Welcome to Episode 68 of This Is Not Happening, an Album of the Month podcast. In Part 1, we do a deep drive review of our Album of the Month. This month Guy brings a Robyn's latest release 'Sexisitential'. In Part 2, we play Spin It or Bin It, we pick a theme and all pick songs that represent that theme. This month, the theme is 'Sad Bangers'. —— Part 1 | Album of the Month | Robyn | Sexistential ——Robyn is a unique, iconic figure in contemporary music. She's been making and releasing music since 1995, her career spans 4 decades already and she shows no signs of slowing down. Her pop career started when she was 15, she's about to celebrate her 47th birthday, this is insane staying power!Sexistential is her 9th studio album if you count the Body Talk series as full albums? It's only 29 mins long, it doesn't mess about and no track or the album in full overstays it's welcome. There is lots to get into in the discussion, has she still got it? Is she doing new things? Is this still relevant and if so who for? How artists change and what we expect from them as they age?Have a listen, tell us what you think.Listen to the original album here.Watch some of her videos here , particularly the singles from this album.Buy this album or some merch here. And listen to her talk about the album here. —————- Part 2 | Spin It or Bin It | Sad Bangers —————- Robyn's biggest track is 'Dancing On My Own' is the archetype of a genre that Guy made up 'Sad Bangers'. This is our theme for Spin It or Bin It this month. It's got to be sad, and it's got to bang. Simple (in theory).The task is pick a track that fits the theme, the objective, get more 'spins' than your friends. We each pick four tracks for a 16 track play list . We then each pick select 1 track and ask the simple question 'Spin It Or Bin It'?David chose Destroy Everything You Touch by Ladytron.Joey chose 'Teardrops' by Womack and Womack.Guy chose 'Lovesick' by Friendly Fires.Nolan chose 'Blue Monday' by New Order.What would you have chosen? What's missing from our playlist?We've been writing the blog for years come and have a look – https://thisisnothappening.net/
Welcome to Episode 37 of This is Not Happening. An Album of the Month Podcast where in Part 1 we deep dive into an Album that one of us has chosen and in Part 2 we play ‘Spin it or Bin it’. This is where we pick a theme and each select a song that represents that theme. We judge each others selections by asking the question ‘Spin It or Bin It’? This month, we get pretty emotional about Julie Byrne’s latest album ‘The Greater Wings’ in Part 1. In Part 2, Spin it or Bin it theme is ‘no human sounds’. All will be explained …
Part 1 | Julie Byrne | The Greater Wings
It’s Joey’s choice this month and for the 2nd time in This is Not Happening history he chooses a beautiful album by Julie Byrne. We’re in the indie-folk-ambience hinterlands from a stylist perspective. From an emotional perspective we’re right at the intersection of beauty, grief, loss, hope and reflection. We talk about what this album is, how there’s more than one way to experience it, our favourite tracks and what it means to us.
Another interview with Julie, this time on KEXP Podcasts
Part 2 | Spin It or Bin It | ‘No Human Sounds’
This one was way harder than it sounded at first. The theme this month is ‘No Human Sounds’. We started with no vocals, then decided no human sounds at all, then we added that it couldn’t be ‘dance music’. Joey suggested we define ‘dance music’, he got laughed at … then we got into an argument about all of Guys choices being dance music.
We all chose a track that fits the theme then ask the others a simple question ‘spin it or bin it?’
I tend to love 2 types of music (i) really beautiful music (ii) really un-beautiful music. I don’t play in the no-mans land between them and prefer the extremes of the beauty continuum. There is no doubt that Julie Byrne’s ‘The Greater Wings’ sits at the very beautiful end of the beautiful music spectrum.
I have for some time loved the niche, sub-sub-genres of ‘folk music that bleeds into ambience’ and also ‘ambience that bleeds into folk music.’ I would listen to pretty much anything that Grouper or Mutual Benefit recorded. Julie Byrne sits somewhere in this space and occupies a very special place in my heart and my ears for doing so. This is Julie’s 3rd album in a period of 9 years of releasing albums. She’s far from prolific and that’s ok with me. It’s been 6 years since the release of Not Even Happiness which I chose as Album of the Month and introduced you guys too. That album is my calm place. It’s a constant in my life. I ‘use’ that album as much as listen to it, by which I mean that it plays a role in my life more than music. God that sounds wanky but also, it’s true so fuck it.
You won’t get many words into a review for ‘The Greater Wings’ without learning that it was completed in heartbreaking circumstances. In June 2021, Eric Littmann, Bryne’s long time collaborator, friend and I believe former partner passed away. He was 31. Apparently Littmann was as responsible for the beauty of ‘Not even happiness’ as Byrne was, adding production and synth credits to the album. He’s untimely passing came half way through recording ‘On Greater Wings’. It feels like he was a major influence in the creation of the album but also that he influenced the nuance with which the album was completed after his passing.
I read a ‘throw-away’ Instagram post the other day that introduced me to the concept of ‘Glimmers’ and explain them as the opposite of triggers. Its the things that add beauty and peace into your world. The idea being that (as per triggers) the more you look for them, the more you find them. ‘The Greater Wings’ is 39 minutes of glimmers, glimmers born of the most heartbreaking circumstances.
I read about this album before I had the chance to listen to it. I knew the circumstances in which it was recorded and this probably set my initial expectations. But it’s perhaps not what you think it is. At least, not unless you want it to be. I think there are 2 ways to listen to this album. You can allow this album to infuse you with glimmers and with loveliness by allowing yourself to be caught up in its current. You can allow it to pull you along with it. Or, you can make a deliberate, conscious decision to immerse yourself in it. If you do the latter, it can be emotionally overwhelming, it could be the wrong time to listen to this album like this. I do however think that if you chose the first option, you are not missing out on the depth or the importance of this album. I am not suggesting you make it background music. I am not sure it could ever be that. It still radiates beauty and connection … and glimmers.
If you’re new to Julie Byrne, her music sits somewhere in that Indie / Folk space. She’s always experimented with Synths and ambience that adds something hauntingly affecting to her music. This album is this x10. It’s 39 minutes, 10 tracks. Every note, sound and feeling is where it is as a deliberate act of placement. Bryne talks about the track sequencing being the result of very specific thinking. She talks about the presentation of tracks being ‘the purest form’ of the music on this album. She also talks about Side A and Side B. If I am honest, I was not convinced that I thought the sequencing was ‘right’ when I first heard it. The title track is a stunning piece of music but I was not sure if it felt right to start the album. However, having lived with this album for weeks, I get it. I totally understand what she means.
One thing you won’t hear on this album is percussion. The closest you get is the percussive thrum of a finger picked guitar. On some tracks this is more definable than others, ‘Portrait of a Clear Day’ being a great example. The piano drives other tracks forward but mostly we’re taking about very calm, ambient, beatless tracks.
Lyrically, this album is stunning. Again, it can be overwhelming, but there is more than one way to read this music and it’s lyrics. I encourage anyone to ‘read’ these lyrics as ‘openly’ as they can do. For me, I get more from them if I do this, to concentrate on the beauty.
I am not going to do a track by track on this one. I don’t think it’s fitting. Every track has a critical place on this album and I love each and every one for that place. The instrumental ‘Summers End’ included. This is a palette cleansing couple of minutes of ambience that closes ‘Side A’ and prepares the listener for ‘Side B’. To follow ‘Summers Glass’ (which Byrne describes as the beating heart of the album) with ‘Summers End’ feels a very natural and rewarding decision. I understand that the title ‘Summers End’ refers to a song that Littmann wrote for Byrne when they first met.
This is so clearly 2023 Top 5 album material for me. This is everything that I love about music. I hope you find something you love in it. I hope it doesn’t overwhelm you, perhaps only when you want it to. It has at times overwhelmed me. It has made me think and question a lot of things.
It has kept me coming back to a single question.
Could anybody ever expect to influence anything as beautiful as this after they pass on?
Welcome to Episode 36 of This is Not Happening. An Album of the Month Podcast where in Part 1 we deep dive into an Album that one of us has chosen and in Part 2 we play ‘Spin it or Bin it’. This is where we pick a theme and each select a song that represents that theme. We judge each others selections by asking the question ‘Spin It or Bin It’? This month, we get stuck right into Creep Show’s ‘Yawning Abyss’ in Part 1 and in Part 2 we play Spin It or Bin It with the theme ‘Super-Producers’.
Part 1 | Album of the Month | Creep Show’s ‘Yawning Abyss’
It’s Guy’s choice this month and he choses a bleak little oddity by Creep Show called Yawning Abyss. Creep Show are a ‘Super Group’ of John Grant, Phil Winter (Tuung), Stephen Mallinder (Caberet Volataire) and Ben ‘Benge’ Edwards (Prolific Producer). This is their 2nd album as a collective and they channel the dark, the dystopian and the hopeless across 9 tracks and 40-ish minutes of music. There are elements of each individuals previous work but there is distinctive sound that the band capture themselves.
What is a Super-Producer? It turns out we all have a different definition, no surprises there I guess! But collectively we kind of agree that a Super-Producer is (i) successful (ii) prolific (iii) has had a significant impact on music (iv) spans numerous artists and perhaps genres.
Welcome to Episode 68 of This Is Not Happening, an Album of the Month podcast. In Part 1, we do a deep drive review of our Album of the Month. This month Guy brings a Robyn's latest release 'Sexisitential'. In Part 2, we play Spin It or Bin It, we pick a theme and all pick songs that represent that theme. This month, the theme is 'Sad Bangers'. —— Part 1 | Album of the Month | Robyn | Sexistential ——Robyn is a unique, iconic figure in contemporary music. She's been making and releasing music since 1995, her career spans 4 decades already and she shows no signs of slowing down. Her pop career started when she was 15, she's about to celebrate her 47th birthday, this is insane staying power!Sexistential is her 9th studio album if you count the Body Talk series as full albums? It's only 29 mins long, it doesn't mess about and no track or the album in full overstays it's welcome. There is lots to get into in the discussion, has she still got it? Is she doing new things? Is this still relevant and if so who for? How artists change and what we expect from them as they age?Have a listen, tell us what you think.Listen to the original album here.Watch some of her videos here , particularly the singles from this album.Buy this album or some merch here. And listen to her talk about the album here. —————- Part 2 | Spin It or Bin It | Sad Bangers —————- Robyn's biggest track is 'Dancing On My Own' is the archetype of a genre that Guy made up 'Sad Bangers'. This is our theme for Spin It or Bin It this month. It's got to be sad, and it's got to bang. Simple (in theory).The task is pick a track that fits the theme, the objective, get more 'spins' than your friends. We each pick four tracks for a 16 track play list . We then each pick select 1 track and ask the simple question 'Spin It Or Bin It'?David chose Destroy Everything You Touch by Ladytron.Joey chose 'Teardrops' by Womack and Womack.Guy chose 'Lovesick' by Friendly Fires.Nolan chose 'Blue Monday' by New Order.What would you have chosen? What's missing from our playlist?We've been writing the blog for years come and have a look – https://thisisnothappening.net/
This month we’re doing things a little differently. In this episode we are celebrating Hip Hop’s 50th Birthday by each choosing our favourite Hip Hop album. We’re not choosing ‘the best’ or ‘the most important’ we’re choosing our personal favourites. We take it in turns to introduce our favourite album and discuss what everyone else thinks.
Listen Here – 16 track playlist, 4 tracks each from our 4 favourite Hip Hop albums.
Nolan’s Favourite Hip Hop Album | ATLiens by Outkast Straight out of the blocks is our resident Hip Hop expert Nolan’s with his selection, Outkast’s 2nd album, 1996’s ATLiens.
You can find an introduction to this album by Nolan on our blog – read it here.
ATLiens 25th Anniversary You Tube page and videos can be found –here.
Joey’s Favourite Hip Hop Album | Buhloone Mind State by De La Soul Choosing a classic TINH album from the past, Joey counters with his favourite, going back 3 years and selecting De La Soul’s 3rd album, release 30 years ago in 1993, Buhloone Mind State.
You can find an introduction to this album by Joey on our blog – read it here.
Have a look here at De La Soul’s You Tube account for videos – here.
David’s Favourite Hip Hop Album | Reachin’ by Digable Planets This one was a real pleasure to be re-introduced too. We’re staying in 1993 with David’s selection Reachin’ by Digable Planets. The ‘most-David’ Hip Hop album evs.
You can find an introduction to this album by David on our blog – read it here.
Watch the video to the track that kicked the whole thing off – here.
Guy’s Favourite Hip Hop Album | Renaissance by Q Tip After some deliberation, Guy chose an album that divided opinions at the time but has aged very well and is a lovely choice by Guy. 2008’s Renaissance by Q Tip.
You can find an introduction to this album by Guy on our blog – read it here.
So, these are our 4 favourite Hip Hop albums of all time. What do you think? Do you know these albums? What are your favourites? Hit us up, let us know.
This month we’re all picking our favourite Hip Hop album to celebrate the genre’s 50th Birthday. We’re NOT picking ‘the best’ or ‘the most hipster’ or the ‘one with the most singles on it’ etc etc. It has to be personal, it has to be ‘our’ and it has to be ‘favourite’. For me, there is not too much debate on my choice. Well, ok, there was a little debate. I too, like David struggled with a Public Enemy album but mine would be Apocalypse ’91 which is almost nobody else’s favourite PE album. But being true, I had to pick Buhloone Mind State.
I bought this, on CD from John Menzies in Aldridge in 1993. I guess that means I was 16 and I guess that means that due to the release date I had just started my A levels. I had barely listened to De La Soul for 5 years. I wasn’t a huge 3 Feet High and Rising fan. It has a place in my heart and in my history but SOOOOOO many skits. Obviously it had a HUGE impact on music, on Hip Hop and on culture in general. It was important. I was mostly listening to Sonic Youth and the Pixies at this stage. I was starting to explore electronica. But something made me buy this album and it has been with me ever since. I wish I could chart the consistency of which I play this album cause I think it would be a surprisingly frequent and regular listen over the past 30 years. Albums have memories attached to them, my memories attached to this album span 30 years!
So what is it? It’s De La Soul’s 3rd album. And its a ‘proper’ album. Its a coherent body of work with productions credits going to Prince Paul and perhaps his best work? (Handsome Boy Modelling School?). The album has recurring musical, lyrical and emotional themes. It’s an exploration of Hip Hop, of music, of De La Soul’s treatment by the music industry. It’s about 3 musician’s growing up.
At first it can sound like a bag of ideas, not all of which are expressed fully formed but in my mind all of the ideas on this album are fully explored, they are just not explored within the confines of one track. Motifs are introduced on one track, carried through to another and finally resolved in yet another. The tracks on this album could only ever appear in the order that they do. There is no debate. Sorry. If you listen to this on shuffle, we need to speak.
It’s got just about everything you could want from any album. It’s introspective (without that introspection every wandering up it’s own arse), it’s genuinely innovative, it’s funny, it’s heart breaking, it’s educational, it’s 48 mins but feels much less. It’s a joy.
It’s also pretty dark in places. A repeated notion is the their frustration with constantly being asked to ‘cross over’. ‘Why are N***** always crossing over something huh? I mean what’s the matter huh? They can accept our music as long as they can’t see our faces’. This theme appears through out the album and is a clear reference to the expectations of the industry following the success of 3 Feet and then the critical reception to De La Soul is Dead.
Let’s also hear it for Maceo Parker ‘who be blowin’ the soul out of this horn’.
David has asked if ‘I am I be’ is the best Hip Hop album track of all time. I ask, is it the best Hip Hop track of all time? It is the beautiful, perfect resolution to many of the motifs explored on the album, they all point to this piece of Hip Hop perfection. If you ever find yourself in an argument with a mouth breather about the importance of Hip Hop as a credible art form, just ask them to sit down and listen to this. You might want to share the Posdnous’s first verse lyrics and ask them to reconsider their opinion;
I am Posdnous I be the new generation of slaves Here to make papes to buy a record exec rakes The pile of revenue I create But I guess I don’t get a cut cuz my rent’s a month late Product of a North Carolina cat Who scratched the back of a pretty woman named Hattie Who departed life just a little too soon And didn’t see me grab the Plug Tune fame As we go a little somethin’ like this Look ma, no protection Now I got a daughter named Ayana Monet And I can play the cowboy to rustle in the dough So the scenery is healthy where her eyes lay I am an early bird but the feathers are black So the apples that I catch are usually all worms But it’s a must to decipher one’s queen From a worm who plays groupie and spread around the bad germ I cherish the twilight I maximize, my soul is the right size I watch for the power to run out on the moon (And that’ll be sometime soon) Faker than a fist of kids Speakin’ that they’re black When they’re just niggas trying to be Greek Or some tongues who lied And said “We’ll be natives to the end” Nowadays we don’t even speak I guess we got our own life to live Or is it because we want our own kingdom to rule? Every now and then I step to the now For now I see back then I might have acted like a fool Now I won’t apologize for it This is not a bunch of Brady’s But a bunch of black man’s pride Yet I can safely say I’ve never played a sister by touching where her private parts reside I’ve always walked the right side of the road If I wasn’t making song I wouldn’t be a thug selling drugs But a man with a plan And if I was a rug cleaner Betcha Pos’d have the cleanest rugs I am
In Part 1 we get to grips with the enchanting ‘Wait Til I Get Over’ by Durand Jones. We talk all things soul and share our opinions. In Part 2 we play a one-off version of Spin It or Bin It that we’re calling ‘Love/Hate’. We each pick a track that we love but we think the others will hate.
Part 1 | Album of the Month | Durand Jones | Wait Til I Get Over
It’s David’s choice this month and he’s chosen an album by and artist that none of us have any history with or knowledge of. The album is very much a soul album in every way that you could possibly define that word. If you want it to be, it’s a very easy to listen to soul album that fits nicely into the sun we’ve been enjoying. But it’s also a deeply personal and emotionally moving album if you go a little deeper.
‘The Show on the Road’ this is a great interview! – Click Here
‘Bedroom Beethovens’ … another interview – Click Here
Sound and Vision interview that we reference – Click Here
Part 2 | Spin It or Bin It | Love/Hate
So. This is a new one. We all pick a track that we love and will defend to the hilt … but that we think the other 3 of us will hate. It sounds easy, but it’s actually not.
In order to chose our tracks we create a long list, then a short list of 4 tracks each. Each of our 4x track short lists are collated here… have a listen … but approach with caution, this makes no sense whatsoever!
Welcome to Episode 68 of This Is Not Happening, an Album of the Month podcast. In Part 1, we do a deep drive review of our Album of the Month. This month Guy brings a Robyn's latest release 'Sexisitential'. In Part 2, we play Spin It or Bin It, we pick a theme and all pick songs that represent that theme. This month, the theme is 'Sad Bangers'. —— Part 1 | Album of the Month | Robyn | Sexistential ——Robyn is a unique, iconic figure in contemporary music. She's been making and releasing music since 1995, her career spans 4 decades already and she shows no signs of slowing down. Her pop career started when she was 15, she's about to celebrate her 47th birthday, this is insane staying power!Sexistential is her 9th studio album if you count the Body Talk series as full albums? It's only 29 mins long, it doesn't mess about and no track or the album in full overstays it's welcome. There is lots to get into in the discussion, has she still got it? Is she doing new things? Is this still relevant and if so who for? How artists change and what we expect from them as they age?Have a listen, tell us what you think.Listen to the original album here.Watch some of her videos here , particularly the singles from this album.Buy this album or some merch here. And listen to her talk about the album here. —————- Part 2 | Spin It or Bin It | Sad Bangers —————- Robyn's biggest track is 'Dancing On My Own' is the archetype of a genre that Guy made up 'Sad Bangers'. This is our theme for Spin It or Bin It this month. It's got to be sad, and it's got to bang. Simple (in theory).The task is pick a track that fits the theme, the objective, get more 'spins' than your friends. We each pick four tracks for a 16 track play list . We then each pick select 1 track and ask the simple question 'Spin It Or Bin It'?David chose Destroy Everything You Touch by Ladytron.Joey chose 'Teardrops' by Womack and Womack.Guy chose 'Lovesick' by Friendly Fires.Nolan chose 'Blue Monday' by New Order.What would you have chosen? What's missing from our playlist?We've been writing the blog for years come and have a look – https://thisisnothappening.net/
In Part 1 we explore the new Everything But The Girl album Fuse, and ask is it worth the 24 year wait? In Part 2 we play Spin It or Bin It? The theme this month is new music … tracks that have been released since Feb 1st 2023.
Part 1 | Album of the Month | EBTG | Fuse
It’s Nolan’s choice this month and we go with the long awaited / not even expected 12th studio album from Tracey Thorn and Ben Watt. It’s rare that we get to talk about an artist that we all have a significant relationship, but this is a great example. In January we got treated to the track Nothing Left to Loose but the album offers much more. It’s got just about every type of EBTG track you can think of and some of their best tracks ever.
In order to chose our tracks we create a long list, then a short list of 4 tracks each. Each of our 4x track short lists are collated here … have a listen.
Welcome to Episode 68 of This Is Not Happening, an Album of the Month podcast. In Part 1, we do a deep drive review of our Album of the Month. This month Guy brings a Robyn's latest release 'Sexisitential'. In Part 2, we play Spin It or Bin It, we pick a theme and all pick songs that represent that theme. This month, the theme is 'Sad Bangers'. —— Part 1 | Album of the Month | Robyn | Sexistential ——Robyn is a unique, iconic figure in contemporary music. She's been making and releasing music since 1995, her career spans 4 decades already and she shows no signs of slowing down. Her pop career started when she was 15, she's about to celebrate her 47th birthday, this is insane staying power!Sexistential is her 9th studio album if you count the Body Talk series as full albums? It's only 29 mins long, it doesn't mess about and no track or the album in full overstays it's welcome. There is lots to get into in the discussion, has she still got it? Is she doing new things? Is this still relevant and if so who for? How artists change and what we expect from them as they age?Have a listen, tell us what you think.Listen to the original album here.Watch some of her videos here , particularly the singles from this album.Buy this album or some merch here. And listen to her talk about the album here. —————- Part 2 | Spin It or Bin It | Sad Bangers —————- Robyn's biggest track is 'Dancing On My Own' is the archetype of a genre that Guy made up 'Sad Bangers'. This is our theme for Spin It or Bin It this month. It's got to be sad, and it's got to bang. Simple (in theory).The task is pick a track that fits the theme, the objective, get more 'spins' than your friends. We each pick four tracks for a 16 track play list . We then each pick select 1 track and ask the simple question 'Spin It Or Bin It'?David chose Destroy Everything You Touch by Ladytron.Joey chose 'Teardrops' by Womack and Womack.Guy chose 'Lovesick' by Friendly Fires.Nolan chose 'Blue Monday' by New Order.What would you have chosen? What's missing from our playlist?We've been writing the blog for years come and have a look – https://thisisnothappening.net/
In Part 1 we explore the mesmerising (but opinion dividing) 2nd album by Kelela, ‘Raven’. In Part 2 we play ‘Spin it or bin it?’ … but do we really? The theme this month is our favourite De La Soul tracks … is anyone really going to bin a De La Soul track?
Part 1 | Album of the Month | Kelela | Raven
It’s Joey’s choice this month and we’re focusing on an intriguing, vibe of an album called Raven by Ethopian-American artist Kelela. It’s 15 tracks, over an hour and plays out like a late-90s, early-00’s post club mix tape. There’s lots of opinions on this album, in the critical sphere they’re almost universally (really) positive, the album being on of the best reviewed albums of the year. However, its a 100%, unquestioning love-in on This Is Not Happening.
Live Jimmy Fallen performance of ‘Enough for Love’ – Here
Part 2 | Spin It or Bin It | De La Soul tribute
After the sad passing of Trugoy the Dove, we pay tribute to De La Soul. This is the 1st time that the question ‘spin it or bin it’ is completely redundant.
Check out our 16 track De La Soul tribute playlist (4 tracks each) can be found – Here (this is a good one!)
Next Month
In part 1Nolan brings ‘Fuse’ by Everything But the Girl as our Album of the Month, in Part 2 we play ‘Spin it or bin it’ with new tracks for the last 3 months.
Welcome to Episode 68 of This Is Not Happening, an Album of the Month podcast. In Part 1, we do a deep drive review of our Album of the Month. This month Guy brings a Robyn's latest release 'Sexisitential'. In Part 2, we play Spin It or Bin It, we pick a theme and all pick songs that represent that theme. This month, the theme is 'Sad Bangers'. —— Part 1 | Album of the Month | Robyn | Sexistential ——Robyn is a unique, iconic figure in contemporary music. She's been making and releasing music since 1995, her career spans 4 decades already and she shows no signs of slowing down. Her pop career started when she was 15, she's about to celebrate her 47th birthday, this is insane staying power!Sexistential is her 9th studio album if you count the Body Talk series as full albums? It's only 29 mins long, it doesn't mess about and no track or the album in full overstays it's welcome. There is lots to get into in the discussion, has she still got it? Is she doing new things? Is this still relevant and if so who for? How artists change and what we expect from them as they age?Have a listen, tell us what you think.Listen to the original album here.Watch some of her videos here , particularly the singles from this album.Buy this album or some merch here. And listen to her talk about the album here. —————- Part 2 | Spin It or Bin It | Sad Bangers —————- Robyn's biggest track is 'Dancing On My Own' is the archetype of a genre that Guy made up 'Sad Bangers'. This is our theme for Spin It or Bin It this month. It's got to be sad, and it's got to bang. Simple (in theory).The task is pick a track that fits the theme, the objective, get more 'spins' than your friends. We each pick four tracks for a 16 track play list . We then each pick select 1 track and ask the simple question 'Spin It Or Bin It'?David chose Destroy Everything You Touch by Ladytron.Joey chose 'Teardrops' by Womack and Womack.Guy chose 'Lovesick' by Friendly Fires.Nolan chose 'Blue Monday' by New Order.What would you have chosen? What's missing from our playlist?We've been writing the blog for years come and have a look – https://thisisnothappening.net/
In Part 1 we speak in depth about Young Fathers latest album ‘Heavy Heavy’ and how it packs such a punch in 32 minutes. In Part 2 we play ‘Spin it or bin it?’, the theme this month is the curious anomaly that is ‘Post Genre’.
Part 1 | Album of the Month | Young Fathers | Heavy Heavy
It’s Guy’s choice this month and we return back to an artist that we spoke about 9 years ago when they released their debut ‘Dead’. Across 3 previous releases, Young Fathers have secured near universal critical acclaim, yet little commercial success. Is Heavy Heavy the album that will change this. It looks like it. But that doesn’t mean this is a collection of easy listening pop tunes. We discuss what this is, what we love and the live experience. If you know them enjoy, if you don’t dig in!
This month, we’re going to live with and experience Raven by Kelela. It’s an album that deserves the extended attention that a ‘This is Not Happening Album of the Month’ receives. It’s a long album, 15 tracks and just over an hour in length. But it’s not just its length that makes it worthy of spending more time with. It’s a sophisticated, rich and complex album that requires thought and reflection to fully appreciate. I get it, I’m making this sound like hard work aren’t I? For me it isn’t hard work, never was and never will be. The rewards are obvious and they come on the very first listen.
But let’s start at the beginning, with the simple question of who Kelela is? Kelela Mizanekristos is a 39 year old Ethiopian American who started releasing music in the early to mid 2010s and her first studio Album ‘Take Me Apart’ in 2017. The album received near universal acclaim (see link to Metacritic 84% review score). Even the most negative review of this album described it as ‘Forward thinking R&B animated by restless innovation’. There is something about her relative maturity as an artist in her 30’s making her way in the industry that can be clearly heard in her music. She speaks of this in interviews “I had to learn how oppression works in the music industry, specific to my experience as a queer black woman.” Her sense of self and agency is palpable. It’s what her music sounds like.
It’s been a long time since 2017. It’s been strange since 2017. There’s a lot of ground to cover and much for an artist to reflect on when creating their 2nd album. So what does Raven bring us? What does it sound like? Last month we had a healthy debate about Genre and Post-Genre when discussing ‘Heavy Heavy’ by Young Fathers. And genre is going to come up again here and it’s another interesting discussion. To categorize and define is to be human, yes it can be reductive but it’s so natural it’s impossible to avoid. What genre is Raven? I have read lots of reviews of Raven, lots of them, all of them? You get from a work of art what you bring to it, your experience of it is in itself a self-portrait. This is proven by one review referring to this album as ‘ambient’ another refers to it as ‘dance’ another as ‘R&B’. In truth (at least my truth) it’s all of those things. I do think that predominantly it is an R&B album, but an R&B album that uses worldly influences and the legacy of 40 years of ‘dance’ music to speak it’s truth. I refer you back to ‘Forward thinking R&B animated by restless innovation’, a comment made about her debut that applies perhaps even more to Raven. This is avant garde, experimental R&B. But I also think it’s ‘not ‘R&B’ enough to interest people who have an aversion to ‘R&B’. Or perhaps it’s enough about ‘dance music’ or ‘ambience’ for people with an aversion to ‘R&B’ to still find it massively rewarding.
Beyond genre descriptions, it’s a very interesting album to talk about. It plays out like a late 90’s or early 00’s post-club mix. Its eclectic-ness comes from its exploration of genre but it’s tied together tightly and cohesively with the single minded vision of a true artist. Some tracks feel like you’re on the dance floor, some feel like you’ve left the dance floor but you’re still in the club, you’re still in the realm of that experience but somewhat dislocated from the drive of the main room. Some tracks feel like the woozy, trippy, half connected experience of a post-club taxi or train ride home. Other tracks feel like a post-night-early-AM intimate sexual experience.
Dance floor energy is intwined with ambient comedowns but always in a way that perfectly meshes these experiences and never feels disjointed or anything other than perfectly curated (back to the post-club-mix vibe). The build of tension and it’s subsequent release is a recurring theme and it is a theme that is explored to perfection.
The overwhelming feeling that I get from experiencing this album is one of immersion. I can think of few more immersive albums. If you can humour me while I make a small semantic detour … I think perhaps ‘submerge’ is more accurate than ‘immerse’. Its close to impossible not to use water-based simile and metaphor to describe this album. It is inherently moist (!!!). It’s fluid, sweaty, flowing, dripping, at times mist-like in it’s ambience and then tidal in it’s shear power. You get the point, this is an album that you can actually drown in.
One thing I love about this album is that despite the 6 year wait since Kelela’s last album, this was recorded in a fortnight in Berlin. Obviously post production can be added but there is something in this compressed recording period that can be heard and benefits the albums cohesiveness. This cohesiveness belies the vast list of producers that worked on this album (Kelela, Asmara Yo van Lenz, LSDXOXO Bambii, Florian, TM Zeisig, Brandon Peralta, Kaytranada Khalí Carela, AceMo Fauzia, Paris Strother Badsista Mocky). The only way that that there can be this many different artists contributing to something that sounds this cohesive is for someone to be in total control of the vision. It is clear that this clarity of vision is Kelela’s.
I’ve written this early in the month, before my thoughts and feelings have fully formed. I hope this introduction is a useful doorway into the album. Somethings that I’ve not even mentioned that are worth thinking about;
Her voice … wow
The song writing …
How the lyrics reflect the global experience since her debut
The sequencing of the tracks … and the side A / side B structure
The opening track / closing track perfection
… there is more but I will leave you to find it
For me Raven is a work of rare genius. It’s my ‘Album of the Year So Far’. So much so that I am nervous to put this up for discussion. But that’s what we do. Enjoy.
thisisnothappening.net 