Category: New Tunes

As we’ve discussed for many years; making music is tough, consistently making fantastic music is near impossible. Vampire Weekend’s span has placed well placed albums that have all sounded great and have stood the test of time. Not bad going, nevertheless resulting in high hopes for their latest release ‘Only God Was Above Us’.

Since their debut (2008’s self titled Vampire Weekend) I’ve been a big fan of the band. It was like they were the perfect band for me. With a well balanced mixture of something old, something new, something borrowed and something Paul Simon they filled a gap that was missing. Over their previous four albums they’ve created some of the best songs to dance, sing and not know all the words to over the years. Although a pod favourite, we have only reviewed one Vampire Weekend album previously (2013’s Modern Vampire’s of the City) the love for this band has never been hidden within the ThisIsNotHappening crew.

The initial singles were great, though listening to the album as a whole for me resulted in pure joy and excitement.  There’s a well-rounded confidence on this album. The evolution from their first album has been evident through their previous albums. Only God Was Above Us exudes a confidence that they have found the sound they’ve been working towards. Brother David has already (controversially) argued that this may be their best album.

So what’s so good about the album?  Each song holds its own for me which says a lot. Classical is a great example of the band’s ever so slight evolution as it tips its’ cap to the experienced ensemble at their best. Creating a welcoming hug of a song that makes you want to dance and sing along like you’ve heard the song a million times before and it’s full of memories. For clarity my wife isn’t fully sold. It’s too screechy for her. I get it what’s she’s saying; but I sort of think it makes the song.

I’ve read a few reviews of this album, and have listened to a few internet audio reviews. They generally have been very good. One unnamed reviewer had issues with The Surfer. He said it let the album down. I disagree. It nicely breaks up the album…. And it’s SO Vampire Weekend. And there it is. This is a band that have their own distinct sound. I get that their influences are vast and obvious at times. But they’ve found a seamless way of navigating through a mish mash of things that shouldn’t work together. With each album this melting pot has been more complex. With this album they seem to have found their purple patch. Connect is a great example of this. What could be a very confusing song is just, well, sonically brilliant.

Whilst previous albums have presented a Riddler like lyric sheet from Ezra Koenig, his lyrics seems less aloof this time around. Not downplaying their content and meaning as there’s a lot to go at. Perhaps his accomplished approach has allowed confidence in more upfront lyrics to communicate his thoughts? Is there anyone that makes talking about mortality, plus his and others emotions so well whilst sounding like he’s having fun?

Each song is a joy to the ears, complimented by seamless programming. Hope is a wonderful album finisher. It’s wall of sound delight. An eight minute wave goodbye (ironically) delving into not trying too hard letting go.

With the exception of their debut album, none of their albums have clicked as quickly as Only God Above Us for me. Currently at #6 on Metacritics best albums of 2024 (at time of writing in mid April), the latest effort from Vampire Weekend has already embedding itself into the hearts of many (me included). It will struggle to stay out of my top 10 for the year. But is the familiar nostalgia enough to tick the rest of your boxes. I look forward to your thoughts.