lucky Again”, the remaining eight tracks orbit with near perfection around her core sound. Throughout, the album bleeds broken positivity — shimmering with hope whilst soaked in melancholy.

The brief spoken line at the beginning of “Famous Last Words” — “I don’t trust anything. I’m going to a dark place, do you need anything?” — perfectly captures the fragility running through the record. It’s darkly funny, vulnerable, and quietly devastating.

If The Afterparty is a comedown, it is an exquisitely crafted one — elegant, emotionally rich, and full of musical joy despite the darkness at its centre. If this truly is Lykke Li’s final album, she has left us with one of the most accomplished works of her career.

Though the eternal fan in me still hopes this isn’t her swan song.