Not quite albums of the month…. the ones that got away.

It may seem like there’s always a nailed-on candidate for our albums of the month. But there’s all sorts of reasons that an album may not be chosen as AOTM. Way before we did the podcast, we were still having the same discussions and dilemmas. So why would it get derailed? Sometimes it’s as simple as the fact that we’ve already got it and have rinsed it before it could be chosen – Caribou’s Suddenly and Roisin Murphy’s Roisin Machine are both good examples of this last year – or sometimes there’s a veto from in the camp. Or it simply falls at the wrong time: your album’s released in March, you have June, and by the time your choice comes around, its old news.

I think we can all agree that should time be taken again for Roisin, we’d have chosen her over Sufjan 99 times out of 100. Hindsight is an easy out. But we loved it so much it sometimes feels like taking the less worn path (though Sufjan is hardly unlikely) is a better choice than choosing something everyone will love. Other times while one – or more – of us loves it, it’s pretty clear that it would be likely hated by the other. I know what I’ll be playing still in a year.

With Ep11 and April’s AOTM in question, this is a great example of that dilemma. @misterstory put me onto Menneskekollektivet by Lost Girls, a strange, ethereal collection of 5 tracks from Norwegians Jenny Hval and Havard Volden, that he brought to my attention as one of the 4 ‘new tracks’ up with Episode 10. 11 minutes of hypnotic music that’s part spoken word, part dancefloor chug, then in between meanders into the areas in between. I was half-captivated, half confused by it, but it definitely stuck in my head. And it pointed me to the album, which was just as off the wall, but just as beautiful. While it was in the mix for April, we also knew that it really wouldn’t be a ‘David’ album, and we weren’t sure it was a Nolan one either, and so it went to the cutting room floor. Which is odd as the album we chose – Genesis Owusu‘s Smiling With No Teeth – was just as ‘out there’ in many I(but different) ways. But it just seemed to be an album which would be a choice that would land with the four of us better. Having said that, we chose Macca, and look how that turned out for Ep7!

Going a bit deeper into the album than even Joey has so far, Love Lovers is probably the standout of the 5 tracks (total: 44 minutes for, yes, only five tracks). A tribal beat that morphs into techno, as Hval’s spoken words then wailing notes and Volden’s chords drive the melody, until it breaks out into an epic peak. Carried By Invisible Bodies also weaves around, its chords de- and re-tuned throughout, a sort of woozy, disorienting melody that I’m still not sure if I’d ever have the cojones to play out anywhere. It definitely skirts the fine line between musical genius and pretentiousness, and no doubt knows that. But the artist background of Hval (and this being considered an accessible counterpoint to her solo work!) makes this less of a surprise when you delve deeper.


We could probably do a whole series of albums that never quite made it to a chosen each month – we don’t by any means have just those 12 albums in our lives each year – but this one definitely stood out. For every choice there’s always one that ends up on the floor. If I had time again, I’d have chosen Everything Everything’s Reanimator because – no diss to Yves Tumor, my EP3 choice – I’m still playing it, all the time. In fact it’s turned into one of my favourite albums of the last 6 months. In music as in life, you live and learn.

Some albums I’ve been loving …

Rhye – 'Home' review: The disco dancefloor calls, but will Rhye pick up? |  The Forty-Five
Michael Milosh, aka Rhye.

A short but functional post today. We only get to review one Album of the Month but of course listen to so much more. I thought I’d share a few of the new albums that have been a big part of my life in the last month or two;

Unfortunately, it’s all too easy to guess what albums are going to feature in the end of year round ups, even as early as January. ‘Home’ by Rhye probably won’t be troubling too many of these lists. It’s too nice. It’s too gentle. It’s nowhere near cool enough. But I love it and everyone that I have recommended it to has loved it too, regardless of their usual musical tastes. Listen without prejudice and enjoy.

Next is ‘Deacon’ by serpentwithfeet which is an ambient R&B celebration of big gay love and sex. I am not sure there’s much more to be said. It’s a beautiful, perfectly crafted selection of 11 tracks. Each has something to say on their own but also as part of the wider story. Pull the lyrics up when you listen, revel in the frankness of the stories told.

Finally, is ‘Menneskekollektivet’ by Lost Girls a collaboration between 2 Norwegian artists; Jenny Hval and Havard Volden. Here you’ll find 5 tracks, 46 minutes worth of surprisingly accessible, experimental electronica textured with spoken word, vocal melody and harmony, guitars and at time chuggy beats. Sometimes odd, always fascinating. I know Guy is enjoying this one and he may also post on this album too. I think this album is very much worth investing some time into.

Podcast: Secret Santa Track Selection for Guy

Listeners to the This Is Not Happening Podcast will be familiar with our standard format. The 1st half of each Pod is dedicated to an ‘Album of the Month’ (AOTM), the 2nd half of each Pod is dedicated to ‘Tracks of the Month’ (TOTM). Each pod we have a different theme for TOTM. We’ve had ‘new tracks’ and ‘favourite disco track’ but in Episode 10 (coming soon) we chose a new approach. We would draw straws, Secret Santa style, to find a new track for a specific member of the This Is Not Happening crew.

The track that we were selecting could be literally anything. An old classic. A hidden gem. Something brand-spanking-new that they’d never heard. Just in case we selected something that they already new we agreed to create a 4 track playlist so that we had a few back-ups. I was drawn to play Secret Santa to Guy. At first I thought this was a good thing and that my job would be relatively easy. And then i didn’t sleep for 2 weeks worrying about this selection.

Ahead of the podcast being released into the wild. I thought I’d share the long list from which I carved out my 4 track long list and my track selection.

You’ll find a pretty broad range of track selections here. Some of them I could have selected for Nolan, a couple I could have selected for David but I had good reason to believe that many, if not all, fitted into the overlap in the Venn Diagram of Guy and Joseph. The 2x 12 minute tracks were strictly for Guy!

I hope you enjoy my musical gift to Guy. I am sure he won’t mind you borrowing it.